The City
By Constantine Cavafy
You said, "I will go to another land, I will go to another sea.
I will find another city, better than this.
Every effort of mine is condemned by fate;
and my heart is -- like a corpse -- buried.
How long in this wasteland will my mind remain.
Wherever I turn my eyes, wherever I look
I see the black ruins of my life here,
where I spent so many years,
and ruined and wasted."
There are no new lands, no other seas to find.
The city will follow you. You will roam the same
streets. And you will age in the same neighborhoods;
in these same houses you will grow gray.
Always you will arrive in this city. To another land -- do not hope --
there is no ship for you, there is no road.
As you have ruined your life
in this little corner, you have destroyed it in the whole world.
Tuesday, February 05, 2008
Tuesday, January 29, 2008
One Great Ge
Not another lament for the makers
By Aileen Kelly
What can you do with the pissed-off major poets?
Five marvellous books, translated to diverse tongues yet
toaded by work all day, half-drunk at night,
their trousers bagged by stones of unhappiness, even
on Margate sands among sunny kids and sundried oldsters
they groan with humanity’s torment and angle deathwards
so ignited, so solipsistic or red or straight,
mourning lost lovers, icons and apposite breakdowns.
Great Ge of death and birth, can’t you recycle them
into multiple minor poets who’d suckle for years
each on the juice of their one great poem and ever
party with whoopee streamers and rockets towards you
down to a last careless and satisfied breath?
By Aileen Kelly
What can you do with the pissed-off major poets?
Five marvellous books, translated to diverse tongues yet
toaded by work all day, half-drunk at night,
their trousers bagged by stones of unhappiness, even
on Margate sands among sunny kids and sundried oldsters
they groan with humanity’s torment and angle deathwards
so ignited, so solipsistic or red or straight,
mourning lost lovers, icons and apposite breakdowns.
Great Ge of death and birth, can’t you recycle them
into multiple minor poets who’d suckle for years
each on the juice of their one great poem and ever
party with whoopee streamers and rockets towards you
down to a last careless and satisfied breath?
Tuesday, January 22, 2008
One Stalking Foot
They Flee from Me
By Sir Thomas Wyatt
They flee from me, that sometime did me seek,
With naked foot stalking in my chamber:
Once have I seen them gentle, tame, and meek,
That now are wild, and do not once remember
That sometime they put themselves in danger
To take bread at my hand; and now they range
Busily seeking with continual change.
Thanked be Fortune, it hath been otherwise
Twenty times better; but once especial,
In thin array, after a pleasant guise,
When her loose gown did from her shoulders fall,
And she me caught in her arms long and small,
And therewithal sweetly did me kiss,
And softly said, 'Dear heart, how like you this?'
It was no dream; I lay broad awaking:
But all is turn'd now through my gentleness
Into a strange fashion of forsaking;
And I have leave to go of her goodness;
And she also to use newfangleness.
But since that I unkindly so am served
How like you this, what hath she now deserved?
By Sir Thomas Wyatt
They flee from me, that sometime did me seek,
With naked foot stalking in my chamber:
Once have I seen them gentle, tame, and meek,
That now are wild, and do not once remember
That sometime they put themselves in danger
To take bread at my hand; and now they range
Busily seeking with continual change.
Thanked be Fortune, it hath been otherwise
Twenty times better; but once especial,
In thin array, after a pleasant guise,
When her loose gown did from her shoulders fall,
And she me caught in her arms long and small,
And therewithal sweetly did me kiss,
And softly said, 'Dear heart, how like you this?'
It was no dream; I lay broad awaking:
But all is turn'd now through my gentleness
Into a strange fashion of forsaking;
And I have leave to go of her goodness;
And she also to use newfangleness.
But since that I unkindly so am served
How like you this, what hath she now deserved?
Tuesday, January 15, 2008
One Sneaky Pelt
Love Song
If I might be an ox,
An ox, a beautiful ox,
Beautiful but stubborn;
The merchant would buy me,
Would buy and slaughter me,
Would spread my skin,
Would bring me to the market.
The coarse woman would bargain for me;
The beautiful girl would buy me.
She would crush perfumes for me;
I would spend the night rolled up around her;
I would spend the afternoon rolled up around her.
Her husband would say: "It is a dead skin!"
But I would have my love!
--Ethiopian, translated by Enrico Cerulli
If I might be an ox,
An ox, a beautiful ox,
Beautiful but stubborn;
The merchant would buy me,
Would buy and slaughter me,
Would spread my skin,
Would bring me to the market.
The coarse woman would bargain for me;
The beautiful girl would buy me.
She would crush perfumes for me;
I would spend the night rolled up around her;
I would spend the afternoon rolled up around her.
Her husband would say: "It is a dead skin!"
But I would have my love!
--Ethiopian, translated by Enrico Cerulli
Tuesday, January 08, 2008
One Suicidal Flower
Go, Lovely Rose
By Edmund Waller
Go, lovely Rose—
Tell her that wastes her time and me,
That now she knows,
When I resemble her to thee,
How sweet and fair she seems to be.
Tell her that's young,
And shuns to have her graces spied,
That hadst thou sprung
In deserts where no men abide,
Thou must have uncommended died.
Small is the worth
Of beauty from the light retired:
Bid her come forth,
Suffer herself to be desired,
And not blush so to be admired.
Then die! —That she
The common fate of all things rare
May read in thee;
How small a part of time they share
That are so wondrous sweet and fair!
By Edmund Waller
Go, lovely Rose—
Tell her that wastes her time and me,
That now she knows,
When I resemble her to thee,
How sweet and fair she seems to be.
Tell her that's young,
And shuns to have her graces spied,
That hadst thou sprung
In deserts where no men abide,
Thou must have uncommended died.
Small is the worth
Of beauty from the light retired:
Bid her come forth,
Suffer herself to be desired,
And not blush so to be admired.
Then die! —That she
The common fate of all things rare
May read in thee;
How small a part of time they share
That are so wondrous sweet and fair!
Tuesday, January 01, 2008
One Transmogrifying Bee
Janet Waking
By John Crowe Ransom
Beautifully Janet slept
Till it was deeply morning. She woke then
And thought about her dainty-feathered hen,
To see how it had kept.
One kiss she gave her mother,
Only a small one gave she to her daddy
Who would have kissed each curl of his shining baby;
No kiss at all for her brother.
"Old Chucky, Old Chucky!" she cried,
Running on little pink feet upon the grass
To Chucky’s house, and listening. But alas,
Her Chucky had died.
It was a transmogrifying bee
Came droning down on Chucky’s old bald head
And sat and put the poison. It scarcely bled,
But how exceedingly
And purply did the knot
Swell with the venom and communicate
Its rigour! Now the poor comb stood up straight
But Chucky did not.
So there was Janet
Kneeling on the wet grass, crying her brown hen
(Translated far beyond the daughters of men)
To rise and walk upon it.
And weeping fast as she had breath
Janet implored us, “Wake her from her sleep!”
And would not be instructed in how deep
Was the forgetful kingdom of death.
By John Crowe Ransom
Beautifully Janet slept
Till it was deeply morning. She woke then
And thought about her dainty-feathered hen,
To see how it had kept.
One kiss she gave her mother,
Only a small one gave she to her daddy
Who would have kissed each curl of his shining baby;
No kiss at all for her brother.
"Old Chucky, Old Chucky!" she cried,
Running on little pink feet upon the grass
To Chucky’s house, and listening. But alas,
Her Chucky had died.
It was a transmogrifying bee
Came droning down on Chucky’s old bald head
And sat and put the poison. It scarcely bled,
But how exceedingly
And purply did the knot
Swell with the venom and communicate
Its rigour! Now the poor comb stood up straight
But Chucky did not.
So there was Janet
Kneeling on the wet grass, crying her brown hen
(Translated far beyond the daughters of men)
To rise and walk upon it.
And weeping fast as she had breath
Janet implored us, “Wake her from her sleep!”
And would not be instructed in how deep
Was the forgetful kingdom of death.
Tuesday, December 25, 2007
One Fatiguing Occupation
from Baudelaire
By Delmore Schwartz
...You know my strange life. Every day brings
Its quota of wrath. You little know
A poet's life, dear Mother: I must write poems,
The most fatiguing of occupations.
By Delmore Schwartz
...You know my strange life. Every day brings
Its quota of wrath. You little know
A poet's life, dear Mother: I must write poems,
The most fatiguing of occupations.
Tuesday, December 18, 2007
One Missing Flashlight
A Contribution to Statistics
By Wislawa Szymborska
Out of a hundred people
those who always know better
-fifty-two
doubting every step
-nearly all the rest,
glad to lend a hand
if it doesn't take too long
-as high as forty-nine,
always good
because they can't be otherwise
-four, well maybe five,
able to admire without envy
-eighteen,
suffering illusions
induced by fleeting youth
-sixty, give or take a few,
not to be taken lightly
-forty and four,
living in constant fear
of someone or something
-seventy-seven,
capable of happiness
-twenty-something tops,
harmless singly, savage in crowds
-half at least,
cruel
when forced by circumstances
-better not to know
even ballpark figures,
wise after the fact
-just a couple more
than wise before it,
taking only things from life
-thirty
(I wish I were wrong),
hunched in pain,
no flashlight in the dark
-eighty-three
sooner or later,
righteous
-thirty-five, which is a lot,
righteous
and understanding
-three,
worthy of compassion
-ninety-nine,
mortal
-a hundred out of a hundred.
thus far this figure still remains unchanged.
~Translated by Clare Cavanaugh
By Wislawa Szymborska
Out of a hundred people
those who always know better
-fifty-two
doubting every step
-nearly all the rest,
glad to lend a hand
if it doesn't take too long
-as high as forty-nine,
always good
because they can't be otherwise
-four, well maybe five,
able to admire without envy
-eighteen,
suffering illusions
induced by fleeting youth
-sixty, give or take a few,
not to be taken lightly
-forty and four,
living in constant fear
of someone or something
-seventy-seven,
capable of happiness
-twenty-something tops,
harmless singly, savage in crowds
-half at least,
cruel
when forced by circumstances
-better not to know
even ballpark figures,
wise after the fact
-just a couple more
than wise before it,
taking only things from life
-thirty
(I wish I were wrong),
hunched in pain,
no flashlight in the dark
-eighty-three
sooner or later,
righteous
-thirty-five, which is a lot,
righteous
and understanding
-three,
worthy of compassion
-ninety-nine,
mortal
-a hundred out of a hundred.
thus far this figure still remains unchanged.
~Translated by Clare Cavanaugh
Tuesday, December 11, 2007
One Tempting Rhyme
from Seven-Sided Poem
By Carlos Drummond de Andrade
Universe, vast universe
if I had been named Eugene
that would not be what I mean
but it would go into verse
faster.
Universe, vast universe
my heart is vaster.
Translated by Elizabeth Bishop
By Carlos Drummond de Andrade
Universe, vast universe
if I had been named Eugene
that would not be what I mean
but it would go into verse
faster.
Universe, vast universe
my heart is vaster.
Translated by Elizabeth Bishop
Tuesday, December 04, 2007
One Vertiginous Clamber
A Deep-Sworn Vow
By William Butler Yeats
Others because you did not keep
That deep-sworn vow have been friends of mine;
Yet always when I look death in the face,
When I clamber to the heights of sleep,
Or when I grow excited with wine,
Suddenly I meet your face.
By William Butler Yeats
Others because you did not keep
That deep-sworn vow have been friends of mine;
Yet always when I look death in the face,
When I clamber to the heights of sleep,
Or when I grow excited with wine,
Suddenly I meet your face.
Tuesday, November 27, 2007
One Missing Rib Cage
from When They Slip Out Through the Churchyard Grate
By Gunnar Ekelof
...Oh, these homeless dead!
They do us no harm
they only keep us awake
It is only that they are missing
a finger, a toe, an arm
perhaps an entire rib cage
which ancient and modern witches stole
and crushed to dust for new love powders
The living ones do us evil often
The dead ones do us no harm
The living ones are consuming us
The dead ones, they are nourishing
The dead ones are nourishing
Translated by Robert Bly
By Gunnar Ekelof
...Oh, these homeless dead!
