Lord Randall
'O where hae ye been, Lord Randall, my son?
O where hae ye been, my handsome young man?'
'I hae been to the wild wood; mother, make my bed soon,
For I'm weary wi' hunting, and fain wald lie down.'
'Where gat ye your dinner, Lord Randall, my son?
Where gat ye your dinner, my handsome young man?'
'I din'd wi' my true-love; mother, make my bed soon,
For I'm weary wi' hunting, and fain wald lie down.'
'What gat ye your dinner, Lord Randall, my son?
What gat ye your dinner, my handsome young man?'
'I gat eels boil'd in broo; mother, make my bed soon,
For I'm weary wi' hunting, and fain wald lie down.'
'What became of your bloodhounds, Lord Randall, my son?
What became of your bloodhounds, my handsome young man?'
'O they swell'd and they died; mother, make my bed soon,
For I'm weary wi hunting, and fain wald lie down.'
'O I fear ye are poison'd, Lord Randall, my son!
O I fear ye are poison'd, my handsome young man!'
'O yes! I am poison'd; mother, make my bed soon,
For I’m sick at the heart, and I fain wald lie down.'
Tuesday, August 28, 2007
One Disobedient Artist
The artist...may be tempted to satisfy himself in expressing his emotions as subject matter or psychological phenomena (which is the opposite of obeying intuitive or creative emotion).
--Jacques Maritain
--Jacques Maritain
Tuesday, August 21, 2007
One Bug-Depreciated Summer
O springtime twilight...
Precious moment worth to me
A thousand pieces
--Sotoba
Reply:
O summer twilight
Bug-depreciated to a
Mere five hundred
--Kikaku
Translated by Peter Beilenson
Precious moment worth to me
A thousand pieces
--Sotoba
Reply:
O summer twilight
Bug-depreciated to a
Mere five hundred
--Kikaku
Translated by Peter Beilenson
Tuesday, August 14, 2007
One Smiling Arrow
from The Judgment of Paris
By W.S. Merwin
...on that day
the one with the gray eyes spoke first
and whatever she said he kept
thinking he remembered
but remembered it woven with confusion and fear
the two faces that he called father
the first sight of the palace
where the brothers were strangers
and the dogs watched him and refused to know him
she made everything clear she was dazzling she
offered it to him
to have for his own but what he saw
was the scorn above her eyes
and her words of which he understood few
all said to him Take wisdom
take power
you will forget anyway
the one with the dark eyes spoke
and everything she said
he imagined he had once wished for
but in confusion and cowardice
the crown
of his father the crowns the crowns bowing to him
his name everywhere like grass
only he and the sea
triumphant
she made everything sound possible she was
dazzling she offered it to him
to hold high but what he saw
was the cruelty around her mouth
and her words of which he understood more
all said to him Take pride
take glory
you will suffer anyway
the third one the color of whose eyes
later he could not remember
spoke last and slowly and
of desire and it was his
though up until then he had been
happy with his river nymph
here was his mind
filled utterly with one girl gathering
yellow flowers
and no one like her
the words
made everything seem present
almost present
present
they said to him Take her
her
you will lose her anyway
it was only when he reached out to the voice
as though he could take the speaker
herself
that his hand filled with
something to give
but to give to only one of the three
an apple as it is told
discord itself in a single fruit its skin
already carved
To the fairest
then a mason working above the gates of Troy
in the sunlight thought he felt the stone
shiver
in the quiver on Paris's back the head
of the arrow for Achilles' heel
smiled in its sleep
and Helen stepped from the palace to gather
as she would do every day in that season
from the grove the yellow ray flowers tall
as herself
whose roots are said to dispel pain
Book
By W.S. Merwin
...on that day
the one with the gray eyes spoke first
and whatever she said he kept
thinking he remembered
but remembered it woven with confusion and fear
the two faces that he called father
the first sight of the palace
where the brothers were strangers
and the dogs watched him and refused to know him
she made everything clear she was dazzling she
offered it to him
to have for his own but what he saw
was the scorn above her eyes
and her words of which he understood few
all said to him Take wisdom
take power
you will forget anyway
the one with the dark eyes spoke
and everything she said
he imagined he had once wished for
but in confusion and cowardice
the crown
of his father the crowns the crowns bowing to him
