from psalm
By Alicia Ostriker
I am not lyric any more
I will not play the harp
for your pleasure
I will not make a joyful
noise to you, neither
will I lament
for I know you drink
lamentation, too,
like wine...
Book
Tuesday, July 29, 2008
Tuesday, July 15, 2008
One Nonexistent Mentor
from Letters to a Young Poet
By Rainer Maria Rilke
Nobody can advise you and help you, nobody.
By Rainer Maria Rilke
Nobody can advise you and help you, nobody.
Tuesday, July 08, 2008
One Rich Etcetera
from Song in the Manner of Housman
By Ezra Pound
O woe, woe,
People are born and die,
We also shall be dead pretty soon
Therefore let us act as if we were dead already.
The bird sits on the hawthorn tree
But he dies also, presently.
Some lads get hung, and some get shot.
Woeful is this human lot.
Woe! woe, etcetera...
By Ezra Pound
O woe, woe,
People are born and die,
We also shall be dead pretty soon
Therefore let us act as if we were dead already.
The bird sits on the hawthorn tree
But he dies also, presently.
Some lads get hung, and some get shot.
Woeful is this human lot.
Woe! woe, etcetera...
Tuesday, July 01, 2008
One Stable Marsh
It is the roots from all the trees that have died
out here, that's how you can walk
safely over the soft places.
--Olav Hauge, translated by Robert Bly
out here, that's how you can walk
safely over the soft places.
--Olav Hauge, translated by Robert Bly
Tuesday, June 24, 2008
One Unsaleable Shroud
My Stars
By Abraham ibn Ezra
On the day I was born,
The unalterable stars altered.
If I decided to sell lamps,
It wouldn't get dark till the day I died.
Some stars. Whatever I do,
I'm a failure before I begin.
If I decided to sell shrouds,
People would suddenly stop dying.
~Translated by Robert Mezey
By Abraham ibn Ezra
On the day I was born,
The unalterable stars altered.
If I decided to sell lamps,
It wouldn't get dark till the day I died.
Some stars. Whatever I do,
I'm a failure before I begin.
If I decided to sell shrouds,
People would suddenly stop dying.
~Translated by Robert Mezey
Tuesday, June 17, 2008
One Unmarriageable Nose
From Luristan to Thule
By Sarah Lindsay
Delirium was the last country she saw clearly.
Mounting its exotic, riven flanks
on the back of a patient fever,
she left with regret the land of her hosts--
divisions of snow, upended stone threaded with tracks
between the goatskin houses with goatskin beds--
then left too the regret.
For decades she'd taken pleasure in imposing
the first white profile (with its great spinster nose)
upon such places, barely named,
as lay a few days' journey beyond fable,
uplands that bore no showy gold or ziggurat,
only the shallow marks of laboring generations,
the central campfires repeated deep in their eyes.
Past rocks tipped early out of the cradle of myth,
she finally became separated from her pack
with its twenty pencils, the notorious hat,
coins and aspirin, equally useless,
and yielded to discovery of one state
that lacks the primary luxuries: return,
and the safely delivered story.
Book
By Sarah Lindsay
Delirium was the last country she saw clearly.
Mounting its exotic, riven flanks
on the back of a patient fever,
she left with regret the land of her hosts--
divisions of snow, upended stone threaded with tracks
between the goatskin houses with goatskin beds--
then left too the regret.
For decades she'd taken pleasure in imposing
the first white profile (with its great spinster nose)
upon such places, barely named,
as lay a few days' journey beyond fable,
uplands that bore no showy gold or ziggurat,
only the shallow marks of laboring generations,
the central campfires repeated deep in their eyes.

she finally became separated from her pack
with its twenty pencils, the notorious hat,
coins and aspirin, equally useless,
and yielded to discovery of one state
that lacks the primary luxuries: return,
and the safely delivered story.
