They make you sit up and not think, which is perhaps the real point of poetry.
--Colm Toibin
Tuesday, October 13, 2009
Tuesday, October 06, 2009
Tuesday, September 15, 2009
One Broken Blue
from Love Under House Arrest
By Nizar Qabbani
I ask your leave to go
for the blood I used to think would never turn to water
has turned to water
and the sky whose blue crystal I used to think
could not break...has broken
....and the words
I used to cover you with when you slept
have fled like frightened birds
and left you naked.
Translated by Lena Jayyusi and W.S. Merwin ~ Book
By Nizar Qabbani
I ask your leave to go
for the blood I used to think would never turn to water
has turned to water
and the sky whose blue crystal I used to think
could not break...has broken
....and the words
I used to cover you with when you slept
have fled like frightened birds
and left you naked.
Translated by Lena Jayyusi and W.S. Merwin ~ Book
Tuesday, September 08, 2009
One Clear View
The greatest thing a human soul ever does in this world is to see something and tell what it saw in a plain way. Hundreds of people can talk for one who can think, but thousands can think for one who can see. To see clearly is poetry, prophecy and religion, all in one.
--John Ruskin
--John Ruskin
Tuesday, August 18, 2009
One Floating Shadow
from Carillon
By Tomas Transtromer
I lie on the bed with my arms outstretched
I am an anchor that has dug itself down
and holds steady the huge shadow
floating up there
the great unknown
that I am a part of
and which is certainly
more important than me.
-Translated by Robin Fulton
By Tomas Transtromer
I lie on the bed with my arms outstretched
I am an anchor that has dug itself down
and holds steady the huge shadow
floating up there
the great unknown
that I am a part of
and which is certainly
more important than me.
-Translated by Robin Fulton
Tuesday, August 04, 2009
One Long Chime
Gather wood, build the bonfire high
I will give myself
only in bright light
Midnight. You are not here--
these blankets burn me like fire
All night
like a bell and with jewels
I chimed in your arms
Never fall asleep beside my body
I belong to those
who keep vigil over me
If I strangle that rooster
will you lie longer
in my arms
--Pashto landays, versions by Laura Sheahen
I will give myself
only in bright light
Midnight. You are not here--
these blankets burn me like fire
All night
like a bell and with jewels
I chimed in your arms
Never fall asleep beside my body
I belong to those
who keep vigil over me
If I strangle that rooster
will you lie longer
in my arms
--Pashto landays, versions by Laura Sheahen
Tuesday, July 21, 2009
Tuesday, July 14, 2009
One Familiar Smell
Myth
By Muriel Rukeyser
Long afterward, Oedipus, old and blinded, walked the
roads. He smelled a familiar smell. It was
the Sphinx. Oedipus said, "I want to ask one question.
Why didn't I recognize my mother?" "You gave the
wrong answer," said the Sphinx. "But that was what
made everything possible," said Oedipus. "No," she said.
"When I asked, What walks on four legs in the morning,
two at noon, and three in the evening, you answered,
Man. You didn't say anything about woman."
"When you say Man," said Oedipus, "you include women
too. Everyone knows that." She said, "That's what
you think."
By Muriel Rukeyser
Long afterward, Oedipus, old and blinded, walked the
roads. He smelled a familiar smell. It was
the Sphinx. Oedipus said, "I want to ask one question.
Why didn't I recognize my mother?" "You gave the
wrong answer," said the Sphinx. "But that was what
made everything possible," said Oedipus. "No," she said.
"When I asked, What walks on four legs in the morning,
two at noon, and three in the evening, you answered,
Man. You didn't say anything about woman."
"When you say Man," said Oedipus, "you include women
too. Everyone knows that." She said, "That's what
you think."
Tuesday, July 07, 2009
One Damned Gender
from Sestina: Altaforte
By Ezra Pound
...And I love to see the sun rise blood-crimson.
And I watch his spears through the dark clash
And it fills my heart with rejoicing
And pries wide my mouth with fast music
When I see him so scorn and defy peace
His lone might 'gainst all darkness opposing....
There's no sound like to swords swords opposing,
No cry like the battle's rejoicing,
When our elbows and swords drip the crimson
And our charges 'gainst The Leopard's rush clash.
May God damn for ever all who cry 'Peace!'
And let the music of the swords make them crimson!
Hell grant soon we hear the swords clash!
Hell blot black for alway the thought 'Peace'!
By Ezra Pound
...And I love to see the sun rise blood-crimson.
And I watch his spears through the dark clash
And it fills my heart with rejoicing
And pries wide my mouth with fast music
When I see him so scorn and defy peace
His lone might 'gainst all darkness opposing....