his name everywhere like grass
only he and the sea
triumphant
she made everything sound possible she was
dazzling she offered it to him
to hold high but what he saw
was the cruelty around her mouth
and her words of which he understood more
all said to him Take pride
take glory
you will suffer anyway
the third one the color of whose eyes
later he could not remember
spoke last and slowly and
of desire and it was his
though up until then he had been
happy with his river nymph
here was his mind
filled utterly with one girl gathering
yellow flowers
and no one like her
the words
made everything seem present
almost present
present
they said to him Take her
her
you will lose her anyway
it was only when he reached out to the voice
as though he could take the speaker
herself
that his hand filled with
something to give
but to give to only one of the three
an apple as it is told
discord itself in a single fruit its skin
already carved
To the fairest
then a mason working above the gates of Troy
in the sunlight thought he felt the stone
shiver
in the quiver on Paris's back the head
of the arrow for Achilles' heel
smiled in its sleep
and Helen stepped from the palace to gather
as she would do every day in that season
from the grove the yellow ray flowers tall
as herself
whose roots are said to dispel pain
Book
Tuesday, August 07, 2007
One Clear View
The Death of Fred Clifton
11/10/84
By Lucille Clifton
I seemed to be drawn
to the center of myself
leaving the edges of me
in the hands of my wife
and I saw with the most amazing
clarity
so that I had not eyes but
sight,
and, rising and turning,
through my skin,
there was all around not the
shapes of things
but oh, at last, the things
themselves.
11/10/84
By Lucille Clifton
I seemed to be drawn
to the center of myself
leaving the edges of me
in the hands of my wife
and I saw with the most amazing
clarity
so that I had not eyes but
sight,
and, rising and turning,
through my skin,
there was all around not the
shapes of things
but oh, at last, the things
themselves.
Tuesday, July 31, 2007
One Tiny Pearl
When One Has Come as Far as I in Pointlessness
By Gunnar Ekelof
When one has come as far as I in pointlessness
Each word is once more fascinating:
Finds in the loam
Which one turns up with an archaeologist's spade:
The tiny word you
Perhaps a pearl of glass
Which once hung around someone's neck
The huge word I
Perhaps a flint shard
With which someone who had no teeth scraped his own
Meat
Translated by Robert Bly ~ Book
By Gunnar Ekelof
When one has come as far as I in pointlessness
Each word is once more fascinating:
Finds in the loam
Which one turns up with an archaeologist's spade:
The tiny word you
Perhaps a pearl of glass
Which once hung around someone's neck
The huge word I
Perhaps a flint shard
With which someone who had no teeth scraped his own
Meat
Translated by Robert Bly ~ Book
Tuesday, July 24, 2007
One Bad Blight
Spring and Fall
to a Young Child
By Gerard Manley Hopkins
Margaret, are you grieving
Over Goldengrove unleaving?
Leaves, like the things of man, you
With your fresh thoughts care for, can you?
Ah! as the heart grows older
It will come to such sights colder
By and by, nor spare a sigh
Though worlds of wanwood leafmeal lie;
And yet you will weep and know why.
Now no matter, child, the name:
Sorrow's springs are the same.
Nor mouth had, no nor mind, expressed
What heart heard of, ghost guessed:
It is the blight man was born for,
It is Margaret you mourn for.
to a Young Child
By Gerard Manley Hopkins
Margaret, are you grieving
Over Goldengrove unleaving?
Leaves, like the things of man, you
With your fresh thoughts care for, can you?
Ah! as the heart grows older
It will come to such sights colder
By and by, nor spare a sigh
Though worlds of wanwood leafmeal lie;
And yet you will weep and know why.
Now no matter, child, the name:
Sorrow's springs are the same.
Nor mouth had, no nor mind, expressed
What heart heard of, ghost guessed:
It is the blight man was born for,
It is Margaret you mourn for.
One Screaming Painter
We do not teach students to paint, for that would be like teaching an injured person to scream.
--Albert Barnes
--Albert Barnes
Tuesday, July 17, 2007
One Hopeful Hunch
Refugees
By Adam Zagajewski
Bent under burdens which sometimes
can be seen and sometimes can't,
they trudge through mud or desert sands,
hunched, hungry,
silent men in heavy jackets,
dressed for all four seasons,
old women with crumpled faces,
clutching something--a child, the family
lamp, the last loaf of bread?