They do us no harm
they only keep us awake
It is only that they are missing
a finger, a toe, an arm
perhaps an entire rib cage
which ancient and modern witches stole
and crushed to dust for new love powders
The living ones do us evil often
The dead ones do us no harm
The living ones are consuming us
The dead ones, they are nourishing
The dead ones are nourishing
Translated by Robert Bly
Wednesday, November 21, 2007
One Modern Tearduct
from Love Tokens
By Tran Da Tu
I'll give you a roll of barbwire
A vine for this modern epoch
Climbing all over our souls
That’s our love, take it, don’t ask
...I'm still here, sweetie, so many love tokens
Metal handcuffs to wear, sacks of sand for pillows
Punji sticks to scratch your back, fire hoses to wash your face
How do we know which gift to send each other
And for how long until we get sated
Lastly, I'll give you a tear gas grenade
A tear gland for this modern epoch
A type of tear neither sad nor happy
Drenching my face as I wait.
Translated by Linh Dinh ~ More
By Tran Da Tu
I'll give you a roll of barbwire
A vine for this modern epoch
Climbing all over our souls
That’s our love, take it, don’t ask
...I'm still here, sweetie, so many love tokens
Metal handcuffs to wear, sacks of sand for pillows
Punji sticks to scratch your back, fire hoses to wash your face
How do we know which gift to send each other
And for how long until we get sated
Lastly, I'll give you a tear gas grenade
A tear gland for this modern epoch
A type of tear neither sad nor happy
Drenching my face as I wait.
Translated by Linh Dinh ~ More
Tuesday, November 13, 2007
One Cruel Moon
Anniversary of Death
By Onitsura
Rising autumn moon
Lighting in my lap this year
No pale sickly child
~Translated by Peter Bielenson
By Onitsura
Rising autumn moon
Lighting in my lap this year
No pale sickly child
~Translated by Peter Bielenson
Tuesday, November 06, 2007
One Hooked Eyeball
You Have What I Look For
By Jaime Sabines
You have what I look for, what I long for, what I love,
you have it.
The fist of my heart is beating, calling.
I thank the stories for you,
I thank your mother and father
and death who has not seen you.
I thank the air for you.
You are elegant as wheat,
delicate as the outline of your body.
I have never loved a slender woman
but you have made my hands fall in love,
you moored my desire,
you caught my eyes like two fish.
And for this I am at your door, waiting.
Translated by W.S. Merwin
By Jaime Sabines
You have what I look for, what I long for, what I love,
you have it.
The fist of my heart is beating, calling.
I thank the stories for you,
I thank your mother and father
and death who has not seen you.
I thank the air for you.
You are elegant as wheat,
delicate as the outline of your body.
I have never loved a slender woman
but you have made my hands fall in love,
you moored my desire,
you caught my eyes like two fish.
And for this I am at your door, waiting.
Translated by W.S. Merwin
Tuesday, October 30, 2007
One Disenchanted Frog
The Frog Prince
By Stevie Smith
I am a frog
I live under a spell
I live at the bottom
Of a green well
And here I must wait
Until a maiden places me
On her royal pillow
And kisses me
In her father's palace.
The story is familiar
Everybody knows it well
But do other enchanted people feel as nervous
As I do? The stories do not tell,
Ask if they will be happier
When the changes come
As already they are fairly happy
In a frog's doom?
I have been a frog now
For a hundred years
And in all this time
I have not shed many tears.
I am happy, I like the life,
Can swim for many a mile
(When I have hopped to the river)
And am for ever agile.
And the quietness,
Yes, I like to be quiet
I am habituated
To a quiet life.
But always when I think these thoughts
As I sit in my well
Another thought comes to me and says:
It is part of the spell
To be happy
To work up contentment
To make much of being a frog
To fear disenchantment
Says, it will be heavenly
To be set free,
Cries, heavenly the girl who disenchants
And the royal times, heavenly,
And I think it will be.
Come then, royal girl and royal times,
Come quickly,
I can be happy until you come
But I cannot be heavenly,
Only disenchanted people
Can be heavenly.
By Stevie Smith
I am a frog
I live under a spell
I live at the bottom
Of a green well
And here I must wait
Until a maiden places me
On her royal pillow
And kisses me
In her father's palace.
The story is familiar
Everybody knows it well
But do other enchanted people feel as nervous
As I do? The stories do not tell,
Ask if they will be happier
When the changes come
As already they are fairly happy
In a frog's doom?
I have been a frog now
For a hundred years
And in all this time
I have not shed many tears.
I am happy, I like the life,
Can swim for many a mile
(When I have hopped to the river)
And am for ever agile.
And the quietness,
Yes, I like to be quiet
I am habituated
To a quiet life.
But always when I think these thoughts
As I sit in my well
Another thought comes to me and says:
It is part of the spell
To be happy
To work up contentment
To make much of being a frog
To fear disenchantment
Says, it will be heavenly
To be set free,
Cries, heavenly the girl who disenchants
And the royal times, heavenly,
And I think it will be.
Come then, royal girl and royal times,
Come quickly,
I can be happy until you come
But I cannot be heavenly,
Only disenchanted people
Can be heavenly.
Tuesday, October 23, 2007
One Insufficient Earth
from Merciful God
By Kadya Molodowsky
Merciful God,
Choose another people,
Elect another.
We are tired of death and dying,
We have no more prayers.
Choose another people,
Elect another.
We have no more blood
To be a sacrifice.
Our house has become a desert.
The earth is insufficient for our graves,
No more laments for us,
No more dirges
In the old, holy books.
Merciful God,
Sanctify another country,
Another mountain.
We have strewn all the fields and every stone
With ash, with holy ash.
With the aged,
With the youthful,
And with babies, we have paid
For every letter of your Ten Commandments...
--Translated by Kathryn Hellerstein ~ Book
By Kadya Molodowsky
Merciful God,
Choose another people,
Elect another.
We are tired of death and dying,
We have no more prayers.
Choose another people,
Elect another.
We have no more blood
To be a sacrifice.
Our house has become a desert.
The earth is insufficient for our graves,
No more laments for us,
No more dirges
In the old, holy books.
Merciful God,
Sanctify another country,
Another mountain.
We have strewn all the fields and every stone
With ash, with holy ash.
With the aged,
With the youthful,
And with babies, we have paid
For every letter of your Ten Commandments...
--Translated by Kathryn Hellerstein ~ Book
Tuesday, October 16, 2007
One Re-Reddened Pepper
Sudden radiance...
After October rainstorm
re-reddened peppers
--Buson, translated by Peter Beilenson
After October rainstorm
re-reddened peppers
--Buson, translated by Peter Beilenson
Tuesday, October 09, 2007
One Great Yes
Che Fece… Il Gran Refiuto
By C.P. Cavafy
For some people the day comes
when they have to declare the great Yes
or the great No. It’s clear at once who has the Yes
ready within him; and saying it,
he goes from honor to honor, strong in his conviction.
He who refuses does not repent. Asked again,
he’d still say no. Yet that no—the right no—
drags him down all his life.
Translated by Edmund Keeley and Philip Sherrard
By C.P. Cavafy
For some people the day comes
when they have to declare the great Yes
or the great No. It’s clear at once who has the Yes
ready within him; and saying it,
he goes from honor to honor, strong in his conviction.
He who refuses does not repent. Asked again,
he’d still say no. Yet that no—the right no—
drags him down all his life.
Translated by Edmund Keeley and Philip Sherrard
Two Great Gifts
Art offers two great gifts of emotion: the emotion of recognition and the emotion of escape.
--Duncan Phillips
--Duncan Phillips
Tuesday, October 02, 2007
One Endless Winter
from The Sonnets to Orpheus
By Rainer Maria Rilke
Be ahead of all parting, as though it were
already behind you, like the winter that has just gone by.
For among these winters there is one so endlessly winter
that only by wintering it through will your heart survive.
By Rainer Maria Rilke
Be ahead of all parting, as though it were
already behind you, like the winter that has just gone by.
For among these winters there is one so endlessly winter
that only by wintering it through will your heart survive.
Tuesday, September 25, 2007
One Tone-Deaf Cricket
Even with insects...
Some are hatched out musical...
Some, alas, tone-deaf
--Issa, translated by Peter Beilenson
Some are hatched out musical...
Some, alas, tone-deaf
--Issa, translated by Peter Beilenson
Tuesday, September 18, 2007
One Blinky Peacock
from A Birthday
By Christina Rossetti
...Raise me a dais of silk and down;
Hang it with vair and purple dyes;
Carve it in doves and pomegranates,
And peacocks with a hundred eyes;
Work it in gold and silver grapes,
In leaves and silver fleurs-de-lys;
Because the birthday of my life
Is come, my love is come to me.
By Christina Rossetti
...Raise me a dais of silk and down;
Hang it with vair and purple dyes;
Carve it in doves and pomegranates,
And peacocks with a hundred eyes;
Work it in gold and silver grapes,
In leaves and silver fleurs-de-lys;
Because the birthday of my life
Is come, my love is come to me.
Tuesday, September 11, 2007
One Weak Solution
Ghost
By Nina Cassian
A rug of dead butterflies at my feet,
dead and limp
(they don't experience rigor mortis).
I, on the other hand, am quite healthy:
I've extracted my liver,
plucked out my lungs,
wrenched out my heart,
and nothing hurts anymore.
To become a ghost
is a solution
I weakly recommend.
Translated by Christopher Hewitt ~ Book
By Nina Cassian
A rug of dead butterflies at my feet,
dead and limp
(they don't experience rigor mortis).
I, on the other hand, am quite healthy:
I've extracted my liver,
plucked out my lungs,
wrenched out my heart,
and nothing hurts anymore.
To become a ghost
is a solution
I weakly recommend.
Translated by Christopher Hewitt ~ Book
Tuesday, September 04, 2007
One Unread Paper
from Recuerdo
By Edna St. Vincent Millay
...We were very tired, we were very merry—
We had gone back and forth all night on the ferry;
And you ate an apple, and I ate a pear,
From a dozen of each we had bought somewhere;
And the sky went wan, and the wind came cold,
And the sun rose dripping, a bucketful of gold.
We were very tired, we were very merry,
We had gone back and forth all night on the ferry.
We hailed, "Good morrow, mother!" to a shawl-covered head,
And bought a morning paper, which neither of us read;
And she wept, "God bless you!" for the apples and pears,
And we gave her all our money but our subway fares.
By Edna St. Vincent Millay
...We were very tired, we were very merry—
We had gone back and forth all night on the ferry;
And you ate an apple, and I ate a pear,
From a dozen of each we had bought somewhere;
And the sky went wan, and the wind came cold,
And the sun rose dripping, a bucketful of gold.
We were very tired, we were very merry,
We had gone back and forth all night on the ferry.
We hailed, "Good morrow, mother!" to a shawl-covered head,
And bought a morning paper, which neither of us read;
And she wept, "God bless you!" for the apples and pears,
And we gave her all our money but our subway fares.
Tuesday, August 28, 2007
Three Unsuspecting Bloodhounds
Lord Randall
'O where hae ye been, Lord Randall, my son?
O where hae ye been, my handsome young man?'
'I hae been to the wild wood; mother, make my bed soon,
For I'm weary wi' hunting, and fain wald lie down.'
'Where gat ye your dinner, Lord Randall, my son?
Where gat ye your dinner, my handsome young man?'
'I din'd wi' my true-love; mother, make my bed soon,
For I'm weary wi' hunting, and fain wald lie down.'
'What gat ye your dinner, Lord Randall, my son?
What gat ye your dinner, my handsome young man?'
'I gat eels boil'd in broo; mother, make my bed soon,
For I'm weary wi' hunting, and fain wald lie down.'
'What became of your bloodhounds, Lord Randall, my son?
What became of your bloodhounds, my handsome young man?'
'O they swell'd and they died; mother, make my bed soon,
For I'm weary wi hunting, and fain wald lie down.'
'O I fear ye are poison'd, Lord Randall, my son!
O I fear ye are poison'd, my handsome young man!'
'O yes! I am poison'd; mother, make my bed soon,
For I’m sick at the heart, and I fain wald lie down.'
'O where hae ye been, Lord Randall, my son?
O where hae ye been, my handsome young man?'
'I hae been to the wild wood; mother, make my bed soon,
For I'm weary wi' hunting, and fain wald lie down.'
'Where gat ye your dinner, Lord Randall, my son?
Where gat ye your dinner, my handsome young man?'