There's no sound like to swords swords opposing,
No cry like the battle's rejoicing,
When our elbows and swords drip the crimson
And our charges 'gainst The Leopard's rush clash.
May God damn for ever all who cry 'Peace!'
And let the music of the swords make them crimson!
Hell grant soon we hear the swords clash!
Hell blot black for alway the thought 'Peace'!
Tuesday, June 30, 2009
One Veiled Arm
from Ghazal XV
By Ghalib
Almost none
of the beautiful faces
come back to be glimpsed for an instant in some flower
once the dust owns them
All day three stars
the Daughters of the Bier
hid in back of the light
then they step forth naked
but their minds are the black night
Sleep comes to him
peace belongs to him
the night is his
over whose arm your hair is spread
--Translated by W.S. Merwin
By Ghalib
Almost none
of the beautiful faces
come back to be glimpsed for an instant in some flower
once the dust owns them
All day three stars
the Daughters of the Bier
hid in back of the light
then they step forth naked
but their minds are the black night
Sleep comes to him
peace belongs to him
the night is his
over whose arm your hair is spread
--Translated by W.S. Merwin
Tuesday, May 26, 2009
One Well-Hidden Child
Revelation
By Robert Frost
We make ourselves a place apart
Behind light words that tease and flout,
But oh, the agitated heart
Till someone really find us out.
'Tis pity if the case require
(Or so we say) that in the end
We speak the literal to inspire
The understanding of a friend.
But so with all--from babes that play
At hide-and-seek to God afar--
So all who hide too well away
Must speak and tell us where they are.
By Robert Frost
We make ourselves a place apart
Behind light words that tease and flout,
But oh, the agitated heart
Till someone really find us out.
'Tis pity if the case require
(Or so we say) that in the end
We speak the literal to inspire
The understanding of a friend.
But so with all--from babes that play
At hide-and-seek to God afar--
So all who hide too well away
Must speak and tell us where they are.
Tuesday, May 12, 2009
One Calm Sea
When I was a child I truly loved:
Unthinking love as calm and deep
As the North Sea. But I have lived,
And now I do not sleep.
--John Gardner
Unthinking love as calm and deep
As the North Sea. But I have lived,
And now I do not sleep.
--John Gardner
Tuesday, May 05, 2009
One Swift Lily
from Photograph
By Zbigniew Herbert
...my little boy my Isaac bend your head
just a moment of pain and then you will be
anything you like--a swallow a lily of the valley
More
By Zbigniew Herbert
...my little boy my Isaac bend your head
just a moment of pain and then you will be
anything you like--a swallow a lily of the valley
More
Tuesday, April 21, 2009
One Thoughtful Haystack
The horse's mind
Blends
So swiftly
Into the hay's mind.
---Fazil Husnu Daglarca
Blends
So swiftly
Into the hay's mind.
---Fazil Husnu Daglarca
One Steely Tap
from poet in the house
By Nic Sebastian
...you say I choose
what is difficult with a thin steel
dentist’s probe that I tap
and live for echoes
of fissures of
cavities and it’s not like I want
to fix them I just want
to find them
By Nic Sebastian
...you say I choose
what is difficult with a thin steel
dentist’s probe that I tap
and live for echoes
of fissures of
cavities and it’s not like I want
to fix them I just want
to find them
Tuesday, April 14, 2009
One Absurd World
Rondelet
I never meant
For you to go. The thing you heard
I never meant
for you to hear. The night you went
away I knew our whole absurd
sweet world had fallen with a word
I never meant.
--Anonymous
I never meant
For you to go. The thing you heard
I never meant
for you to hear. The night you went
away I knew our whole absurd
sweet world had fallen with a word
I never meant.
--Anonymous
Tuesday, April 07, 2009
One Irritated Creator
All the great art we know of carries within its compass a guarantee that its creator is not content.
--Clive James
--Clive James
Tuesday, March 24, 2009
One Surreptitious Pie
from A Message from the Wanderer
By William Stafford
Today outside your prison I stand
and rattle my walking stick: Prisoners, listen;
you have relatives outside. And there are
thousands of ways to escape.
Years ago, I bent my skill to keep
my cell locked. I had chains smuggled to me
in pies, and shouted my plans to the jailers;
but always, new plans would occur to me,
or the new heavy locks bent the hinges off,
or some stupid jailer would forget
and leave the keys. ...
By William Stafford
Today outside your prison I stand
and rattle my walking stick: Prisoners, listen;
you have relatives outside. And there are
thousands of ways to escape.
