No artist tolerates reality.
--Friedrich Nietzsche
Thursday, December 03, 2015
Tuesday, November 24, 2015
One Crumbling Face
Still When I Picture It the Face of God Is a White Man’s Face
By Shane McCrae
Before it disappears
on the sand his long white beard before it disappears
The face of the man
in the waves I ask her does she see it ask her does
The old man in the waves as the waves crest she see it does
she see the old man his
White his face crumbling face it looks
as old as he’s as old as
The ocean looks
and for a moment almost looks
His face like it’s all the way him
As never such old skin
looks my / Daughter age four
She thinks it might he might be real she shouts Hello
And after there’s no answer answers No
By Shane McCrae
Before it disappears
on the sand his long white beard before it disappears
The face of the man
in the waves I ask her does she see it ask her does
The old man in the waves as the waves crest she see it does
she see the old man his
White his face crumbling face it looks
as old as he’s as old as
The ocean looks
and for a moment almost looks
His face like it’s all the way him
As never such old skin
looks my / Daughter age four
She thinks it might he might be real she shouts Hello
And after there’s no answer answers No
Tuesday, November 03, 2015
One Gold Scar
The Joins
By Chana Bloch
Kintsugi is the Japanese art of mending precious pottery with gold.
What's between us
seems flexible as the webbing
between forefinger and thumb.
Seems flexible but isn’t;
what's between us
is made of clay
like any cup on the shelf.
It shatters easily. Repair
becomes the task.
We glue the wounded edges
with tentative fingers.
Scar tissue is visible history
and the cup is precious to us
because
we saved it.
In the art of kintsugi
a potter repairing a broken cup
would sprinkle the resin
with powdered gold.
Sometimes the joins
are so exquisite
they say the potter
may have broken the cup
just so he could mend it.
By Chana Bloch
Kintsugi is the Japanese art of mending precious pottery with gold.
What's between us
seems flexible as the webbing
between forefinger and thumb.
Seems flexible but isn’t;
what's between us
is made of clay
like any cup on the shelf.
It shatters easily. Repair
becomes the task.
We glue the wounded edges
with tentative fingers.
Scar tissue is visible history
and the cup is precious to us
because
we saved it.
In the art of kintsugi
a potter repairing a broken cup
would sprinkle the resin
with powdered gold.
Sometimes the joins
are so exquisite
they say the potter
may have broken the cup
just so he could mend it.
Tuesday, October 06, 2015
One Incomprehensible Flower
I see you do not want things to continue
This way
In this particular case
We speak of forget-me-nots
A flower about which we understand
Nothing
--Alberto de Lacerda, translated from the Portuguese by Calvin Olsen
This way
In this particular case
We speak of forget-me-nots
A flower about which we understand
Nothing
--Alberto de Lacerda, translated from the Portuguese by Calvin Olsen
Tuesday, September 15, 2015
One Gasping Wasp
from the boy detective loses love
By Sam Sax
there should be a word for how the world turns
to amber resin with a long dead wasp gasping
inside when somebody leaves you. the boy tries
to catalogue each betrayal, rage shouting
up through his skin. ...
...this is stasis. this is a fish split
open and thrashing on a dock beneath a sky
with no stars. this is how all the light gets
swallowed. how we store our sorrow in clear
glass jars that tint the winter's light and keep
us warm through the coldest months.
there should be a word for how the world turns
to amber resin with a long dead wasp gasping
inside when somebody leaves you. the boy tries
to catalogue each betrayal, rage shouting
up through his skin. ...
...this is stasis. this is a fish split
open and thrashing on a dock beneath a sky
with no stars. this is how all the light gets
swallowed. how we store our sorrow in clear
glass jars that tint the winter's light and keep
us warm through the coldest months.
Tuesday, July 14, 2015
One Obfuscating Desk
Lashing the Body from the Bones
By Lee Sharkey
Do you plead guilty to this—
No—
So why did you confess to—
I was not involved in—
Perhaps you pled guilty to acting in concert with—
You have seen to what extent I have been under the influence of—
Why did you give such testimony—
I shudder to think—I was searching myself for—
How is it you confirmed—and now are denying—
I became ashamed of—
So what you are saying is that—did things that were not—and became a nest of—
It became clear—it takes only one plague bacillus—
An appropriate person for criminal—
It is difficult for me to accuse—he is a person who is to some degree— there are elements in his—
Could it be—
By nature he is a convinced—
Was—an active—
Yes—an active—at one time he occupied a little desk—
From your answers—to conclude that—these—and together with—
Everyone was speaking out against—
So are we to understand—the entire—was against you, and you were against—
On the first evening—I already understood that things were going to—
Where is the truth—
I speak with complete openness and honesty
By Lee Sharkey
Do you plead guilty to this—
No—
So why did you confess to—
I was not involved in—
Perhaps you pled guilty to acting in concert with—
You have seen to what extent I have been under the influence of—
Why did you give such testimony—
I shudder to think—I was searching myself for—
How is it you confirmed—and now are denying—
I became ashamed of—
So what you are saying is that—did things that were not—and became a nest of—
It became clear—it takes only one plague bacillus—
An appropriate person for criminal—
It is difficult for me to accuse—he is a person who is to some degree— there are elements in his—
Could it be—
By nature he is a convinced—
Was—an active—
Yes—an active—at one time he occupied a little desk—
From your answers—to conclude that—these—and together with—
Everyone was speaking out against—
So are we to understand—the entire—was against you, and you were against—
On the first evening—I already understood that things were going to—
Where is the truth—
I speak with complete openness and honesty
Tuesday, June 23, 2015
One Victorious Hand
from The Bacchae
By Euripides
When shall I dance once more
with bare feet the all-night dances,
tossing my head for joy
in the damp air, in the dew,
as a running fawn might frisk
for the green joy of the wide fields,
from from fear of the hunt,
free from the circling beaters
and the nets of woven mesh
and the hunters hallooing on
their yelping packs?
