Still When I Picture It the Face of God Is a White Man’s Face
By Shane McCrae
Before it disappears
on the sand his long white beard before it disappears
The face of the man
in the waves I ask her does she see it ask her does
The old man in the waves as the waves crest she see it does
she see the old man his
White his face crumbling face it looks
as old as he’s as old as
The ocean looks
and for a moment almost looks
His face like it’s all the way him
As never such old skin
looks my / Daughter age four
She thinks it might he might be real she shouts Hello
And after there’s no answer answers No
Tuesday, November 24, 2015
Tuesday, November 03, 2015
One Gold Scar
The Joins
By Chana Bloch
Kintsugi is the Japanese art of mending precious pottery with gold.
What's between us
seems flexible as the webbing
between forefinger and thumb.
Seems flexible but isn’t;
what's between us
is made of clay
like any cup on the shelf.
It shatters easily. Repair
becomes the task.
We glue the wounded edges
with tentative fingers.
Scar tissue is visible history
and the cup is precious to us
because
we saved it.
In the art of kintsugi
a potter repairing a broken cup
would sprinkle the resin
with powdered gold.
Sometimes the joins
are so exquisite
they say the potter
may have broken the cup
just so he could mend it.
By Chana Bloch
Kintsugi is the Japanese art of mending precious pottery with gold.
What's between us
seems flexible as the webbing
between forefinger and thumb.
Seems flexible but isn’t;
what's between us
is made of clay
like any cup on the shelf.
It shatters easily. Repair
becomes the task.
We glue the wounded edges
with tentative fingers.
Scar tissue is visible history
and the cup is precious to us
because
we saved it.
In the art of kintsugi
a potter repairing a broken cup
would sprinkle the resin
with powdered gold.
Sometimes the joins
are so exquisite
they say the potter
may have broken the cup
just so he could mend it.
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