Years ago, I bent my skill to keep
my cell locked. I had chains smuggled to me
in pies, and shouted my plans to the jailers;
but always, new plans would occur to me,
or the new heavy locks bent the hinges off,
or some stupid jailer would forget
and leave the keys. ...
Tuesday, March 17, 2009
Nine Fierce Herbs
from Charm of the Nine Healing Herbs
...On stone in crags
You grow Stime
Fierce you are
You beat back pain
You fight all venoms
So fierce you're called
The grass that defeats the snake
...
Wergulu
Wergulu
A seal bore you up
Over the sea's high ridge
You heal all evil brought
By the nine wicked spirits
You stand strong against pain
You beat down poison
Fierce against the three and the thirty
You broke the demon's claw
You hold off the wicked glance
You break the harmful spells
Of every wicked thing
...
These nine healing herbs
Fight the nine laming demons
And the nine evil poisons
And the nine flying ills
They fight the red poison
The white poison and the purple
They fight the yellow poison
And the green poison
The black poison and the blue
And the brown poison
And the crimson
They fight the worm-boil
And the water-blister
The thorn-blister and thistle-swell
They fight the ice-blister
And swollen bite
...
Only I know the power
Of the stream that clears
And the nine slithering ones know it
Now all the fields bloom
Full of healing herbs
When I blow these ills away
The very salt of the sea disappears
And the waters clear forever
~Anonymous, translated by David Cloutier
...On stone in crags
You grow Stime
Fierce you are
You beat back pain
You fight all venoms
So fierce you're called
The grass that defeats the snake
...
Wergulu
Wergulu
A seal bore you up
Over the sea's high ridge
You heal all evil brought
By the nine wicked spirits
You stand strong against pain
You beat down poison
Fierce against the three and the thirty
You broke the demon's claw
You hold off the wicked glance
You break the harmful spells
Of every wicked thing
...
These nine healing herbs
Fight the nine laming demons
And the nine evil poisons
And the nine flying ills
They fight the red poison
The white poison and the purple
They fight the yellow poison
And the green poison
The black poison and the blue
And the brown poison
And the crimson
They fight the worm-boil
And the water-blister
The thorn-blister and thistle-swell
They fight the ice-blister
And swollen bite
...
Only I know the power
Of the stream that clears
And the nine slithering ones know it
Now all the fields bloom
Full of healing herbs
When I blow these ills away
The very salt of the sea disappears
And the waters clear forever
~Anonymous, translated by David Cloutier
Tuesday, March 10, 2009
One Young Rain
Sunflower
By Rolf Jacobsen
What sower walked over earth,
which hands sowed
our inward seeds of fire?
They went out from his fists like rainbow curves
to frozen earth, young loam, hot sand,
they will sleep there
greedily, and drink up our lives
and explode it into pieces
for the sake of a sunflower that you haven't seen
or a thistle head or a chrysanthemum.
Let the young rain of tears come.
Let the calm hands of grief come.
It's not all as evil as you think.
~Translated by Robert Bly
By Rolf Jacobsen
What sower walked over earth,
which hands sowed
our inward seeds of fire?
They went out from his fists like rainbow curves
to frozen earth, young loam, hot sand,
they will sleep there
greedily, and drink up our lives
and explode it into pieces
for the sake of a sunflower that you haven't seen
or a thistle head or a chrysanthemum.
Let the young rain of tears come.
Let the calm hands of grief come.
It's not all as evil as you think.
~Translated by Robert Bly
Tuesday, March 03, 2009
One Deaf Language
Often enough I tried language, often enough I tried song, but they didn't hear you.
--Friedrich Hölderlin
--Friedrich Hölderlin
Tuesday, February 17, 2009
One Venomous Font
from Parting, Without a Sequel
By John Crowe Ransom
She has finished and sealed the letter
At last, which he so richly has deserved,
With characters venomous and hatefully curved,
And nothing could be better.
But even as she gave it,
Saying to the blue-capped functioner of doom
"Into his hands," she hoped the leering groom
Might somewhere lose and leave it...
More
By John Crowe Ransom
She has finished and sealed the letter
At last, which he so richly has deserved,
With characters venomous and hatefully curved,
And nothing could be better.
But even as she gave it,
Saying to the blue-capped functioner of doom
"Into his hands," she hoped the leering groom
Might somewhere lose and leave it...
More
Tuesday, February 10, 2009
One Serviceable Body
Only too often, sadly, a good poet turns into a damned poor keeper of his body, but I believe he is usually issued a highly serviceable one to start out with.