'I din'd wi' my true-love; mother, make my bed soon,
For I'm weary wi' hunting, and fain wald lie down.'
'What gat ye your dinner, Lord Randall, my son?
What gat ye your dinner, my handsome young man?'
'I gat eels boil'd in broo; mother, make my bed soon,
For I'm weary wi' hunting, and fain wald lie down.'
'What became of your bloodhounds, Lord Randall, my son?
What became of your bloodhounds, my handsome young man?'
'O they swell'd and they died; mother, make my bed soon,
For I'm weary wi hunting, and fain wald lie down.'
'O I fear ye are poison'd, Lord Randall, my son!
O I fear ye are poison'd, my handsome young man!'
'O yes! I am poison'd; mother, make my bed soon,
For I’m sick at the heart, and I fain wald lie down.'
One Disobedient Artist
The artist...may be tempted to satisfy himself in expressing his emotions as subject matter or psychological phenomena (which is the opposite of obeying intuitive or creative emotion).
--Jacques Maritain
--Jacques Maritain
Tuesday, August 21, 2007
One Bug-Depreciated Summer
O springtime twilight...
Precious moment worth to me
A thousand pieces
--Sotoba
Reply:
O summer twilight
Bug-depreciated to a
Mere five hundred
--Kikaku
Translated by Peter Beilenson
Precious moment worth to me
A thousand pieces
--Sotoba
Reply:
O summer twilight
Bug-depreciated to a
Mere five hundred
--Kikaku
Translated by Peter Beilenson
Tuesday, August 14, 2007
One Smiling Arrow
from The Judgment of Paris
By W.S. Merwin
...on that day
the one with the gray eyes spoke first
and whatever she said he kept
thinking he remembered
but remembered it woven with confusion and fear
the two faces that he called father
the first sight of the palace
where the brothers were strangers
and the dogs watched him and refused to know him
she made everything clear she was dazzling she
offered it to him
to have for his own but what he saw
was the scorn above her eyes
and her words of which he understood few
all said to him Take wisdom
take power
you will forget anyway
the one with the dark eyes spoke
and everything she said
he imagined he had once wished for
but in confusion and cowardice
the crown
of his father the crowns the crowns bowing to him
his name everywhere like grass
only he and the sea
triumphant
she made everything sound possible she was
dazzling she offered it to him
to hold high but what he saw
was the cruelty around her mouth
and her words of which he understood more
all said to him Take pride
take glory
you will suffer anyway
the third one the color of whose eyes
later he could not remember
spoke last and slowly and
of desire and it was his
though up until then he had been
happy with his river nymph
here was his mind
filled utterly with one girl gathering
yellow flowers
and no one like her
the words
made everything seem present
almost present
present
they said to him Take her
her
you will lose her anyway
it was only when he reached out to the voice
as though he could take the speaker
herself
that his hand filled with
something to give
but to give to only one of the three
an apple as it is told
discord itself in a single fruit its skin
already carved
To the fairest
then a mason working above the gates of Troy
in the sunlight thought he felt the stone
shiver
in the quiver on Paris's back the head
of the arrow for Achilles' heel
smiled in its sleep
and Helen stepped from the palace to gather
as she would do every day in that season
from the grove the yellow ray flowers tall
as herself
whose roots are said to dispel pain
Book
By W.S. Merwin
...on that day
the one with the gray eyes spoke first
and whatever she said he kept
thinking he remembered
but remembered it woven with confusion and fear
the two faces that he called father
the first sight of the palace
where the brothers were strangers
and the dogs watched him and refused to know him
she made everything clear she was dazzling she
offered it to him
to have for his own but what he saw
was the scorn above her eyes
and her words of which he understood few
all said to him Take wisdom
take power
you will forget anyway
the one with the dark eyes spoke
and everything she said
he imagined he had once wished for
but in confusion and cowardice
the crown
of his father the crowns the crowns bowing to him
his name everywhere like grass
only he and the sea
triumphant
she made everything sound possible she was
dazzling she offered it to him
to hold high but what he saw
was the cruelty around her mouth
and her words of which he understood more
all said to him Take pride
take glory
you will suffer anyway
the third one the color of whose eyes
later he could not remember
spoke last and slowly and
of desire and it was his
though up until then he had been
happy with his river nymph
here was his mind
filled utterly with one girl gathering
yellow flowers
and no one like her
the words
made everything seem present
almost present
present
they said to him Take her
her
you will lose her anyway
it was only when he reached out to the voice
as though he could take the speaker
herself
that his hand filled with
something to give
but to give to only one of the three
an apple as it is told
discord itself in a single fruit its skin
already carved
To the fairest
then a mason working above the gates of Troy
in the sunlight thought he felt the stone
shiver
in the quiver on Paris's back the head
of the arrow for Achilles' heel
smiled in its sleep
and Helen stepped from the palace to gather
as she would do every day in that season
from the grove the yellow ray flowers tall
as herself
whose roots are said to dispel pain
Book
Tuesday, August 07, 2007
One Clear View
The Death of Fred Clifton
11/10/84
By Lucille Clifton
I seemed to be drawn
to the center of myself
leaving the edges of me
in the hands of my wife
and I saw with the most amazing
clarity
so that I had not eyes but
sight,
and, rising and turning,
through my skin,
there was all around not the
shapes of things
but oh, at last, the things
themselves.
11/10/84
By Lucille Clifton
I seemed to be drawn
to the center of myself
leaving the edges of me
in the hands of my wife
and I saw with the most amazing
clarity
so that I had not eyes but
sight,
and, rising and turning,
through my skin,
there was all around not the
shapes of things
but oh, at last, the things
themselves.
Tuesday, July 31, 2007
One Tiny Pearl
When One Has Come as Far as I in Pointlessness
By Gunnar Ekelof
When one has come as far as I in pointlessness
Each word is once more fascinating:
Finds in the loam
Which one turns up with an archaeologist's spade:
The tiny word you
Perhaps a pearl of glass
Which once hung around someone's neck
The huge word I
Perhaps a flint shard
With which someone who had no teeth scraped his own
Meat
Translated by Robert Bly ~ Book
By Gunnar Ekelof
When one has come as far as I in pointlessness
Each word is once more fascinating:
Finds in the loam
Which one turns up with an archaeologist's spade:
The tiny word you
Perhaps a pearl of glass
Which once hung around someone's neck
The huge word I
Perhaps a flint shard
With which someone who had no teeth scraped his own
Meat
Translated by Robert Bly ~ Book
Tuesday, July 24, 2007
One Bad Blight
Spring and Fall
to a Young Child
By Gerard Manley Hopkins
Margaret, are you grieving
Over Goldengrove unleaving?
Leaves, like the things of man, you
With your fresh thoughts care for, can you?
Ah! as the heart grows older
It will come to such sights colder
By and by, nor spare a sigh
Though worlds of wanwood leafmeal lie;
And yet you will weep and know why.
Now no matter, child, the name:
Sorrow's springs are the same.
Nor mouth had, no nor mind, expressed
What heart heard of, ghost guessed:
It is the blight man was born for,
It is Margaret you mourn for.
to a Young Child
By Gerard Manley Hopkins
Margaret, are you grieving
Over Goldengrove unleaving?
Leaves, like the things of man, you
With your fresh thoughts care for, can you?
Ah! as the heart grows older
It will come to such sights colder
By and by, nor spare a sigh
Though worlds of wanwood leafmeal lie;
And yet you will weep and know why.
Now no matter, child, the name:
Sorrow's springs are the same.
Nor mouth had, no nor mind, expressed
What heart heard of, ghost guessed:
It is the blight man was born for,
It is Margaret you mourn for.
One Screaming Painter
We do not teach students to paint, for that would be like teaching an injured person to scream.
--Albert Barnes
--Albert Barnes
Tuesday, July 17, 2007
One Hopeful Hunch
Refugees
By Adam Zagajewski
Bent under burdens which sometimes
can be seen and sometimes can't,
they trudge through mud or desert sands,
hunched, hungry,
silent men in heavy jackets,
dressed for all four seasons,
old women with crumpled faces,
clutching something--a child, the family
lamp, the last loaf of bread?
It could be Bosnia today,
Poland in September '39, France
eight months later, Thuringia in '45,
Somalia, Afghanistan, Egypt.
There's always a wagon or at least a wheelbarrow
full of treasures (a quilt, a silver cup,
the fading scent of home),
a car out of gas marooned in a ditch,
a horse (soon left behind), snow, a lot of snow,
too much snow, too much sun, too much rain,
and always that distinctive hunch
as if leaning towards another, better planet,
with less ambitious generals,
less snow, less wind, fewer cannons,
less History (alas, there's no
such planet, just that hunch).
Shuffling their feet,
they move slowly, very slowly
toward the country of nowhere,
and the city of no one
on the river of never.
-Translated by Clare Cavanagh
By Adam Zagajewski
Bent under burdens which sometimes
can be seen and sometimes can't,
they trudge through mud or desert sands,
hunched, hungry,
silent men in heavy jackets,
dressed for all four seasons,
old women with crumpled faces,
clutching something--a child, the family
lamp, the last loaf of bread?
It could be Bosnia today,
Poland in September '39, France
eight months later, Thuringia in '45,
Somalia, Afghanistan, Egypt.
There's always a wagon or at least a wheelbarrow
full of treasures (a quilt, a silver cup,
the fading scent of home),
a car out of gas marooned in a ditch,
a horse (soon left behind), snow, a lot of snow,
too much snow, too much sun, too much rain,
and always that distinctive hunch
as if leaning towards another, better planet,
with less ambitious generals,
less snow, less wind, fewer cannons,
less History (alas, there's no
such planet, just that hunch).
Shuffling their feet,
they move slowly, very slowly
toward the country of nowhere,
and the city of no one
on the river of never.
-Translated by Clare Cavanagh
Tuesday, July 10, 2007
One Sick Enemy
from The New Mistress
By A. E. Housman
Oh, sick I am to see you, will you never let me be?
You may be good for something but you are not good for me.
Oh, go where you are wanted, for you are not wanted here.
And that was all the farewell when I parted from my dear.
I will go where I am wanted, to a lady born and bred
Who will dress me free for nothing in a uniform of red;
She will not be sick to see me if I only keep it clean:
I will go where I am wanted for a soldier of the Queen.
...I will go where I am wanted, where there's room for one or two,
And the men are none too many for the work there is to do;
Where the standing line wears thinner and the dropping dead lie thick;
And the enemies of England they shall see me and be sick.
By A. E. Housman
Oh, sick I am to see you, will you never let me be?
You may be good for something but you are not good for me.
Oh, go where you are wanted, for you are not wanted here.
And that was all the farewell when I parted from my dear.
I will go where I am wanted, to a lady born and bred
Who will dress me free for nothing in a uniform of red;
She will not be sick to see me if I only keep it clean:
I will go where I am wanted for a soldier of the Queen.
...I will go where I am wanted, where there's room for one or two,
And the men are none too many for the work there is to do;
Where the standing line wears thinner and the dropping dead lie thick;
And the enemies of England they shall see me and be sick.
One Defrauding Thief
from The Artist
The True Artist:
Draws out all from his heart;
works with delight; makes things with calm, with sagacity;
works like a true Toltec; composes his objects;
works dexterously; invents;
arranges materials; adorns them; makes them adjust.
The Carrion Artist:
Works at random; sneers at the people;
makes things opaque; brushes across the surface of the face of things;
works without care; defrauds people; is a thief.
--Aztec, translated by Miguel León-Portilla
The True Artist:
Draws out all from his heart;
works with delight; makes things with calm, with sagacity;
works like a true Toltec; composes his objects;
works dexterously; invents;
arranges materials; adorns them; makes them adjust.
The Carrion Artist:
Works at random; sneers at the people;
makes things opaque; brushes across the surface of the face of things;
works without care; defrauds people; is a thief.
--Aztec, translated by Miguel León-Portilla
Tuesday, July 03, 2007
One Breaking Vein
Before You Came
By Faiz Ahmed Faiz
Before you came,
things were as they should be:
the sky was the dead-end of sight,
the road was just a road, wine merely wine.
Now everything is like my heart,
a color at the edge of blood:
the grey of your absence, the color of poison, or thorns,
the gold when we meet, the season ablaze,
the yellow of autumn, the red of flowers, of flames,
and the black when you cover the earth
with the coal of dead fires.
And the sky, the road, the glass of wine?