Book
Tuesday, June 10, 2008
One Monochrome Winter
the sound of the wind
withered by
winter-one-color world
--Basho, translated by Stephen Addiss
withered by
winter-one-color world
--Basho, translated by Stephen Addiss
Tuesday, June 03, 2008
One Blameless Artist
...the writer who possesses the creative gift owns something of which he is not always master - something that, at times, strangely wills and works for itself. ...Be the work grim or glorious, dread or divine, you have little choice left but quiescent adoption. As for you - the nominal artist - your share in it has been to work passively under dictates you neither delivered nor could question - that would not be uttered at your prayer, nor suppressed nor changed at your caprice. If the result be attractive, the World will praise you, who little deserve praise; if it be repulsive, the same World will blame you, who almost as little deserve blame.
--Charlotte Bronte
--Charlotte Bronte
Tuesday, May 27, 2008
One Unsheathed Cortex
Tuesday, May 20, 2008
One Pestered Angel
from my old Guardian Angel
By Tadeusz Rozewicz
the avalanche of angels
brought about
by inspired poets
artists priests
and American
movie directors
is infinitely more foolish
than the one brought about
by Romantic poets
the products
of the dream factory
--the "holy wood"--
are sugary white
like the cotton candy
young children
adore
my Guardian Angel who
is 83 years old
and remembers all
my misdeeds
flew to me in consternation
and told me he was
being pestered
by salesmen
pedophiles sodomites
from commercial public
and religious TV
to endorse "angel's milk" custard
dance hip-hop with seniors
and sell
sanitary napkins
with wings
and without...
Translated by Bill Johnston ~ Book
By Tadeusz Rozewicz
the avalanche of angels
brought about
by inspired poets
artists priests
and American
movie directors
is infinitely more foolish
than the one brought about
by Romantic poets
the products
of the dream factory
--the "holy wood"--
are sugary white
like the cotton candy
young children
adore
my Guardian Angel who
is 83 years old
and remembers all
my misdeeds
flew to me in consternation
and told me he was
being pestered
by salesmen
pedophiles sodomites
from commercial public
and religious TV
to endorse "angel's milk" custard
dance hip-hop with seniors
and sell
sanitary napkins
with wings
and without...
Translated by Bill Johnston ~ Book
Tuesday, May 13, 2008
One Spilled Bucket
from Moon Eclipse Exorcism
come out come out come out
the moon has been killed
who kills the moon? crow
who often kills the moon? eagle
who usually kills the moon? chicken hawk
who also kills the moon? owl
in their numbers they assemble
for moonkilling
come out, throw sticks at your houses
come out, turn your buckets over
spill out all the water don't let it turn
bloody yellow
from the wounding and death
of the moon
o what will become of the world, the moon
never dies without cause
only when a rich man is about to be killed
is the moon murdered...
--Alsea, translated by Armand Schwerner and Leo J. Trachtenberg
come out come out come out
the moon has been killed
who kills the moon? crow
who often kills the moon? eagle
who usually kills the moon? chicken hawk
who also kills the moon? owl
in their numbers they assemble
for moonkilling
come out, throw sticks at your houses
come out, turn your buckets over
spill out all the water don't let it turn
bloody yellow
from the wounding and death
of the moon
o what will become of the world, the moon
never dies without cause
only when a rich man is about to be killed
is the moon murdered...
--Alsea, translated by Armand Schwerner and Leo J. Trachtenberg
Tuesday, May 06, 2008
One Late Laurel
Several Voices Out of a Cloud
By Louise Bogan
Come, drunks and drug-takers; come perverts unnerved!
Receive the laurel, given, though late, on merit;
to whom
and wherever deserved.
Parochial punks, trimmers, nice people, joiners true-blue,
Get the hell out of the way of the laurel.
It is deathless
And it isn't for you.
By Louise Bogan
Come, drunks and drug-takers; come perverts unnerved!
Receive the laurel, given, though late, on merit;
to whom
and wherever deserved.
Parochial punks, trimmers, nice people, joiners true-blue,
Get the hell out of the way of the laurel.