--J.D. Salinger
--J.D. Salinger
Tuesday, February 03, 2009
One Tortured No
T. S. Eliot, in fact, put it best. When asked if his tortured life as a poet had been worth it, he said, simply, "No."
--Alex Williams (apocryphal)
--Alex Williams (apocryphal)
Tuesday, January 27, 2009
One Unhorsed Pasture
Grazing Horses
By Kay Ryan
Sometimes the
green pasture of the mind
tilts abruptly.
The grazing horses
struggle crazily
for purchase
on the frictionless
nearly vertical
surface. Their
furniture-fine
legs buckle
on the incline,
unhorsed by slant
they weren't
designed to climb
and can't.
By Kay Ryan
Sometimes the
green pasture of the mind
tilts abruptly.
The grazing horses
struggle crazily
for purchase
on the frictionless
nearly vertical
surface. Their
furniture-fine
legs buckle
on the incline,
unhorsed by slant
they weren't
designed to climb
and can't.
One Midnight Battlement
...my Poet—every poet—is an insomniac. My own reads or wanders about our apartment for the best part of most nights. She told me she often feels she would give up every poem she's ever written for one good night's sleep. A friend of mine....tells me he finds it profoundly reassuring that while we ordinary mortals are asleep, there exist lit rooms containing anxious, vigilant souls. A terrible responsibility, he says, devolves upon the poet, that requires her never to be fully awake or asleep: at night, wakeful poets buoy humanity to the surface, to consciousness, preventing our slumbering bulk from sinking too far; during the day, these same poets anchor the madding masses to the depths. The world will end, he once told me, when the final poet awake closes her eyes. Last night I woke up sweating, having dreamed of sinking with the rest of humanity into cold oblivion. Sure enough my Poet was fast asleep beside me—the first deep sleep she'd entered in more than a week. So I knocked a pile of books to the floor, and returned to my blissful slumbers, much comforted by the thought that at least one poet would wander the midnight battlements, keep watch, and preserve us all for one more day.
–Naeem Murr
–Naeem Murr
Tuesday, January 20, 2009
Tuesday, January 13, 2009
One Unrealized Woman
As a woman she would of course have had to be loved, for in being loved the feminine achieves its realization...but on the other hand she was also an artist and had to be able to help herself.
--Rainer Maria Rilke on Clara Westhoff
--Rainer Maria Rilke on Clara Westhoff
Tuesday, January 06, 2009
One Stained-Glass Body
In this world
love has no color--
but how deeply my body
is stained by yours.
--Izumi Shikibu, translated by Jane Hirshfield
love has no color--
but how deeply my body
is stained by yours.
--Izumi Shikibu, translated by Jane Hirshfield
Tuesday, December 23, 2008
One Hand Clapping
from An Ode to Himself
By Ben Jonson
Where dost thou careless lie
Buried in ease and sloth?
Knowledge that sleeps doth die;
And this Securitie,
It is the common Moth,
That eats on wits, and Arts, and oft destroys them both.
Are all th'Aonian springs
Dried up? lies Thespia waste?
Doth Clarius' Harp want strings,
That not a Nymph now sings?
Or droop they as disgraced,
To see their Seats and Bowers by chatt'ring Pies defaced?
If hence thou silent be,
As 'tis too just a cause,
Let this thought quicken thee:
Minds that are great and free
Should not on fortune pause,
'Tis crown enough to virtue still: her own applause.
What though the greedie Frie
Be taken with false Bayte
Of worded Balladrie,
And thinke it Poesie?
They die with their conceits,
And only pitious scorn, upon their folly waits.
Then take in hand thy Lyre,
Strike in thy proper strain,
With Japhet's line, aspire
Sol's Chariot for new fire,
To give the world again:
Who aided him, will thee, the issue of Jove's brain...
By Ben Jonson
Where dost thou careless lie
Buried in ease and sloth?
Knowledge that sleeps doth die;
And this Securitie,
It is the common Moth,
That eats on wits, and Arts, and oft destroys them both.
Are all th'Aonian springs
Dried up? lies Thespia waste?
Doth Clarius' Harp want strings,
That not a Nymph now sings?
Or droop they as disgraced,
To see their Seats and Bowers by chatt'ring Pies defaced?
If hence thou silent be,
As 'tis too just a cause,
Let this thought quicken thee:
Minds that are great and free
Should not on fortune pause,
'Tis crown enough to virtue still: her own applause.
What though the greedie Frie
Be taken with false Bayte
Of worded Balladrie,
And thinke it Poesie?
They die with their conceits,
And only pitious scorn, upon their folly waits.