The sky is a shirt wet with tears,
the road a vein about to break,
and the glass of wine a mirror in which
the sky, the road, the world keep changing.
Don't leave now that you're here--
Stay. So the world may become like itself again:
so the sky may be the sky,
the road a road,
and the glass of wine not a mirror, just a glass of wine.
--Translated by Agha Shahid Ali ~ Book
By Faiz Ahmed Faiz
Before you came,
things were as they should be:
the sky was the dead-end of sight,
the road was just a road, wine merely wine.
Now everything is like my heart,
a color at the edge of blood:
the grey of your absence, the color of poison, or thorns,
the gold when we meet, the season ablaze,
the yellow of autumn, the red of flowers, of flames,
and the black when you cover the earth
with the coal of dead fires.
And the sky, the road, the glass of wine?
The sky is a shirt wet with tears,
the road a vein about to break,
and the glass of wine a mirror in which
the sky, the road, the world keep changing.
Don't leave now that you're here--
Stay. So the world may become like itself again:
so the sky may be the sky,
the road a road,
and the glass of wine not a mirror, just a glass of wine.
--Translated by Agha Shahid Ali ~ Book
Tuesday, June 26, 2007
One Leaky Moon
Although the wind
blows terribly here,
the moonlight also leaks
between the roof planks
of this ruined house.
--Izumi Shikibu, translated by Jane Hirshfield with Mariko Aratani
blows terribly here,
the moonlight also leaks
between the roof planks
of this ruined house.
--Izumi Shikibu, translated by Jane Hirshfield with Mariko Aratani
One Unbiased Critic
But the great landscape architect himself, when his work had been completed, on looking at it and listening to the Gloria and Hallelujah of his angelic chorus, will have felt the craving for a clear, unbiased eye to view it with him, the eye of a critic, a connoisseur and an arbiter. With what creature, in all Paradise, will he have found that eye? With the Serpent!
--Isak Dinesen
--Isak Dinesen
Tuesday, June 19, 2007
One Bad Script
Deus ex machina
By A.E. Stallings
Because we were good at entanglements, but not
Resolution, and made a mess of plot,
Because there was no other way to fulfil
The ancient prophecy, because the will
Of the gods demanded punishment, because
Neither recognized who the other was,
Because there was no difference between
A tragic ending and a comic scene,
Because the play was running out of time,
Because the mechanism of the sublime
Was in good working order, but needed using,
Because it was a script not of our choosing,
Because we were actors, because we knew for a fact
We were only actors, because we could not act.
By A.E. Stallings
Because we were good at entanglements, but not
Resolution, and made a mess of plot,
Because there was no other way to fulfil
The ancient prophecy, because the will
Of the gods demanded punishment, because
Neither recognized who the other was,
Because there was no difference between
A tragic ending and a comic scene,
Because the play was running out of time,
Because the mechanism of the sublime
Was in good working order, but needed using,
Because it was a script not of our choosing,
Because we were actors, because we knew for a fact
We were only actors, because we could not act.
Tuesday, June 12, 2007
One Impossible Nymph
Eurydice is impossible
If Orpheus looks away
Eurydice doubts and weeps
If Orpheus looks at her
Eurydice dies
--Thomas Merton
If Orpheus looks away
Eurydice doubts and weeps
If Orpheus looks at her
Eurydice dies
--Thomas Merton
Nine Dirty Toes
To see Mad Tom of Bedlam
Ten thousand miles I'll travel:
Mad Maud sets out on dirty toes
To save her shoes from gravel.
Still I sing bonny boys,
bonny mad boys,
Bedlam boys are bonny--
For they all go bare
and they live by the air
and they want no drink nor money.
--English ballad
Ten thousand miles I'll travel:
Mad Maud sets out on dirty toes
To save her shoes from gravel.
Still I sing bonny boys,
bonny mad boys,
Bedlam boys are bonny--
For they all go bare
and they live by the air
and they want no drink nor money.
--English ballad
Tuesday, June 05, 2007
One Polleny Trail
House made of dawn.
House made of evening light.
House made of the dark cloud.
House made of male rain.
House made of dark mist.
House made of female rain.
House made of pollen.
House made of grasshoppers.
Dark cloud is at the door.
The trail out of it is dark cloud.
The zigzag lightning stands high upon it.
An offering I make.
Restore my feet for me.
Restore my legs for me.
Restore my body for me.
Restore my mind for me.
Restore my voice for me.
This very day take out your spell for me.
Happily I recover.
Happily my interior becomes cool.
Happily I go forth.
My interior feeling cool, may I walk.
No longer sore, may I walk.
Impervious to pain, may I walk.
With lively feelings may I walk.
As it used to be long ago, may I walk.
Happily may I walk.
Happily, with abundant dark clouds, may I walk.
Happily, with abundant showers, may I walk.
Happily, with abundant plants, may I walk.
Happily, on a trail of pollen, may I walk.
Happily may I walk.
Being as it used to be long ago, may I walk.
May it be beautiful before me.
May it be beautiful behind me.
May it be beautiful below me.
May it be beautiful above me.
May it be beautiful all around me.
In beauty it is finished.
In beauty it is finished.
--Navajo prayer
House made of evening light.
House made of the dark cloud.
House made of male rain.
House made of dark mist.
House made of female rain.
House made of pollen.
House made of grasshoppers.
Dark cloud is at the door.
The trail out of it is dark cloud.
The zigzag lightning stands high upon it.
An offering I make.
Restore my feet for me.
Restore my legs for me.
Restore my body for me.
Restore my mind for me.
Restore my voice for me.
This very day take out your spell for me.
Happily I recover.
Happily my interior becomes cool.
Happily I go forth.
My interior feeling cool, may I walk.
No longer sore, may I walk.
Impervious to pain, may I walk.
With lively feelings may I walk.
As it used to be long ago, may I walk.
Happily may I walk.
Happily, with abundant dark clouds, may I walk.
Happily, with abundant showers, may I walk.
Happily, with abundant plants, may I walk.
Happily, on a trail of pollen, may I walk.
Happily may I walk.
Being as it used to be long ago, may I walk.
May it be beautiful before me.
May it be beautiful behind me.
May it be beautiful below me.
May it be beautiful above me.
May it be beautiful all around me.
In beauty it is finished.
In beauty it is finished.
--Navajo prayer
Tuesday, May 29, 2007
One Luminous Poison
from The Favors of the Moon
By Charles Baudelaire
The moon, who is caprice itself, looked through the window while you were sleeping in your cradle, and said to herself: "I like this child."
And softly she decended her staircase of clouds and, noiselessly, passed through the window-panes. Then she stretched herself out over you with the supple tenderness of a mother, and laid down her colors on your face. Ever since, the pupils of your eyes have remained green and your cheeks unusually pale. It was while contemplating this vistor that your eyes became so strangely enlarged; and she clasped your neck so tenderly that you have retained for ever the desire to weep.
However, in the expansion of her joy, the Moon filled the whole room with phosphorescent vapour, like a luminous poison; and all the living light thought and said: "You shall suffer forever the influence of my kiss. You shall be beautiful in my fashion. You shall love that which I love and that which loves me: water, clouds, silence and the night; the immense green sea...."
...And that, my dear, cursed, spoiled child, is why I am now lying at your feet, seeking in all your person the reflection of the formidable divinity, of the foreknowing godmother, the poisoning wet-nurse of all the lunatics.
By Charles Baudelaire
The moon, who is caprice itself, looked through the window while you were sleeping in your cradle, and said to herself: "I like this child."
And softly she decended her staircase of clouds and, noiselessly, passed through the window-panes. Then she stretched herself out over you with the supple tenderness of a mother, and laid down her colors on your face. Ever since, the pupils of your eyes have remained green and your cheeks unusually pale. It was while contemplating this vistor that your eyes became so strangely enlarged; and she clasped your neck so tenderly that you have retained for ever the desire to weep.
However, in the expansion of her joy, the Moon filled the whole room with phosphorescent vapour, like a luminous poison; and all the living light thought and said: "You shall suffer forever the influence of my kiss. You shall be beautiful in my fashion. You shall love that which I love and that which loves me: water, clouds, silence and the night; the immense green sea...."
...And that, my dear, cursed, spoiled child, is why I am now lying at your feet, seeking in all your person the reflection of the formidable divinity, of the foreknowing godmother, the poisoning wet-nurse of all the lunatics.
Tuesday, May 22, 2007
One Stone Sword
Modern Love I
By George Meredith
By this he knew she wept with waking eyes:
That, at his hand's light quiver by her head,
The strange low sobs that shook their common bed
Were called into her with a sharp surprise,
And strangled mute, like little gaping snakes,
Dreadfully venomous to him. She lay
Stone-still, and the long darkness flowed away
With muffled pulses. Then, as midnight makes
Her giant heart of Memory and Tears
Drink the pale drug of silence, and so beat
Sleep's heavy measure, they from head to feet
Were moveless, looking through their dead black years,
By vain regret scrawled over the blank wall.
Like sculptured effigies they might be seen
Upon their marriage-tomb, the sword between;
Each wishing for the sword that severs all.
By George Meredith
By this he knew she wept with waking eyes:
That, at his hand's light quiver by her head,
The strange low sobs that shook their common bed
Were called into her with a sharp surprise,
And strangled mute, like little gaping snakes,
Dreadfully venomous to him. She lay
Stone-still, and the long darkness flowed away
With muffled pulses. Then, as midnight makes
Her giant heart of Memory and Tears
Drink the pale drug of silence, and so beat
Sleep's heavy measure, they from head to feet
Were moveless, looking through their dead black years,
By vain regret scrawled over the blank wall.
Like sculptured effigies they might be seen
Upon their marriage-tomb, the sword between;
Each wishing for the sword that severs all.
Tuesday, May 15, 2007
One Suppurating Power
from Power
By Adrienne Rich
...Marie Curie:
she must have known she suffered from radiation sickness
her body bombarded for years by the element
she had purified
It seems she denied to the end
the source of the cataracts on her eyes
the cracked and suppurating skin of her finger-ends
till she could no longer hold a test-tube or a pencil
She died a famous woman denying
her wounds
denying
her wounds came from the same source as her power.
By Adrienne Rich
...Marie Curie:
she must have known she suffered from radiation sickness
her body bombarded for years by the element
she had purified
It seems she denied to the end
the source of the cataracts on her eyes
the cracked and suppurating skin of her finger-ends
till she could no longer hold a test-tube or a pencil
She died a famous woman denying
her wounds
denying
her wounds came from the same source as her power.
Tuesday, May 08, 2007
One Good Sale
I go to the house of my one true lover, the Lifter of Mountains.
When I see his beauty, I only crave him more.
At dusk I go to him, at dawn I return.
Whatever his pleasure, day and night I am his.
The clothes he gives me, I wear. The food he offers, I eat.
Where he wants me to be, I stay. If he wants to sell me, I want to be sold.
--Mirabai, translated by Robert Bly and Jane Hirshfield
When I see his beauty, I only crave him more.
At dusk I go to him, at dawn I return.
Whatever his pleasure, day and night I am his.
The clothes he gives me, I wear. The food he offers, I eat.
Where he wants me to be, I stay. If he wants to sell me, I want to be sold.
--Mirabai, translated by Robert Bly and Jane Hirshfield
One Persevering Seducer
You call an artist a seducer and are not aware that you are paying him the highest of compliments. The whole attitude of the artist towards the Universe is that of a seducer. For what does seduction mean but the ability to make, with infinite trouble, patience, and perseverance, the object upon which you concentrate your mind give forth, voluntarily and enraptured, its very core and essence?
--Isak Dinesen
--Isak Dinesen
Tuesday, May 01, 2007
One Righteous Murderess
from Clytemnestra Triumphant
By Aeschylus
So he goes down, and the life is bursting out of him--
great sprays of blood, and the murderous shower
wounds me, dyes me black and I, I revel
like the Earth when the spring rains come down
the blessed gifts of god, and the new green spear
splits the sheath and rips to birth in glory!
...I glory.
And if I'd pour upon his body the libation
it deserves, what wine could match my words?
It is right and more than right.
--Translated by Robert Fagles
By Aeschylus
So he goes down, and the life is bursting out of him--
great sprays of blood, and the murderous shower
wounds me, dyes me black and I, I revel
like the Earth when the spring rains come down
the blessed gifts of god, and the new green spear
splits the sheath and rips to birth in glory!