It could be Bosnia today,
Poland in September '39, France
eight months later, Thuringia in '45,
Somalia, Afghanistan, Egypt.
There's always a wagon or at least a wheelbarrow
full of treasures (a quilt, a silver cup,
the fading scent of home),
a car out of gas marooned in a ditch,
a horse (soon left behind), snow, a lot of snow,
too much snow, too much sun, too much rain,
and always that distinctive hunch
as if leaning towards another, better planet,
with less ambitious generals,
less snow, less wind, fewer cannons,
less History (alas, there's no
such planet, just that hunch).
Shuffling their feet,
they move slowly, very slowly
toward the country of nowhere,
and the city of no one
on the river of never.
-Translated by Clare Cavanagh
By Adam Zagajewski
Bent under burdens which sometimes
can be seen and sometimes can't,
they trudge through mud or desert sands,
hunched, hungry,
silent men in heavy jackets,
dressed for all four seasons,
old women with crumpled faces,
clutching something--a child, the family
lamp, the last loaf of bread?
It could be Bosnia today,
Poland in September '39, France
eight months later, Thuringia in '45,
Somalia, Afghanistan, Egypt.
There's always a wagon or at least a wheelbarrow
full of treasures (a quilt, a silver cup,
the fading scent of home),
a car out of gas marooned in a ditch,
a horse (soon left behind), snow, a lot of snow,
too much snow, too much sun, too much rain,
and always that distinctive hunch
as if leaning towards another, better planet,
with less ambitious generals,
less snow, less wind, fewer cannons,
less History (alas, there's no
such planet, just that hunch).
Shuffling their feet,
they move slowly, very slowly
toward the country of nowhere,
and the city of no one
on the river of never.
-Translated by Clare Cavanagh
Tuesday, July 10, 2007
One Sick Enemy
from The New Mistress
By A. E. Housman
Oh, sick I am to see you, will you never let me be?
You may be good for something but you are not good for me.
Oh, go where you are wanted, for you are not wanted here.
And that was all the farewell when I parted from my dear.
I will go where I am wanted, to a lady born and bred
Who will dress me free for nothing in a uniform of red;
She will not be sick to see me if I only keep it clean:
I will go where I am wanted for a soldier of the Queen.
...I will go where I am wanted, where there's room for one or two,
And the men are none too many for the work there is to do;
Where the standing line wears thinner and the dropping dead lie thick;
And the enemies of England they shall see me and be sick.
By A. E. Housman
Oh, sick I am to see you, will you never let me be?
You may be good for something but you are not good for me.
Oh, go where you are wanted, for you are not wanted here.
And that was all the farewell when I parted from my dear.
I will go where I am wanted, to a lady born and bred
Who will dress me free for nothing in a uniform of red;
She will not be sick to see me if I only keep it clean:
I will go where I am wanted for a soldier of the Queen.
...I will go where I am wanted, where there's room for one or two,
And the men are none too many for the work there is to do;
Where the standing line wears thinner and the dropping dead lie thick;
And the enemies of England they shall see me and be sick.
One Defrauding Thief
from The Artist
The True Artist:
Draws out all from his heart;
works with delight; makes things with calm, with sagacity;
works like a true Toltec; composes his objects;
works dexterously; invents;
arranges materials; adorns them; makes them adjust.
The Carrion Artist:
Works at random; sneers at the people;
makes things opaque; brushes across the surface of the face of things;
works without care; defrauds people; is a thief.
--Aztec, translated by Miguel León-Portilla
The True Artist:
Draws out all from his heart;
works with delight; makes things with calm, with sagacity;
works like a true Toltec; composes his objects;
works dexterously; invents;
arranges materials; adorns them; makes them adjust.
The Carrion Artist:
Works at random; sneers at the people;
makes things opaque; brushes across the surface of the face of things;
works without care; defrauds people; is a thief.
--Aztec, translated by Miguel León-Portilla
Tuesday, July 03, 2007
One Breaking Vein
Before You Came
By Faiz Ahmed Faiz
Before you came,
things were as they should be:
the sky was the dead-end of sight,
the road was just a road, wine merely wine.
Now everything is like my heart,
a color at the edge of blood:
the grey of your absence, the color of poison, or thorns,
the gold when we meet, the season ablaze,
the yellow of autumn, the red of flowers, of flames,
and the black when you cover the earth
with the coal of dead fires.