...What gift of the gods
is held in honor like this:
to hold your hand victorious over those you hate?
Honor is precious forever.
--translated by William Arrowsmith
By Euripides
When shall I dance once more
with bare feet the all-night dances,
tossing my head for joy
in the damp air, in the dew,
as a running fawn might frisk
for the green joy of the wide fields,
from from fear of the hunt,
free from the circling beaters
and the nets of woven mesh
and the hunters hallooing on
their yelping packs?
...What gift of the gods
is held in honor like this:
to hold your hand victorious over those you hate?
Honor is precious forever.
--translated by William Arrowsmith
Tuesday, May 12, 2015
One Revealing Flame
from Further In
By Tomas Transtromer
I am transparent
and writing becomes visible
inside me
words in invisible ink
that appear
when the paper is held to the fire
--Translated by Robin Fulton
By Tomas Transtromer
I am transparent
and writing becomes visible
inside me
words in invisible ink
that appear
when the paper is held to the fire
--Translated by Robin Fulton
Tuesday, April 14, 2015
One Heavy Flag
I remember my mother toward the end,
folding the tablecloth after dinner
so carefully,
as if it were the flag
of a country that no longer existed,
but once had ruled the world.
--Jim Moore
folding the tablecloth after dinner
so carefully,
as if it were the flag
of a country that no longer existed,
but once had ruled the world.
--Jim Moore
Tuesday, March 10, 2015
One Overturned Stalactite
The Sandcastles
By Haim Gouri
You remember,
it’s like the afternoon wave that washed away
the sandcastle,
the tunnels and the fortress towers,
the patience, the seashells and the stalactites,
extra trimmings.
And didn’t know.
The barbarism will return.
Insensitive to nuances, it doesn’t hang back.
It thinks big.
--Translated by Vivian Eden
By Haim Gouri
You remember,
it’s like the afternoon wave that washed away
the sandcastle,
the tunnels and the fortress towers,
the patience, the seashells and the stalactites,
extra trimmings.
And didn’t know.
The barbarism will return.
Insensitive to nuances, it doesn’t hang back.
It thinks big.
--Translated by Vivian Eden
Tuesday, February 24, 2015
One Dark Polygon
There Is a Darkness
By Han Dong
I notice forest darkness
Darkness with a difference
Darkness like a square, in the forest
Darkness made by four people walking off in four directions
Darkness between the trees but not inside the trees
Darkness rising spreading through the sky
Darkness not of underground rocks that share everything
Darkness that weakens lights scattered evenly
Across a thousand miles to their lowest glow
Darkness gone through turns of endless trees unvanished
There is a darkness that forbids strangers to enter at any time
If you reach out a hand to stir it that is
Darkness in a giant glass
I notice forest darkness although I am not in the forest
~Translated by Maghiel van Crevel and Michael Day
By Han Dong
I notice forest darkness
Darkness with a difference
Darkness like a square, in the forest
Darkness made by four people walking off in four directions
Darkness between the trees but not inside the trees
Darkness rising spreading through the sky
Darkness not of underground rocks that share everything
Darkness that weakens lights scattered evenly
Across a thousand miles to their lowest glow
Darkness gone through turns of endless trees unvanished
There is a darkness that forbids strangers to enter at any time
If you reach out a hand to stir it that is
Darkness in a giant glass
I notice forest darkness although I am not in the forest
~Translated by Maghiel van Crevel and Michael Day
Tuesday, January 13, 2015
One Modern Poet
after belching out
a verse on the moon
the toad's belly shrinks
~Buson, translated by Stephen Addiss
a verse on the moon
the toad's belly shrinks
~Buson, translated by Stephen Addiss
Tuesday, January 06, 2015
One Fit Cure
I made a posy, while the day ran by:
"Here will I smell my remnant out, and tie
My life within this band."
But Time did beckon to the flowers, and they
By noon most cunningly did steal away,
And withered in my hand.
My hand was next to them, and then my heart;
I took, without more thinking, in good part
Time’s gentle admonition;
Who did so sweetly death’s sad taste convey,
Making my mind to smell my fatal day,
Yet, sug’ring the suspicion.
Farewell dear flowers, sweetly your time ye spent,
Fit, while ye lived, for smell or ornament,
And after death for cures.
I follow straight without complaints or grief,
Since, if my scent be good, I care not if
It be as short as yours.
"Here will I smell my remnant out, and tie
My life within this band."
But Time did beckon to the flowers, and they
By noon most cunningly did steal away,
And withered in my hand.
My hand was next to them, and then my heart;
I took, without more thinking, in good part
Time’s gentle admonition;
Who did so sweetly death’s sad taste convey,
Making my mind to smell my fatal day,
Yet, sug’ring the suspicion.
Farewell dear flowers, sweetly your time ye spent,
Fit, while ye lived, for smell or ornament,
And after death for cures.
I follow straight without complaints or grief,
Since, if my scent be good, I care not if
It be as short as yours.
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