...I glory.
And if I'd pour upon his body the libation
it deserves, what wine could match my words?
It is right and more than right.
--Translated by Robert Fagles
One Undeceased Wanda
from Wanda Why Aren't You Dead
By Wanda Coleman
wanda when are you gonna wear your hair down
wanda. that's a whore's name
wanda why ain't you rich
wanda you know no man in his right mind want a
ready-made family
why don't you lose weight
wanda why are you so angry
.....
wanda i think you need this
wanda you have no humor in you you too serious
wanda i didn't know i was hurting you
that was an accident
wanda i know what you're thinking
wanda i don't think they'll take that off of you
wanda why are you so angry
i'm sorry i didn't remember that that that
that that that was so important to you
wanda you're ALWAYS on the attack
wanda wanda wanda i wonder
why ain't you dead
By Wanda Coleman
wanda when are you gonna wear your hair down
wanda. that's a whore's name
wanda why ain't you rich
wanda you know no man in his right mind want a
ready-made family
why don't you lose weight
wanda why are you so angry
.....
wanda i think you need this
wanda you have no humor in you you too serious
wanda i didn't know i was hurting you
that was an accident
wanda i know what you're thinking
wanda i don't think they'll take that off of you
wanda why are you so angry
i'm sorry i didn't remember that that that
that that that was so important to you
wanda you're ALWAYS on the attack
wanda wanda wanda i wonder
why ain't you dead
Tuesday, April 24, 2007
One Green Blade
from UnrecountedBy W.G. Sebald
They say
that Napoleon
was colorblind
and blood for him
as green as grass
Translated by Michael Hamburger ~ Book
Tuesday, April 17, 2007
One Blank Snow
from Desert Places
By Robert Frost
And lonely as it is that loneliness
Will be more lonely ere it will be less--
A blanker whiteness of benighted snow
With no expression, nothing to express.
They cannot scare me with their empty spaces
Between stars—on stars where no human race is.
I have it in me so much nearer home
To scare myself with my own desert places.
By Robert Frost
And lonely as it is that loneliness
Will be more lonely ere it will be less--
A blanker whiteness of benighted snow
With no expression, nothing to express.
They cannot scare me with their empty spaces
Between stars—on stars where no human race is.
I have it in me so much nearer home
To scare myself with my own desert places.
Tuesday, April 10, 2007
One Pitiless Tuning
from Fruit-Gathering
By Rabindranath Tagore
the pain was great
when the strings were being tuned,
my Master
begin your music...
let me feel in beauty
what you had in your mind
through those pitiless days.
By Rabindranath Tagore
the pain was great
when the strings were being tuned,
my Master
begin your music...
let me feel in beauty
what you had in your mind
through those pitiless days.
One Thoughtful Alien
from A Sick Child
By Randall Jarrell
...If I can think of it, it isn't what I want.
I want...I want a ship from some near star
To land in the yard, and beings to come out
And think to me: "So this is where you are!
Come." Except that they won't do,
I thought of them... And yet somewhere there must be
Something that's different from everything.
All that I've never thought of--think of me!
By Randall Jarrell
...If I can think of it, it isn't what I want.
I want...I want a ship from some near star
To land in the yard, and beings to come out
And think to me: "So this is where you are!
Come." Except that they won't do,
I thought of them... And yet somewhere there must be
Something that's different from everything.
All that I've never thought of--think of me!
Tuesday, April 03, 2007
One Sunny Smile
A Poison TreeBy William Blake
I was angry with my friend:
I told my wrath, my wrath did end.
I was angry with my foe:
I told it not, my wrath did grow.
And I water'd it in fears,
Night & morning with my tears;
And I sunnéd it with smiles,
And with soft deceitful wiles.
And it grew both day and night,
Till it bore an apple bright;
And my foe beheld it shine,
And he knew that it was mine,
And into my garden stole
When the night had veil'd the pole:
In the morning glad I see
My foe outstretch'd beneath the tree.
Tuesday, March 27, 2007
One Heartbreaking Cuckoo
In Kyoto,
hearing the cuckoo,
I long for Kyoto.
--Basho, translated by Jane Hirshfield
hearing the cuckoo,
I long for Kyoto.
--Basho, translated by Jane Hirshfield
Tuesday, March 20, 2007
One Good Bipolar
Here Lies a Lady
By John Crowe Ransom

Here lies a lady of beauty and high degree.
Of chills and fever she died, of fever and chills,
The delight of her husband, her aunt, an infant of three,
And of medicos marveling sweetly on her ills.
For either she burned, and her confident eyes would blaze,
And her fingers fly in a manner to puzzle their heads –
What was she making? Why, nothing; she sat in a maze
Of old scraps of laces, snipped into curious shreds.
Or this would pass, and the light of her fire decline
Till she lay discouraged and cold, like a thin stalk white and blown,
And would not open her eyes, to kisses, to wine;
The sixth of these states was her last; the cold settled down.
Sweet ladies, long may ye bloom, and toughly I hope ye may thole,
But was she not lucky? In flowers and lace and mourning,
In love and great honor we bade God rest her soul
After six little spaces of chill, and six of burning.
By John Crowe Ransom

Here lies a lady of beauty and high degree.
Of chills and fever she died, of fever and chills,
The delight of her husband, her aunt, an infant of three,
And of medicos marveling sweetly on her ills.
For either she burned, and her confident eyes would blaze,
And her fingers fly in a manner to puzzle their heads –
What was she making? Why, nothing; she sat in a maze
Of old scraps of laces, snipped into curious shreds.
Or this would pass, and the light of her fire decline
Till she lay discouraged and cold, like a thin stalk white and blown,
And would not open her eyes, to kisses, to wine;
The sixth of these states was her last; the cold settled down.
Sweet ladies, long may ye bloom, and toughly I hope ye may thole,
But was she not lucky? In flowers and lace and mourning,
In love and great honor we bade God rest her soul
After six little spaces of chill, and six of burning.
One Good Leukocyte
from Pathologic Vistas
By Stephen Vadenhoff
... a part of another world where cells have grown
Mutinous or failed in their duty.
But here's a white blood cell, patrolling the blood
Like some Roman centurion watching
The mist-shrouded, far bank of the Rhine
With civilization at his back
And the savagery of the unknown forest before him.
Book
By Stephen Vadenhoff
... a part of another world where cells have grown
Mutinous or failed in their duty.
But here's a white blood cell, patrolling the blood
Like some Roman centurion watching
The mist-shrouded, far bank of the Rhine
With civilization at his back
And the savagery of the unknown forest before him.
Book
Tuesday, March 13, 2007
One Hovering Sunset
The Dark Hills
By Edwin Arlington Robinson
Dark hills at evening in the west,
Where sunset hovers like a sound
Of golden horns that sang to rest
Old bones of warriors under ground,
Far now from all the bannered ways
Where flash the legions of the sun,
You fade—as if the last of days
Were fading and all wars were done.
By Edwin Arlington Robinson
Dark hills at evening in the west,
Where sunset hovers like a sound
Of golden horns that sang to rest
Old bones of warriors under ground,
Far now from all the bannered ways
Where flash the legions of the sun,
You fade—as if the last of days
Were fading and all wars were done.
One Capital Crime
...an artist to his fingertips, regarding the failure of completeness as a crime...
--Henry James
--Henry James
Tuesday, March 06, 2007
One Granulated Soul

Crush Syndrome
By Miroslav Holub
Once when, in winter dark,
I was cleaning the concrete-mixer,
its cogwheels, like the teeth
of a bored rat of Ibadan,
snapped up the glove
with the hand inside. The finger bones
said a few things you don't hear very often
and then it grew quiet, because
even the rat had panicked.
In that moment
I realized I had a soul.
It was soft, with red stripes,
and it wanted to be wrapped in gauze.
I put it beside me on the seat
and steered with the healthy hand. At the clinic,
during the injections of local anesthetic
and the stitching,
the soul held firmly with its mandibles
to the stainless-steel knob of the adjustable table.
It was now whitish crystal
and had a grasshopper's head.
The fingers healed.
The soul turned, at first,
to granulation tissue,
and later a scar, scarcely visible.
--Translated by David Young and Dana Habova ~ Book
By Miroslav Holub
Once when, in winter dark,
I was cleaning the concrete-mixer,
its cogwheels, like the teeth
of a bored rat of Ibadan,
snapped up the glove
with the hand inside. The finger bones
said a few things you don't hear very often
and then it grew quiet, because
even the rat had panicked.
In that moment
I realized I had a soul.
It was soft, with red stripes,
and it wanted to be wrapped in gauze.
I put it beside me on the seat
and steered with the healthy hand. At the clinic,
during the injections of local anesthetic
and the stitching,
the soul held firmly with its mandibles
to the stainless-steel knob of the adjustable table.
It was now whitish crystal
and had a grasshopper's head.
The fingers healed.
The soul turned, at first,
to granulation tissue,
and later a scar, scarcely visible.
--Translated by David Young and Dana Habova ~ Book
Tuesday, February 27, 2007
One Fake Passport
And Then Who Shows Up (Hymn to Aphrodite)
By Jean Gallagher
How did I not know you but you fool me
every time. The alias, the fake passport, the clever
excuse for why you talk like me. Then you fell
like something fancy and on fire in my lap
and there's no going home for me. For you,
there's the long track of shine in which no one,
you included, can ever say your name.
More
By Jean Gallagher
How did I not know you but you fool me
every time. The alias, the fake passport, the clever
excuse for why you talk like me. Then you fell
like something fancy and on fire in my lap
and there's no going home for me. For you,
there's the long track of shine in which no one,
you included, can ever say your name.
More
Tuesday, February 20, 2007
One Nice Chair
Oh NoBy Robert Creeley
If you wander far enough
you will come to it
and when you get there
they will give you a place to sit
for yourself only, in a nice chair,
and all your friends will be there
with smiles on their faces
and they will likewise all have places.
Book
Tuesday, February 13, 2007
One Insulting Citizenry
from Complaint
By Andrzej Bursa
Mr. Minister of Justice...
you Sir offend me.
I don't know you personally, but I saw your photo in the paper
and I feel deeply offended,
unfortunately not just by you Sir,
the majority of State-run and social institutions
are insults to me,
almost every one of the citizens of our state
is an insult aimed directly at me.
Really, not just once do I ask myself for whom was it so vital to construct so enormous a machine
with architecture, a military, law and crime,
so that it would
personally plague ME.
Even the blind man installed on the street corner is there to drive me insane. ...more
--Translated by Kevin Christianson and Halina Ablamowicz
By Andrzej Bursa
Mr. Minister of Justice...
you Sir offend me.
I don't know you personally, but I saw your photo in the paper
and I feel deeply offended,
unfortunately not just by you Sir,
the majority of State-run and social institutions
are insults to me,
almost every one of the citizens of our state
is an insult aimed directly at me.
Really, not just once do I ask myself for whom was it so vital to construct so enormous a machine
with architecture, a military, law and crime,
so that it would
personally plague ME.
Even the blind man installed on the street corner is there to drive me insane. ...more
--Translated by Kevin Christianson and Halina Ablamowicz
Tuesday, February 06, 2007
One Icy Shell
from The Children of the Poor
By Gwendolyn Brooks
People who have no children can be hard:
Attain a mail of ice and insolence:
Need not pause in the fire, and in no sense
Hesitate in the hurricane to guard.
...we others hear
The little lifting helplessness, the queer
Whimper-whine; whose unridiculous
Lost softness softly makes a trap for us... more
By Gwendolyn Brooks
People who have no children can be hard:
Attain a mail of ice and insolence:
Need not pause in the fire, and in no sense
Hesitate in the hurricane to guard.
...we others hear
The little lifting helplessness, the queer
Whimper-whine; whose unridiculous
Lost softness softly makes a trap for us... more
One Strange Flower
The falling flower
I saw drift back to the branch
Was a butterfly.
--Moritake, translated by Babette Deutsch
I saw drift back to the branch
Was a butterfly.
--Moritake, translated by Babette Deutsch
Tuesday, January 30, 2007
One Silent Meteor
from The Princess
By Alfred Lord Tennyson
Now sleeps the crimson petal, now the white;
Nor waves the cypress in the palace walk;
Nor winks the gold fin in the porphyry font:
The fire-fly wakens: waken thou with me.