It is deathless
And it isn't for you.
Tuesday, April 29, 2008
One Vertical Glare
Grief
By Elizabeth Barrett Browning
I tell you, hopeless grief is passionless;
That only men incredulous of despair,
Half-taught in anguish, through the midnight air
Beat upward to God's throne in loud access
Of shrieking and reproach. Full desertness,
In souls as countries, lieth silent-bare
Under the blanching, vertical eye-glare
Of the absolute Heavens. Deep-hearted man, express
Grief for thy Dead in silence like to death--
Most like a monumental statue set
In everlasting watch and moveless woe
Till itself crumble to the dust beneath.
Touch it; the marble eyelids are not wet:
If it could weep, it could arise and go.
By Elizabeth Barrett Browning
I tell you, hopeless grief is passionless;
That only men incredulous of despair,
Half-taught in anguish, through the midnight air
Beat upward to God's throne in loud access
Of shrieking and reproach. Full desertness,
In souls as countries, lieth silent-bare
Under the blanching, vertical eye-glare
Of the absolute Heavens. Deep-hearted man, express
Grief for thy Dead in silence like to death--
Most like a monumental statue set
In everlasting watch and moveless woe
Till itself crumble to the dust beneath.
Touch it; the marble eyelids are not wet:
If it could weep, it could arise and go.
Tuesday, April 22, 2008
One Cold Algebraist
[The poet] is no longer the disheveled, delirious man, someone who writes an entire poem in a night of fever; now he's a cool savant, almost an algebraist, in the service of a subtle dreamer.
--Paul Valery
--Paul Valery
Tuesday, April 15, 2008
One Appropriated Harvest
A Black Man Talks of Reaping
By Arna Bontemps
I have sown beside all waters in my day.
I planted deep within my heart the fear
that wind or fowl would take the grain away.
I planted safe against this stark, lean year.
I scattered seed enough to plant the land
in rows from Canada to Mexico,
but for my reaping only what the hand
can hold at once is all that I can show.
Yet what I sowed and what the orchard yields
my brother's sons are gathering stalk and root.
Small wonder then my children glean in fields
they have not sown, and feed on bitter fruit.
By Arna Bontemps
I have sown beside all waters in my day.
I planted deep within my heart the fear
that wind or fowl would take the grain away.
I planted safe against this stark, lean year.
I scattered seed enough to plant the land
in rows from Canada to Mexico,
but for my reaping only what the hand
can hold at once is all that I can show.
Yet what I sowed and what the orchard yields
my brother's sons are gathering stalk and root.
Small wonder then my children glean in fields
they have not sown, and feed on bitter fruit.
Tuesday, April 08, 2008
One Insulting Sun
All visible objects, man, are but as pasteboard masks. But in each event--in the living act, the undoubted deed--there, some unknown but still reasoning thing puts forth the moldings of its features from behind the unreasoning mask. If man will strike, strike through the mask! How can the prisoner reach outside except by thrusting through the wall? To me, the white whale is that wall, shoved near to me. Sometimes I think there's naught beyond. But 'tis enough. He tasks me; he heaps me; I see in him outrageous strength, with an inscrutable malice sinewing it. That inscrutable thing is chiefly what I hate; and be the white whale agent, or be the white whale principal, I will wreak that hate upon him. Talk not to me of blasphemy, man; I'd strike the sun if it insulted me.
--Herman Melville
--Herman Melville
Tuesday, April 01, 2008
One Blue-Smoking Torch
Bavarian Gentians
By D. H. Lawrence
Not every man has gentians in his house
in soft September, at slow, sad Michaelmas.
Bavarian gentians, big and dark, only dark
darkening the daytime, torch-like, with the smoking blueness of Pluto's gloom,
ribbed and torch-like, with their blaze of darkness spread blue
down flattening into points, flattened under the sweep of white day
torch-flower of the blue-smoking darkness, Pluto's dark-blue daze,
black lamps from the halls of Dis, burning dark blue,
giving off darkness, blue darkness, as Demeter's pale lamps give off light,
lead me then, lead the way.