And the sky, the road, the glass of wine?
The sky is a shirt wet with tears,
the road a vein about to break,
and the glass of wine a mirror in which
the sky, the road, the world keep changing.
Don't leave now that you're here--
Stay. So the world may become like itself again:
so the sky may be the sky,
the road a road,
and the glass of wine not a mirror, just a glass of wine.
--Translated by Agha Shahid Ali ~ Book
By Faiz Ahmed Faiz
Before you came,
things were as they should be:
the sky was the dead-end of sight,
the road was just a road, wine merely wine.
Now everything is like my heart,
a color at the edge of blood:
the grey of your absence, the color of poison, or thorns,
the gold when we meet, the season ablaze,
the yellow of autumn, the red of flowers, of flames,
and the black when you cover the earth
with the coal of dead fires.
And the sky, the road, the glass of wine?
The sky is a shirt wet with tears,
the road a vein about to break,
and the glass of wine a mirror in which
the sky, the road, the world keep changing.
Don't leave now that you're here--
Stay. So the world may become like itself again:
so the sky may be the sky,
the road a road,
and the glass of wine not a mirror, just a glass of wine.
--Translated by Agha Shahid Ali ~ Book
Tuesday, June 26, 2007
One Leaky Moon
Although the wind
blows terribly here,
the moonlight also leaks
between the roof planks
of this ruined house.
--Izumi Shikibu, translated by Jane Hirshfield with Mariko Aratani
blows terribly here,
the moonlight also leaks
between the roof planks
of this ruined house.
--Izumi Shikibu, translated by Jane Hirshfield with Mariko Aratani
One Unbiased Critic
But the great landscape architect himself, when his work had been completed, on looking at it and listening to the Gloria and Hallelujah of his angelic chorus, will have felt the craving for a clear, unbiased eye to view it with him, the eye of a critic, a connoisseur and an arbiter. With what creature, in all Paradise, will he have found that eye? With the Serpent!
--Isak Dinesen
--Isak Dinesen
Tuesday, June 19, 2007
One Bad Script
Deus ex machina
By A.E. Stallings
Because we were good at entanglements, but not
Resolution, and made a mess of plot,
Because there was no other way to fulfil
The ancient prophecy, because the will
Of the gods demanded punishment, because
Neither recognized who the other was,
Because there was no difference between
A tragic ending and a comic scene,
Because the play was running out of time,
Because the mechanism of the sublime
Was in good working order, but needed using,
Because it was a script not of our choosing,
Because we were actors, because we knew for a fact
We were only actors, because we could not act.
By A.E. Stallings
Because we were good at entanglements, but not
Resolution, and made a mess of plot,
Because there was no other way to fulfil
The ancient prophecy, because the will
Of the gods demanded punishment, because
Neither recognized who the other was,
Because there was no difference between
A tragic ending and a comic scene,
Because the play was running out of time,
Because the mechanism of the sublime
Was in good working order, but needed using,
Because it was a script not of our choosing,
Because we were actors, because we knew for a fact
We were only actors, because we could not act.
Tuesday, June 12, 2007
One Impossible Nymph
Eurydice is impossible
If Orpheus looks away
Eurydice doubts and weeps
If Orpheus looks at her
Eurydice dies
--Thomas Merton
If Orpheus looks away
Eurydice doubts and weeps
If Orpheus looks at her
Eurydice dies
--Thomas Merton
Nine Dirty Toes
To see Mad Tom of Bedlam
Ten thousand miles I'll travel:
Mad Maud sets out on dirty toes
To save her shoes from gravel.
Still I sing bonny boys,
bonny mad boys,
Bedlam boys are bonny--
For they all go bare
and they live by the air
and they want no drink nor money.
--English ballad
Ten thousand miles I'll travel:
Mad Maud sets out on dirty toes
To save her shoes from gravel.
Still I sing bonny boys,
bonny mad boys,
Bedlam boys are bonny--
For they all go bare
and they live by the air
and they want no drink nor money.
--English ballad
Tuesday, June 05, 2007
One Polleny Trail
House made of dawn.
House made of evening light.
House made of the dark cloud.
House made of male rain.
House made of dark mist.
House made of female rain.
House made of pollen.
House made of grasshoppers.