Now droops the milkwhite peacock like a ghost,
And like a ghost she glimmers on to me.
Now lies the Earth all Danaë to the stars,
And all thy heart lies open unto me.
Now slides the silent meteor on, and leaves
A shining furrow, as thy thoughts in me.
Now folds the lily all her sweetness up,
And slips into the bosom of the lake:
So fold thyself, my dearest, thou, and slip
Into my bosom and be lost in me.
By Alfred Lord Tennyson
Now sleeps the crimson petal, now the white;
Nor waves the cypress in the palace walk;
Nor winks the gold fin in the porphyry font:
The fire-fly wakens: waken thou with me.
Now droops the milkwhite peacock like a ghost,
And like a ghost she glimmers on to me.
Now lies the Earth all Danaë to the stars,
And all thy heart lies open unto me.
Now slides the silent meteor on, and leaves
A shining furrow, as thy thoughts in me.
Now folds the lily all her sweetness up,
And slips into the bosom of the lake:
So fold thyself, my dearest, thou, and slip
Into my bosom and be lost in me.
Tuesday, January 23, 2007
One Empty Island
from Utopia
By Wislawa Szymborska
Island where all becomes clear.
Solid ground beneath your feet.
The only roads are those that offer access.
Bushes bend beneath the weight of proofs.
The Tree of Valid Supposition grows here
with branches disentangled since time immemorial.
The Tree of Understanding, dazzlingly straight and simple,
sprouts by the spring called Now I Get It.
The thicker the woods, the vaster the vista:
the Valley of Obviously... more
--Translated by Clare Cavanagh
By Wislawa Szymborska
Island where all becomes clear.
Solid ground beneath your feet.
The only roads are those that offer access.
Bushes bend beneath the weight of proofs.
The Tree of Valid Supposition grows here
with branches disentangled since time immemorial.
The Tree of Understanding, dazzlingly straight and simple,
sprouts by the spring called Now I Get It.
The thicker the woods, the vaster the vista:
the Valley of Obviously... more
--Translated by Clare Cavanagh
Tuesday, January 16, 2007
One Pale Lily
Non Sum Qualis Eram Bonae Sub Regno Cynarae
By Ernest Dowson
Last night, ah, yesternight, betwixt her lips and mine
There fell thy shadow, Cynara! thy breath was shed
Upon my soul between the kisses and the wine;
And I was desolate and sick of an old passion,
Yea, I was desolate and bowed my head:
I have been faithful to thee, Cynara! in my fashion.
All night upon mine heart I felt her warm heart beat,
Night-long within mine arms in love and sleep she lay;
Surely the kisses of her bought red mouth were sweet;
But I was desolate and sick of an old passion,
When I awoke and found the dawn was gray:
I have been faithful to thee, Cynara! in my fashion.
I have forgot much, Cynara! gone with the wind,
Flung roses, roses riotously with the throng,
Dancing, to put thy pale, lost lilies out of mind;
But I was desolate and sick of an old passion,
Yea, all the time, because the dance was long:
I have been faithful to thee, Cynara! in my fashion.
I cried for madder music and for stronger wine,
But when the feast is finished and the lamps expire,
Then falls thy shadow, Cynara! the night is thine;
And I am desolate and sick of an old passion,
Yea, hungry for the lips of my desire:
I have been faithful to thee, Cynara! in my fashion.
By Ernest Dowson
Last night, ah, yesternight, betwixt her lips and mine
There fell thy shadow, Cynara! thy breath was shed
Upon my soul between the kisses and the wine;
And I was desolate and sick of an old passion,
Yea, I was desolate and bowed my head:
I have been faithful to thee, Cynara! in my fashion.
All night upon mine heart I felt her warm heart beat,
Night-long within mine arms in love and sleep she lay;
Surely the kisses of her bought red mouth were sweet;
But I was desolate and sick of an old passion,
When I awoke and found the dawn was gray:
I have been faithful to thee, Cynara! in my fashion.
I have forgot much, Cynara! gone with the wind,
Flung roses, roses riotously with the throng,
Dancing, to put thy pale, lost lilies out of mind;
But I was desolate and sick of an old passion,
Yea, all the time, because the dance was long:
I have been faithful to thee, Cynara! in my fashion.
I cried for madder music and for stronger wine,
But when the feast is finished and the lamps expire,
Then falls thy shadow, Cynara! the night is thine;
And I am desolate and sick of an old passion,
Yea, hungry for the lips of my desire:
I have been faithful to thee, Cynara! in my fashion.
Tuesday, January 09, 2007
One Popular Item
In Answer to Your Query
By Naomi Lazard
We are sorry to inform you
the item you ordered
is no longer being produced.
It has not gone out of style
nor have people lost interest in it.
In fact, it has become
one of our most desired products.
Its popularity is still growing.
Orders for it come in
at an ever increasing rate.
However, a top-level decision
has caused this product
to be discontinued forever.
Instead of the item you ordered
we are sending you something else.
It is not the same thing,
nor is it a reasonable facsimile.
It is what we have in stock,
the very best we can offer.
If you are not happy
with this substitution
let us know as soon as possible.
As you can imagine
we already have quite an accumulation
of letters such as the one
you may or may not write.
To be totally fair
We respond to these complaints
as they come in.
Yours will be filed accordingly,
answered in its turn.
By Naomi Lazard
We are sorry to inform you
the item you ordered
is no longer being produced.
It has not gone out of style
nor have people lost interest in it.
In fact, it has become
one of our most desired products.
Its popularity is still growing.
Orders for it come in
at an ever increasing rate.
However, a top-level decision
has caused this product
to be discontinued forever.
Instead of the item you ordered
we are sending you something else.
It is not the same thing,
nor is it a reasonable facsimile.
It is what we have in stock,
the very best we can offer.
If you are not happy
with this substitution
let us know as soon as possible.
As you can imagine
we already have quite an accumulation
of letters such as the one
you may or may not write.
To be totally fair
We respond to these complaints
as they come in.
Yours will be filed accordingly,
answered in its turn.
Tuesday, January 02, 2007
One Motionless Rose
Casida of the Rose
By Federico Garcia Lorca
The rose
was not searching for the sunrise:
almost eternal in its branch,
it was searching for something else.
The rose
was not searching for darkness or science:
borderline of flesh and dream,
it was searching for something else.
The rose
was not searching for the rose.
Motionless in the sky
it was searching for something else.
--Translated by Robert Bly ~ Book
By Federico Garcia Lorca
The rose
was not searching for the sunrise:
almost eternal in its branch,
it was searching for something else.
The rose
was not searching for darkness or science:
borderline of flesh and dream,
it was searching for something else.
The rose
was not searching for the rose.
Motionless in the sky
it was searching for something else.
--Translated by Robert Bly ~ Book
One Confusing Boot
Plain Talk
By William Jay Smith
"There are people so dumb," my father said,
"That they don't know beans from an old bedstead.
They can't tell one thing from another,
Ella Cinders from Whistler's Mother,
A porcupine quill from a peacock feather,
A buffalo-flop from Florentine leather,
Meatless shanks boiled bare and blue,
They bob up and down like bones in a stew;
Don't know their arse from a sassafras root,
And couldn't pour piss from a cowhide boot
With complete directions on the heel."
That's how he felt. That's how I feel.
By William Jay Smith
"There are people so dumb," my father said,
"That they don't know beans from an old bedstead.
They can't tell one thing from another,
Ella Cinders from Whistler's Mother,
A porcupine quill from a peacock feather,
A buffalo-flop from Florentine leather,
Meatless shanks boiled bare and blue,
They bob up and down like bones in a stew;
Don't know their arse from a sassafras root,
And couldn't pour piss from a cowhide boot
With complete directions on the heel."
That's how he felt. That's how I feel.
Tuesday, December 26, 2006
One Inexpensive Desert
Desert Town
By Anne Carson
When the sage came back in.
From the desert.
He propped up the disciples again like sparrows.
On a clothesline.
Some had fallen in to despair this puzzled him.
In the desert.
Where he baked his heart.
Were no shadows no up and down to remind him.
How they depended on him a boy died.
In his arms.
It is very expensive he thought.
To come back.
He began to conform.
To the cutting away ways.
Of this world a fire was roaring up.
Inside him his bones by now liquid and he saw.
Ahead of him.
Waiting nothing else.
Waiting itself.
By Anne Carson
When the sage came back in.
From the desert.
He propped up the disciples again like sparrows.
On a clothesline.
Some had fallen in to despair this puzzled him.
In the desert.
Where he baked his heart.
Were no shadows no up and down to remind him.
How they depended on him a boy died.
In his arms.
It is very expensive he thought.
To come back.
He began to conform.
To the cutting away ways.
Of this world a fire was roaring up.
Inside him his bones by now liquid and he saw.
Ahead of him.
Waiting nothing else.
Waiting itself.
Tuesday, December 19, 2006
One Shrieking Heaven
Cassandra
By Louise Bogan
To me, one silly task is like another.
I bare the shambling tricks of lust and pride.
This flesh will never give a child its mother,—
Song, like a wing, tears through my breast, my side,
And madness chooses out my voice again,
Again. I am the chosen no hand saves:
The shrieking heaven lifted over men,
Not the dumb earth, wherein they set their graves.
By Louise Bogan
To me, one silly task is like another.
I bare the shambling tricks of lust and pride.
This flesh will never give a child its mother,—
Song, like a wing, tears through my breast, my side,
And madness chooses out my voice again,
Again. I am the chosen no hand saves:
The shrieking heaven lifted over men,
Not the dumb earth, wherein they set their graves.
Tuesday, December 12, 2006
One Happy City
Jerusalem
By Yehuda Amichai
On a roof in the Old City
laundry hangs in the afternoon sunlight.
The white sheet of a woman who is my enemy,
the towel of a man who is my enemy,
to wipe the sweat of his brow.
In the sky of the Old City
a kite.
At the other end of the string,
a child
I can't see
because of the wall.
They are waving many bright flags.
We are waving many bright flags.
Bright flags to show how happy they are.
Bright flags to show how happy we are.
By Yehuda Amichai
On a roof in the Old City
laundry hangs in the afternoon sunlight.
The white sheet of a woman who is my enemy,
the towel of a man who is my enemy,
to wipe the sweat of his brow.
In the sky of the Old City
a kite.
At the other end of the string,
a child
I can't see
because of the wall.
They are waving many bright flags.
We are waving many bright flags.
Bright flags to show how happy they are.
Bright flags to show how happy we are.
One Afflicted Vein
from State of Seige
By Mahmoud Darwish
...ten are wounded.
Twenty homes are gone.
Forty olive groves destroyed,
in addition to the structural damage
afflicting the veins of the poem, the play,
and the unfinished painting.
--Translated by Ramsis Amun
By Mahmoud Darwish
...ten are wounded.
Twenty homes are gone.
Forty olive groves destroyed,
in addition to the structural damage
afflicting the veins of the poem, the play,
and the unfinished painting.
--Translated by Ramsis Amun
Tuesday, December 05, 2006
One Unsatisfied Stone
The Magi
By W.B. Yeats
Now as at all times I can see in the mind's eye,
In their stiff, painted clothes, the pale unsatisfied ones
Appear and disappear in the blue depth of the sky
With all their ancient faces like rainbeaten stones,
And all their helms of silver hovering side by side,
And all their eyes still fixed, hoping to find once more,
Being by Calvary's turbulence unsatisfied,
The uncontrollable mystery on the bestial floor.
By W.B. Yeats
Now as at all times I can see in the mind's eye,
In their stiff, painted clothes, the pale unsatisfied ones
Appear and disappear in the blue depth of the sky
With all their ancient faces like rainbeaten stones,
And all their helms of silver hovering side by side,
And all their eyes still fixed, hoping to find once more,
Being by Calvary's turbulence unsatisfied,
The uncontrollable mystery on the bestial floor.
