a morning glory
not knowing of our drinking
blooms
--Basho, translated by Stephen Addiss
Tuesday, December 09, 2014
Tuesday, November 18, 2014
One Heavy Cornsack
from Song of Speaks-Fluently
To have to carry your own corn far—
who likes it?
To follow the black bear through the thicket—
who likes it?
To hunt without profit, to return without anything—
who likes it?
You have to carry your own corn far.
You have to follow the black bear.
You have to hunt without profit.
If not, what will you tell the little ones?
--Osage, version by Mary Ruefle
To have to carry your own corn far—
who likes it?
To follow the black bear through the thicket—
who likes it?
To hunt without profit, to return without anything—
who likes it?
You have to carry your own corn far.
You have to follow the black bear.
You have to hunt without profit.
If not, what will you tell the little ones?
--Osage, version by Mary Ruefle
Tuesday, November 11, 2014
One Damaged Atlas
...
i held an atlas in my lap
ran my fingers across the whole world
and whispered
where does it hurt?
it answered
everywhere
everywhere
everywhere.
--Warsan Shire
ran my fingers across the whole world
and whispered
where does it hurt?
it answered
everywhere
everywhere
everywhere.
--Warsan Shire
Tuesday, September 30, 2014
One Strong Spell
Song of a Marriageable Girl
Will a man come for me?
The good spirit of the forest knows.
He could tell little Medje;
But he will not tell.
There are things it is not right to know:
If there will be dew on the grass tomorrow,
If the fish will come to the trap and be caught,
If a spell put on the gazelle
Will let my father kill it.
~Translated from the Pygmy by Willard Trask, after O. De Labrouhe
Will a man come for me?
The good spirit of the forest knows.
He could tell little Medje;
But he will not tell.
There are things it is not right to know:
If there will be dew on the grass tomorrow,
If the fish will come to the trap and be caught,
If a spell put on the gazelle
Will let my father kill it.
~Translated from the Pygmy by Willard Trask, after O. De Labrouhe
Tuesday, August 19, 2014
One Scrubbed Surgeon
Tuesday, June 03, 2014
One Amphibious Centaur
Poetry is a centaur. The thinking, word-arranging, clarifying faculty must move and leap with the energizing, sentient, musical faculties. It is precisely the difficulty of this amphibious existence that keeps down the census record of good poets.
--Ezra Pound
--Ezra Pound
Tuesday, May 13, 2014
One Civilized Glance
And Dreams Paled
By Eeva Kilpi
No sooner had I learned to
get along without
than I happened to think:
I will not give up this person,
And the sheets burst into bloom.
This is reality, he said,
and dreams paled.
So that was the kind of force
behind those civilized glances
that for years
we gave each other.
By Eeva Kilpi
No sooner had I learned to
get along without
than I happened to think:
I will not give up this person,
And the sheets burst into bloom.
This is reality, he said,
and dreams paled.
So that was the kind of force
behind those civilized glances
that for years
we gave each other.
Tuesday, March 11, 2014
One Proven Death
from alternate names for black boys
By Danez Smith
1. smoke above the burning bush
2. archnemesis of summer night
3. first son of soil
4. coal awaiting spark & wind
5. guilty until proven dead
6. oil heavy starlight
7. monster until proven ghost
8. gone
9. phoenix who forgets to un-ash
10. going, going, gone
11. gods of shovels & black veils
12. what once passed for kindling
More
By Danez Smith
1. smoke above the burning bush
2. archnemesis of summer night
3. first son of soil
4. coal awaiting spark & wind
5. guilty until proven dead
6. oil heavy starlight
7. monster until proven ghost
8. gone
9. phoenix who forgets to un-ash
10. going, going, gone
11. gods of shovels & black veils
12. what once passed for kindling
More
Tuesday, January 21, 2014
One Happy Quarry
from The So-called Singer of Nab
By Sarah Lindsay
They have left behind the established cave
with its well-worn floor. Scholarship impels them
in hundreds, but generally one by one,
to find an unknown passage or scrape out their own.
Proto-Semitic linguistic theory,
Hittite stratigraphic anomalies,
microclimatic economics. "What do you see?"
invisible followers ask in their ears,
and they whisper "Wonderful things" as they quarry
a grain of rock at a time, or examine
a fleck of ore, or measure
the acidity of a trickle of water.
See! Behold! Look! Lo!
they cry in season, rapt, in love,
chipping away with their pocketknives,
pencils, rulers, fingernails,
but some have tunneled so narrowly and deep
that those behind see nothing but slivers of light
around an excavator's haunches.
.....
Look at them, crouched in a long tunnel dug
by means of argument over an antique syntax,
warming their hands at a chunk of brick
baked maybe in the time of the Trojan War,
broken some moment between then and now—
peering at it with penlights, squandering eyesight.
They know they may crawl out hungry, mumbling,
aged and gray, clutching a secret message of small import
or nothing, nothing. They seem lost. They seem happy.
~ Book
By Sarah Lindsay
They have left behind the established cave
with its well-worn floor. Scholarship impels them
in hundreds, but generally one by one,
to find an unknown passage or scrape out their own.
Proto-Semitic linguistic theory,
Hittite stratigraphic anomalies,
microclimatic economics. "What do you see?"
invisible followers ask in their ears,
and they whisper "Wonderful things" as they quarry
a grain of rock at a time, or examine
a fleck of ore, or measure
the acidity of a trickle of water.
See! Behold! Look! Lo!
they cry in season, rapt, in love,
chipping away with their pocketknives,
pencils, rulers, fingernails,
but some have tunneled so narrowly and deep
that those behind see nothing but slivers of light
around an excavator's haunches.
.....
Look at them, crouched in a long tunnel dug
by means of argument over an antique syntax,
warming their hands at a chunk of brick
baked maybe in the time of the Trojan War,
broken some moment between then and now—
peering at it with penlights, squandering eyesight.
They know they may crawl out hungry, mumbling,
aged and gray, clutching a secret message of small import
or nothing, nothing. They seem lost. They seem happy.
~ Book
Tuesday, January 07, 2014
One Unfaded Yellow
You have yourself remarked that my studies in the studio improve rather than lose their color with time.... This is crucial in my opinion--how to paint so that it hardens well....
--Vincent van Gogh
--Vincent van Gogh
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