Dark cloud is at the door.
The trail out of it is dark cloud.
The zigzag lightning stands high upon it.
An offering I make.
Restore my feet for me.
Restore my legs for me.
Restore my body for me.
Restore my mind for me.
Restore my voice for me.
This very day take out your spell for me.
Happily I recover.
Happily my interior becomes cool.
Happily I go forth.
My interior feeling cool, may I walk.
No longer sore, may I walk.
Impervious to pain, may I walk.
With lively feelings may I walk.
As it used to be long ago, may I walk.
Happily may I walk.
Happily, with abundant dark clouds, may I walk.
Happily, with abundant showers, may I walk.
Happily, with abundant plants, may I walk.
Happily, on a trail of pollen, may I walk.
Happily may I walk.
Being as it used to be long ago, may I walk.
May it be beautiful before me.
May it be beautiful behind me.
May it be beautiful below me.
May it be beautiful above me.
May it be beautiful all around me.
In beauty it is finished.
In beauty it is finished.
--Navajo prayer
House made of evening light.
House made of the dark cloud.
House made of male rain.
House made of dark mist.
House made of female rain.
House made of pollen.
House made of grasshoppers.
Dark cloud is at the door.
The trail out of it is dark cloud.
The zigzag lightning stands high upon it.
An offering I make.
Restore my feet for me.
Restore my legs for me.
Restore my body for me.
Restore my mind for me.
Restore my voice for me.
This very day take out your spell for me.
Happily I recover.
Happily my interior becomes cool.
Happily I go forth.
My interior feeling cool, may I walk.
No longer sore, may I walk.
Impervious to pain, may I walk.
With lively feelings may I walk.
As it used to be long ago, may I walk.
Happily may I walk.
Happily, with abundant dark clouds, may I walk.
Happily, with abundant showers, may I walk.
Happily, with abundant plants, may I walk.
Happily, on a trail of pollen, may I walk.
Happily may I walk.
Being as it used to be long ago, may I walk.
May it be beautiful before me.
May it be beautiful behind me.
May it be beautiful below me.
May it be beautiful above me.
May it be beautiful all around me.
In beauty it is finished.
In beauty it is finished.
--Navajo prayer
Tuesday, May 29, 2007
One Luminous Poison
from The Favors of the Moon
By Charles Baudelaire
The moon, who is caprice itself, looked through the window while you were sleeping in your cradle, and said to herself: "I like this child."
And softly she decended her staircase of clouds and, noiselessly, passed through the window-panes. Then she stretched herself out over you with the supple tenderness of a mother, and laid down her colors on your face. Ever since, the pupils of your eyes have remained green and your cheeks unusually pale. It was while contemplating this vistor that your eyes became so strangely enlarged; and she clasped your neck so tenderly that you have retained for ever the desire to weep.
However, in the expansion of her joy, the Moon filled the whole room with phosphorescent vapour, like a luminous poison; and all the living light thought and said: "You shall suffer forever the influence of my kiss. You shall be beautiful in my fashion. You shall love that which I love and that which loves me: water, clouds, silence and the night; the immense green sea...."
...And that, my dear, cursed, spoiled child, is why I am now lying at your feet, seeking in all your person the reflection of the formidable divinity, of the foreknowing godmother, the poisoning wet-nurse of all the lunatics.
By Charles Baudelaire
The moon, who is caprice itself, looked through the window while you were sleeping in your cradle, and said to herself: "I like this child."
And softly she decended her staircase of clouds and, noiselessly, passed through the window-panes. Then she stretched herself out over you with the supple tenderness of a mother, and laid down her colors on your face. Ever since, the pupils of your eyes have remained green and your cheeks unusually pale. It was while contemplating this vistor that your eyes became so strangely enlarged; and she clasped your neck so tenderly that you have retained for ever the desire to weep.
However, in the expansion of her joy, the Moon filled the whole room with phosphorescent vapour, like a luminous poison; and all the living light thought and said: "You shall suffer forever the influence of my kiss. You shall be beautiful in my fashion. You shall love that which I love and that which loves me: water, clouds, silence and the night; the immense green sea...."
...And that, my dear, cursed, spoiled child, is why I am now lying at your feet, seeking in all your person the reflection of the formidable divinity, of the foreknowing godmother, the poisoning wet-nurse of all the lunatics.
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