Tuesday, November 28, 2006
One Puzzling Newborn
Birth of a New Poem
By Tadeusz Rosewicz
Two poems
rush through the night
thrown
at each other
the shapes of these poems
are modern
precise
the interiors lit up
comfortable and experimental
they fall upon each other
blind
images
routed
cracked
taut
pulverized
penetrated
expiring forms
break the line
stifle breaths
wrench away words
dissolve features
a collision
a new poem
a third poem
born in agony
flows through
the fetal waters
of humanity
the newborn
with a puzzling smile
hidden
poised for sudden
growth
~Translated by Magnus Krynski and Robert Maguire
By Tadeusz Rosewicz
Two poems
rush through the night
thrown
at each other
the shapes of these poems
are modern
precise
the interiors lit up
comfortable and experimental
they fall upon each other
blind
images
routed
cracked
taut
pulverized
penetrated
expiring forms
break the line
stifle breaths
wrench away words
dissolve features
a collision
a new poem
a third poem
born in agony
flows through
the fetal waters
of humanity
the newborn
with a puzzling smile
hidden
poised for sudden
growth
~Translated by Magnus Krynski and Robert Maguire
Monday, November 27, 2006
One Unstable Pyramid
Tuesday, November 21, 2006
One Transparent Church
Ash
By W.S. Merwin
The church in the forest
was built of wood
the faithful carved their names by the doors
same names as ours
soldiers burned it down
the next church where the first had stood
was built of wood
with charcoal floors
names were written in black by the doors
same names as ours
soldiers burned it down
we have a church where the others stood
it’s made of ash
no roof no doors
nothing on earth
says it’s ours
By W.S. Merwin
The church in the forest
was built of wood
the faithful carved their names by the doors
same names as ours
soldiers burned it down
the next church where the first had stood
was built of wood
with charcoal floors
names were written in black by the doors
same names as ours
soldiers burned it down
we have a church where the others stood
it’s made of ash
no roof no doors
nothing on earth
says it’s ours
One Deaf Chamber
from Astrophel and Stella
By Sir Philip Sidney
Come Sleep! O Sleep, the certain knot of peace,
The baiting place of wit, the balm of woe,
The poor man's wealth, the prisoner's release,
Th' indifferent judge between the high and low;
With shield of proof, shield me from out the prease
Of those fierce darts Despair at me doth throw;
O make in me those civil wars to cease;
I will good tribute pay, if thou do so.
Take thou of me smooth pillows, sweetest bed,
A chamber deaf to noise and blind to light,
A rosy garland and a weary head:
And if these things, as being thine by right,
Move not thy heavy grace, thou shalt in me,
Livelier than elsewhere, Stella's image see.
By Sir Philip Sidney
Come Sleep! O Sleep, the certain knot of peace,
The baiting place of wit, the balm of woe,
The poor man's wealth, the prisoner's release,
Th' indifferent judge between the high and low;
With shield of proof, shield me from out the prease
Of those fierce darts Despair at me doth throw;
O make in me those civil wars to cease;
I will good tribute pay, if thou do so.
Take thou of me smooth pillows, sweetest bed,
A chamber deaf to noise and blind to light,
A rosy garland and a weary head:
And if these things, as being thine by right,
Move not thy heavy grace, thou shalt in me,
Livelier than elsewhere, Stella's image see.
Tuesday, November 14, 2006
One Cramped Sheep
Laser Palmistry: The Early Days
By Sarah Lindsay
Determined not to ask too much,
the chiromantic surgeon's very first client
passed up the lottery-winning star along the Apollo line,
the peacock's eye on the Mercury finger for
luck and protection.
But, given the discount for scientific advancement,
she made four choices: erase the ring of Saturn
that circled her left middle finger and kept
her melancholy;
build up her mount of Apollo, to make her
lively and creative; lengthen her heart line --
she would be discriminating and faithful in love;
and draw her a good strong fate line, because
she had none.
What kind? "Surprise me," she said,
and opened her hands, and felt so naked
she had to close her eyes.
Who knew that while his meticulous lasers worked,
the tea leaves in her mug in the kitchen sink
shifted before they dried? or that three counties over,
a sheep suffered cramps as its entrails readjusted?
Meanwhile, no fewer than nine unrelated people
felt tickles like ants in their palms as their
own lines moved.
That night, while the patient's unexpected headache
accompanied minor changes in the protuberances
of her skull,
a few widely scattered astronomers frowned
at anomalies in their data,
and on Floreana, in the Galápagos Islands,
an as yet undiscovered vein
of perfectly aligned crystals disappeared.
And that was just the beginning.
By Sarah Lindsay
Determined not to ask too much,
the chiromantic surgeon's very first client
passed up the lottery-winning star along the Apollo line,
the peacock's eye on the Mercury finger for
luck and protection.
But, given the discount for scientific advancement,
she made four choices: erase the ring of Saturn
that circled her left middle finger and kept
her melancholy;
build up her mount of Apollo, to make her
lively and creative; lengthen her heart line --
she would be discriminating and faithful in love;
and draw her a good strong fate line, because
she had none.
What kind? "Surprise me," she said,
and opened her hands, and felt so naked
she had to close her eyes.
Who knew that while his meticulous lasers worked,
the tea leaves in her mug in the kitchen sink
shifted before they dried? or that three counties over,
a sheep suffered cramps as its entrails readjusted?
Meanwhile, no fewer than nine unrelated people
felt tickles like ants in their palms as their
own lines moved.
That night, while the patient's unexpected headache
accompanied minor changes in the protuberances
of her skull,
a few widely scattered astronomers frowned
at anomalies in their data,
and on Floreana, in the Galápagos Islands,
an as yet undiscovered vein
of perfectly aligned crystals disappeared.
And that was just the beginning.
One True Gaze
from Requiem
By Rainer Maria Rilke
...
And at last, you saw yourself as a fruit, you stepped
out of your clothes and brought your naked body
before the mirror, you left yourself inside
down to your gaze; which stayed in front, immense,
and didn't say: I am that; no: this is.
So free of curiosity your gaze
had become, so unpossessive, of such true
poverty, it had no desire even
for you yourself; it wanted nothing: holy.
...
--Translated by Stephen Mitchell ~ Book
By Rainer Maria Rilke
...
And at last, you saw yourself as a fruit, you stepped
out of your clothes and brought your naked body
before the mirror, you left yourself inside
down to your gaze; which stayed in front, immense,
and didn't say: I am that; no: this is.
So free of curiosity your gaze
had become, so unpossessive, of such true
poverty, it had no desire even
for you yourself; it wanted nothing: holy.
...
--Translated by Stephen Mitchell ~ Book
Tuesday, November 07, 2006
One Crafty Burglar
from Be Melting Snow
By Jelaluddin Rumi
My friends and I go running out into the street.
I'm in here, comes a voice from the house, but we aren't listening.
We're looking up at the sky.
My pet nightingale sobs like a drunk in the garden.
Ringdoves scatter with small cries, Where, Where.
It's midnight. The whole neighborhood is up and out
in the street thinking, The cat burglar has come back.
The actual thief is there too, saying out loud,
Yes, the cat burglar is somewhere in this crowd.
No one pays attention.
Lo, I am with you always means when you look for God,
God is in the look of your eyes,
in the thought of looking, nearer to you than your self,
or things that have happened to you
There's no need to go outside.     ...more
--Translated by Coleman Barks
By Jelaluddin Rumi
My friends and I go running out into the street.
I'm in here, comes a voice from the house, but we aren't listening.
We're looking up at the sky.
My pet nightingale sobs like a drunk in the garden.
Ringdoves scatter with small cries, Where, Where.
It's midnight. The whole neighborhood is up and out
in the street thinking, The cat burglar has come back.
The actual thief is there too, saying out loud,
Yes, the cat burglar is somewhere in this crowd.
No one pays attention.
Lo, I am with you always means when you look for God,
God is in the look of your eyes,
in the thought of looking, nearer to you than your self,
or things that have happened to you
There's no need to go outside.     ...more
--Translated by Coleman Barks
One Deep Hell
from Paradise Lost
By John Milton
Me miserable! Which way shall I fly
Infinite wrath and infinite despair?
Which way I fly is Hell; myself am Hell;
And in the lowest deep, a lower deep
Still threatening to devour me opens wide,
To which the Hell I suffer seems a Heaven.
By John Milton
Me miserable! Which way shall I fly
Infinite wrath and infinite despair?
Which way I fly is Hell; myself am Hell;
And in the lowest deep, a lower deep
Still threatening to devour me opens wide,
To which the Hell I suffer seems a Heaven.
Tuesday, October 31, 2006
One Strange Button
from The Rain
By Zbigniew Herbert
When my older brother
came back from war
he had on his forehead a little silver star
and under the star
an abyss
a splinter of shrapnel
hit him at Verdun
or perhaps at Grünwald
(he'd forgotten the details)
...we looked at him
getting paler and paler
abandoned by his senses
he turned slowly into a monument
into musical shells of ears
entered a stone forest
and the skin of his face
was secured
with the blind dry
buttons of eyes
nothing was left him
but touch
what stories
he told with his hands
in the right he had romances
in the left soldier's memories
they took my brother
and carried him out of town
he returns every fall
slim and very quiet
(he does not want to come in)
he knocks at the window for me
we walk together in the streets
and he recites to me
improbable tales
touching my face
with blind fingers of rain
--Translated by Czeslaw Milosz
By Zbigniew Herbert
When my older brother
came back from war
he had on his forehead a little silver star
and under the star
an abyss
a splinter of shrapnel
hit him at Verdun
or perhaps at Grünwald
(he'd forgotten the details)
...we looked at him
getting paler and paler
abandoned by his senses
he turned slowly into a monument
into musical shells of ears
entered a stone forest
and the skin of his face
was secured
with the blind dry
buttons of eyes
nothing was left him
but touch
what stories
he told with his hands
in the right he had romances
in the left soldier's memories
they took my brother
and carried him out of town
he returns every fall
slim and very quiet
(he does not want to come in)
he knocks at the window for me
we walk together in the streets
and he recites to me
improbable tales
touching my face
with blind fingers of rain
--Translated by Czeslaw Milosz
One Dizzy Fire
...When I look at you
Brochea, not a part of my
voice comes out,
but my tongue breaks,
and right away
a delicate fire runs just beneath
my skin,
I see a dizzy nothing,
my ears ring with noise,
the sweat runs down
upon me, and a trembling
that I cannot stop
seizes me limb and loin,
I am greener than grass, and
death seems so near...
--Sappho, translated by Edward Sanders
Brochea, not a part of my
voice comes out,
but my tongue breaks,
and right away
a delicate fire runs just beneath
my skin,
I see a dizzy nothing,
my ears ring with noise,
the sweat runs down
upon me, and a trembling
that I cannot stop
seizes me limb and loin,
I am greener than grass, and
death seems so near...
--Sappho, translated by Edward Sanders
One Bad Wax
from Waiting for Icarus
By Muriel Rukeyser
He said he would be back and we'd drink wine together
He said that everything would be better than before
He said we were on the edge of a new relation
He said he would never again cringe before his father
He said that he was going to invent full-time
He said he loved me that going into me
He said was going into the world and the sky
He said all the buckles were very firm
He said the wax was the best wax
He said Wait for me here on the beach
He said Just don't cry ...more
By Muriel Rukeyser
He said he would be back and we'd drink wine together
He said that everything would be better than before
He said we were on the edge of a new relation
He said he would never again cringe before his father
He said that he was going to invent full-time
He said he loved me that going into me
He said was going into the world and the sky
He said all the buckles were very firm
He said the wax was the best wax
He said Wait for me here on the beach
He said Just don't cry ...more
Tuesday, October 24, 2006
One Scary Wristwatch

Conversion
By Mario Susko
I came upon a man in black who sat on a tank,
tending his sheep that grazed impassively
around the craters and among dead bodies.
I am looking for my son, I said squinting.
The bullets in his cartridge belt slung
over his shoulder shone in the sun like teeth.
He smiled, chewing a cigarette to the other
corner of his mouth, and motioned with his hand
to the field. Plenty to choose from, he said.
The sheep were moving away towards the shade
of a big oak tree, the bodies following
on all fours. I strained my ears to hear the bell
I knew. He slid down and stared at me.
Is that your stomach growling, he asked.
I am just trying to find my son, I whispered.
You want me to shoot one? He spat out the butt
and stomped it with his boot that was like my son’s.
We are talking about some good meat, he grinned.
The shirt looked familiar, but I couldn’t tell.
My sheep started to fan out and I suddenly heard
a dog yelp behind me. He whistled, the sound
thin and piercing, making the bodies stop.
I felt the sweat run down my buttocks and legs,
as if someone punctured holes in my ribs.