Reach me a gentian, give me a torch!
let me guide myself with the blue, forked torch of this flower
down the darker and darker stairs, where blue is darkened on blueness
even where Persephone goes, just now, from the frosted September
to the sightless realm where darkness is awake upon the dark
and Persephone herself is but a voice
or a darkness invisible enfolded in the deeper dark
of the arms Plutonic, and pierced with the passion of dense gloom,
among the splendor of torches of darkness, shedding darkness on
the lost bride and her groom.
By D. H. Lawrence
Not every man has gentians in his house
in soft September, at slow, sad Michaelmas.
Bavarian gentians, big and dark, only dark
darkening the daytime, torch-like, with the smoking blueness of Pluto's gloom,
ribbed and torch-like, with their blaze of darkness spread blue
down flattening into points, flattened under the sweep of white day
torch-flower of the blue-smoking darkness, Pluto's dark-blue daze,
black lamps from the halls of Dis, burning dark blue,
giving off darkness, blue darkness, as Demeter's pale lamps give off light,
lead me then, lead the way.
Reach me a gentian, give me a torch!
let me guide myself with the blue, forked torch of this flower
down the darker and darker stairs, where blue is darkened on blueness
even where Persephone goes, just now, from the frosted September
to the sightless realm where darkness is awake upon the dark
and Persephone herself is but a voice
or a darkness invisible enfolded in the deeper dark
of the arms Plutonic, and pierced with the passion of dense gloom,
among the splendor of torches of darkness, shedding darkness on
the lost bride and her groom.
Tuesday, March 25, 2008
One Dusty Cell
from Women
By Louise Bogan
Women have no wilderness in them,
They are provident instead,
Content in the tight hot cell of their hearts
To eat dusty bread.
They do not see cattle cropping red winter grass,
They do not hear
Snow water going down under culverts
Shallow and clear.
They wait, when they should turn to journeys,
They stiffen, when they should bend.
They use against themselves that benevolence
To which no man is friend.
By Louise Bogan
Women have no wilderness in them,
They are provident instead,
Content in the tight hot cell of their hearts
To eat dusty bread.
They do not see cattle cropping red winter grass,
They do not hear
Snow water going down under culverts
Shallow and clear.
They wait, when they should turn to journeys,
They stiffen, when they should bend.
They use against themselves that benevolence
To which no man is friend.
Tuesday, March 18, 2008
One Sealed Note
written in pencil in the sealed railway car
By Dan Pagis
here in this carload
I am eve
with abel my son
if you see my other son
cain son of man
tell him i
Translated by Stephen Mitchell
By Dan Pagis
here in this carload
I am eve
with abel my son
if you see my other son
cain son of man
tell him i
Translated by Stephen Mitchell
Tuesday, March 11, 2008
One Skeptical Tic
Inshallah
By Ben Downing
-- which is to say "God willing," more or less:
a phrase that rose routinely to her lips
whenever plans were hatched or hopes expressed,
the way we knock on wood, yet fervently,
as if to wax too confident might be
to kill the very thing she wanted most.
It used to pique and trouble me somehow,
this precautionary tic of hers, but now
I understand why she was skeptical
of what Allah in His caprice allots,
because that she should live He did not will
or, more terribly, He did that she should not.
in memoriam Mirel Sayinsoy 1967-1999
By Ben Downing
-- which is to say "God willing," more or less:
a phrase that rose routinely to her lips
whenever plans were hatched or hopes expressed,
the way we knock on wood, yet fervently,
as if to wax too confident might be
to kill the very thing she wanted most.
It used to pique and trouble me somehow,
this precautionary tic of hers, but now
I understand why she was skeptical
of what Allah in His caprice allots,
because that she should live He did not will
or, more terribly, He did that she should not.
in memoriam Mirel Sayinsoy 1967-1999
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