from The So-called Singer of Nab
By Sarah Lindsay
They have left behind the established cave
with its well-worn floor. Scholarship impels them
in hundreds, but generally one by one,
to find an unknown passage or scrape out their own.
Proto-Semitic linguistic theory,
Hittite stratigraphic anomalies,
microclimatic economics. "What do you see?"
invisible followers ask in their ears,
and they whisper "Wonderful things" as they quarry
a grain of rock at a time, or examine
a fleck of ore, or measure
the acidity of a trickle of water.
See! Behold! Look! Lo!
they cry in season, rapt, in love,
chipping away with their pocketknives,
pencils, rulers, fingernails,
but some have tunneled so narrowly and deep
that those behind see nothing but slivers of light
around an excavator's haunches.
.....
Look at them, crouched in a long tunnel dug
by means of argument over an antique syntax,
warming their hands at a chunk of brick
baked maybe in the time of the Trojan War,
broken some moment between then and now—
peering at it with penlights, squandering eyesight.
They know they may crawl out hungry, mumbling,
aged and gray, clutching a secret message of small import
or nothing, nothing. They seem lost. They seem happy.
~ Book
Tuesday, January 21, 2014
Tuesday, January 07, 2014
One Unfaded Yellow
You have yourself remarked that my studies in the studio improve rather than lose their color with time.... This is crucial in my opinion--how to paint so that it hardens well....
--Vincent van Gogh
--Vincent van Gogh
Subscribe to:
Posts (Atom)