Have you seen my son, I uttered, not knowing
whether any sound left my mouth. You never had
a son, he yelled and cocked his submachine gun.
The boots were the same, and so was the shirt.
And the Mickey Mouse watch on his hand was the same.
Tell you what, he said and laughed. I’ll be your son.
One Gallant Foe
Ballad for Gloom
By Ezra Pound
For God, our God is a gallant foe
That playeth behind the veil.
I have loved my God as a child at heart
That seeketh deep bosoms for rest,
I have loved my God as a maid to man—
But lo, this thing is best:
To love your God as a gallant foe
that plays behind the veil;
To meet your God as the night winds meet
beyond Arcturus' pale.
I have played with God for a woman,
I have staked with my God for truth,
I have lost to my God as a man, clear-eyed—
His dice be not of ruth.
For I am made as a naked blade,
But hear ye this thing in sooth:
Who loseth to God as man to man
Shall win at the turn of the game.
I have drawn my blade where the lightnings meet
But the ending is the same:
Who loseth to God as the sword blades lose
Shall win at the end of the game.
For God, our God is a gallant foe
that playeth behind the veil.
Whom God deigns not to overthrow
hath need of triple mail.
By Ezra Pound
For God, our God is a gallant foe
That playeth behind the veil.
I have loved my God as a child at heart
That seeketh deep bosoms for rest,
I have loved my God as a maid to man—
But lo, this thing is best:
To love your God as a gallant foe
that plays behind the veil;
To meet your God as the night winds meet
beyond Arcturus' pale.
I have played with God for a woman,
I have staked with my God for truth,
I have lost to my God as a man, clear-eyed—
His dice be not of ruth.
For I am made as a naked blade,
But hear ye this thing in sooth:
Who loseth to God as man to man
Shall win at the turn of the game.
I have drawn my blade where the lightnings meet
But the ending is the same:
Who loseth to God as the sword blades lose
Shall win at the end of the game.
For God, our God is a gallant foe
that playeth behind the veil.
Whom God deigns not to overthrow
hath need of triple mail.
One Chubby Mosaic
A Byzantine Mosaic
By Wislawa Szymborska
"O Theotropia, my empress consort."
"O Theodendron, my consort emperor."
"How fair thou art, my hollow-cheeked beloved."
"How fine art thou, blue-lipped spouse."
"Thou art so wondrous frail
beneath thy bell-like gown,
the alarum of which, if but removed,
would waken all my kingdom."
"How excellently mortified thou art,
my lord and master,
to mine own shadow a twinned shade."
"Oh how it pleaseth me
to see my lady's palms,
like unto palm leaves verily,
clasped to her mantle's throat."
"Wherewith, raised heavenward,
I would pray thee mercy for our son,
for he is not such as we, O Theodendron."
"Heaven forfend, O Theotropia.
Pray, what might he be,
begotten and brought forth
in godly dignity?"
"I will confess anon, and thou shalt hear me.
Not a princeling but a sinner have I borne thee.
Pink and shameless as a piglet,
plump and merry, verily,
all chubby wrists and ringlets came he
rolling unto us."
"He is roly-poly?"
"That he is."
"He is voracious?"
"Yea, in truth."
"His skin is milk and roses?"
"As thou sayest."
"What, pray, does our archimandrite say,
a man of most penetrating gnosis?
What say our consecrated eremites,
most holy skeletesses?
How should they strip the fiendish infant
of his swaddling silks?"
"Metamorphosis miraculous
still lies within our Savior's power.
Yet thou, on spying
the babe's unsightliness,
shalt not cry out
and rouse the sleeping demon from his rest?"
"I am thy twin in horror.
Lead on, Theotropia."
--Translated by Clare Cavanaugh
By Wislawa Szymborska
"O Theotropia, my empress consort."
"O Theodendron, my consort emperor."
"How fair thou art, my hollow-cheeked beloved."
"How fine art thou, blue-lipped spouse."
"Thou art so wondrous frail
beneath thy bell-like gown,
the alarum of which, if but removed,
would waken all my kingdom."
"How excellently mortified thou art,
my lord and master,
to mine own shadow a twinned shade."
"Oh how it pleaseth me
to see my lady's palms,
like unto palm leaves verily,
clasped to her mantle's throat."
"Wherewith, raised heavenward,
I would pray thee mercy for our son,
for he is not such as we, O Theodendron."
"Heaven forfend, O Theotropia.
Pray, what might he be,
begotten and brought forth
in godly dignity?"
"I will confess anon, and thou shalt hear me.
Not a princeling but a sinner have I borne thee.
Pink and shameless as a piglet,
plump and merry, verily,
all chubby wrists and ringlets came he
rolling unto us."
"He is roly-poly?"
"That he is."
"He is voracious?"
"Yea, in truth."
"His skin is milk and roses?"
"As thou sayest."
"What, pray, does our archimandrite say,
a man of most penetrating gnosis?
What say our consecrated eremites,
most holy skeletesses?
How should they strip the fiendish infant
of his swaddling silks?"
"Metamorphosis miraculous
still lies within our Savior's power.
Yet thou, on spying
the babe's unsightliness,
shalt not cry out
and rouse the sleeping demon from his rest?"
"I am thy twin in horror.
Lead on, Theotropia."
--Translated by Clare Cavanaugh
Tuesday, October 17, 2006
One Good Flute
To a Traitor
Anonymous/Quechua
The traitor’s skull, we shall drink out of it,
His teeth we shall wear as a necklace,
From his bones we shall make flutes,
Of his skin we shall make a drum,
Then we shall dance.
--Translated by Willard Trask after Richard Pietschmann
Anonymous/Quechua
The traitor’s skull, we shall drink out of it,
His teeth we shall wear as a necklace,
From his bones we shall make flutes,
Of his skin we shall make a drum,
Then we shall dance.
--Translated by Willard Trask after Richard Pietschmann
One Strange Talk
from The Silence Afterwards
By Rolf Jacobsen
it is way too late...
...words don't exist any longer,
there are no more words,
from now on all the talk will take place
with the voices stones and trees have.
--Translated by Robert Bly
By Rolf Jacobsen
it is way too late...
...words don't exist any longer,
there are no more words,
from now on all the talk will take place
with the voices stones and trees have.
--Translated by Robert Bly
One Smart Beggar
Some--Work for Immortality--
The Chiefer part, for Time--
He--Compensates--immediately--
The former--Checks--on Fame--
Slow Gold--but Everlasting--
The Bullion of Today--
Contrasted with the Currency
Of Immortality--
A Beggar--Here and There--
Is gifted to discern
Beyond the Broker's insight--
One's--Money--One's--the Mine--
--Emily Dickinson
The Chiefer part, for Time--
He--Compensates--immediately--
The former--Checks--on Fame--
Slow Gold--but Everlasting--
The Bullion of Today--
Contrasted with the Currency
Of Immortality--
A Beggar--Here and There--
Is gifted to discern
Beyond the Broker's insight--
One's--Money--One's--the Mine--
--Emily Dickinson
Tuesday, October 10, 2006
One Drenched River
The Lotus
By Li Po
Lotus flowers blossomed,
and the river was drenched in red.
Sir, you said the lotuses were more beautiful than me.
Yesterday, when I passed by the flowers,
why, then, didn't people look at the lotus?
--Translated by Arthur Sze
By Li Po
Lotus flowers blossomed,
and the river was drenched in red.
Sir, you said the lotuses were more beautiful than me.
Yesterday, when I passed by the flowers,
why, then, didn't people look at the lotus?
--Translated by Arthur Sze
One Glaring Light
into the blinding sun
the funeral procession's
glaring headlights
--By Nicholas Virgilio
the funeral procession's
glaring headlights
--By Nicholas Virgilio
One Contrary Wave
from West-Running Brook
By Robert Frost
'Speaking of contraries, see how the brook
In that white wave runs counter to itself.
It is from that in water we were from
Long, long before we were from any creature.
Here we, in our impatience of the steps,
Get back to the beginning of beginnings,
The stream of everything that runs away.
Some say existence like a Pirouot
And Pirouette, forever in one place,
Stands still and dances, but it runs away,
It seriously, sadly, runs away
To fill the abyss' void with emptiness.
It flows beside us in this water brook,
But it flows over us. It flows between us
To separate us for a panic moment.
It flows between us, over us, and with us.
And it is time, strength, tone, light, life and love-
And even substance lapsing unsubstantial;
The universal cataract of death
That spends to nothingness--and unresisted,
Save by some strange resistance in itself,
Not just a swerving, but a throwing back,
As if regret were in it and were sacred.
It has this throwing backward on itself
So that the fall of most of it is always
Raising a little, sending up a little.
Our life runs down in sending up the clock.
The brook runs down in sending up our life.
The sun runs down in sending up the brook.
And there is something sending up the sun.
It is this backward motion toward the source,
Against the stream, that most we see ourselves in,
The tribute of the current to the source.
It is from this in nature we are from.
It is most us.'
By Robert Frost
'Speaking of contraries, see how the brook
In that white wave runs counter to itself.
It is from that in water we were from
Long, long before we were from any creature.
Here we, in our impatience of the steps,
Get back to the beginning of beginnings,
The stream of everything that runs away.
Some say existence like a Pirouot
And Pirouette, forever in one place,
Stands still and dances, but it runs away,
It seriously, sadly, runs away
To fill the abyss' void with emptiness.
It flows beside us in this water brook,
But it flows over us. It flows between us
To separate us for a panic moment.
It flows between us, over us, and with us.
And it is time, strength, tone, light, life and love-
And even substance lapsing unsubstantial;
The universal cataract of death
That spends to nothingness--and unresisted,
Save by some strange resistance in itself,
Not just a swerving, but a throwing back,
As if regret were in it and were sacred.
It has this throwing backward on itself
So that the fall of most of it is always
Raising a little, sending up a little.
Our life runs down in sending up the clock.
The brook runs down in sending up our life.
The sun runs down in sending up the brook.
And there is something sending up the sun.
It is this backward motion toward the source,
Against the stream, that most we see ourselves in,
The tribute of the current to the source.
It is from this in nature we are from.
It is most us.'
Tuesday, October 03, 2006
One Smart Orphan
from The Orphan Reformed
By Stevie Smith
...
Orphan, the people who will not be your parents are not evil,
Not the devil.
But still she cries Father, Mother
Must I be alone forever?
Yes you must. Oh wicked orphan, oh rebellion
Must an orphan not be alone is that your opinion?
At last the orphan is reformed. Now quite
Alone she goes; now she is right.
Now when she cries, Father, Mother, it is only to please.
Now the people do not mind, now they say she is a mild tease.
By Stevie Smith
...
Orphan, the people who will not be your parents are not evil,
Not the devil.
But still she cries Father, Mother
Must I be alone forever?
Yes you must. Oh wicked orphan, oh rebellion
Must an orphan not be alone is that your opinion?
At last the orphan is reformed. Now quite
Alone she goes; now she is right.
Now when she cries, Father, Mother, it is only to please.
Now the people do not mind, now they say she is a mild tease.
One Soundless Snow
Without a sound
resin buried underground is turning into amber
while above the first snow is falling
Ko Un, translated by Brother Anthony ~ Book
resin buried underground is turning into amber
while above the first snow is falling
Ko Un, translated by Brother Anthony ~ Book
One Good Blessing
from The Rime of the Ancient Mariner
By Samuel Taylor Coleridge
Beyond the shadow of the ship,
I watched the water-snakes:
They moved in tracks of shining white,
And when they reared, the elfish light
Fell off in hoary flakes.
Within the shadow of the ship,
I watched their rich attire:
Blue, glossy green, and velvet black,
They coiled and swam; and every track
Was a flash of golden fire.
O happy living things! no tongue
Their beauty might declare:
A spring of love gushed from my heart,
And I blessed them unaware:
Sure my kind saint took pity on me,
And I blessed them unaware.
By Samuel Taylor Coleridge
Beyond the shadow of the ship,
I watched the water-snakes:
They moved in tracks of shining white,
And when they reared, the elfish light
Fell off in hoary flakes.
Within the shadow of the ship,
I watched their rich attire:
Blue, glossy green, and velvet black,
They coiled and swam; and every track
Was a flash of golden fire.
O happy living things! no tongue
Their beauty might declare:
A spring of love gushed from my heart,
And I blessed them unaware:
Sure my kind saint took pity on me,
And I blessed them unaware.
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