Then take in hand thy Lyre,
Strike in thy proper strain,
With Japhet's line, aspire
Sol's Chariot for new fire,
To give the world again:
Who aided him, will thee, the issue of Jove's brain...
Tuesday, December 16, 2008
One Lusty Tyrant
The artistic half of Baxter's nature exerted a lusty dominion over the human half—fed upon its disappointments and grew fat upon its joys and tribulations. This, indeed, is simply saying that the young man was a true artist.
—Henry James
—Henry James
Tuesday, December 09, 2008
One Familiar Singer

The Oven Bird
By Robert Frost
There is a singer everyone has heard,
Loud, a mid-summer and a mid-wood bird,
Who makes the solid tree trunks sound again.
He says that leaves are old and that for flowers
Mid-summer is to spring as one to ten.
He says the early petal-fall is past
When pear and cherry bloom went down in showers
On sunny days a moment overcast;
And comes that other fall we name the fall.
He says the highway dust is over all.
The bird would cease and be as other birds
But that he knows in singing not to sing.
The question that he frames in all but words
Is what to make of a diminished thing.
By Robert Frost
There is a singer everyone has heard,
Loud, a mid-summer and a mid-wood bird,
Who makes the solid tree trunks sound again.
He says that leaves are old and that for flowers
Mid-summer is to spring as one to ten.
He says the early petal-fall is past
When pear and cherry bloom went down in showers
On sunny days a moment overcast;
And comes that other fall we name the fall.
He says the highway dust is over all.
The bird would cease and be as other birds
But that he knows in singing not to sing.
The question that he frames in all but words
Is what to make of a diminished thing.
Tuesday, December 02, 2008
One Metallic Dessert
The Divorce
By Hans Magnus Enzenberger
At first it was an imperceptible tremor of the skin--
"Whatever you say"--where the flesh is darkest.
"What's wrong?"--Nothing. Opaque dreams
of embraces, but on the morning after
the other looks different, strangely bony.
Razor-sharp misunderstandings. "That time in Rome--"
I never said that. --Pause. Rapidly beating heart,
a kind of hate, strange. --"That's not the point."
Repetitions. Brilliantly clear the certainty:
everything is wrong from now on. Odorless, in focus
like a passport photo, this unknown person
with the tea glass at the table, eyes staring.
It is no use no use no use:
litany in the brain, a touch of nausea.
End of reproaches. Slowly the room
fills up to the ceiling with guilt.
The plaintive voice is a stranger's, but the shoes
that drop with a crash to the floor, the shoes are not.
The next time, in an empty restaurant,
slow motion, breadcrumbs, they talk about money,
laughing. The dessert tastes of metal.
Two untouchables. Strident rationality.
"Things could be much worse. But at night
the vindictiveness, the noiseless struggle, anonymous
like two bony barristers, two big crabs
in the water. Then the exhaustion. Slowly
the scabs peel off. Another tobacconist,
a new address. Pariahs, awfully relieved.
Shadows getting paler. Here are the papers.
Here are the keys. Here is the scar.
--Translated by Herbert Graf
By Hans Magnus Enzenberger
At first it was an imperceptible tremor of the skin--
"Whatever you say"--where the flesh is darkest.
"What's wrong?"--Nothing. Opaque dreams
of embraces, but on the morning after
the other looks different, strangely bony.
Razor-sharp misunderstandings. "That time in Rome--"
I never said that. --Pause. Rapidly beating heart,
a kind of hate, strange. --"That's not the point."
Repetitions. Brilliantly clear the certainty:
everything is wrong from now on. Odorless, in focus
like a passport photo, this unknown person
with the tea glass at the table, eyes staring.
It is no use no use no use:
litany in the brain, a touch of nausea.
End of reproaches. Slowly the room
fills up to the ceiling with guilt.
The plaintive voice is a stranger's, but the shoes
that drop with a crash to the floor, the shoes are not.
The next time, in an empty restaurant,
slow motion, breadcrumbs, they talk about money,
laughing. The dessert tastes of metal.
Two untouchables. Strident rationality.
"Things could be much worse. But at night
the vindictiveness, the noiseless struggle, anonymous
like two bony barristers, two big crabs
in the water. Then the exhaustion. Slowly
the scabs peel off. Another tobacconist,
a new address. Pariahs, awfully relieved.
Shadows getting paler. Here are the papers.
Here are the keys. Here is the scar.
--Translated by Herbert Graf
Monday, November 17, 2008
One Overpoeticized Cow

"Terence, this is stupid stuff:
You eat your victuals fast enough;
There can't be much amiss, 'tis clear,
To see the rate you drink your beer.
But oh, good Lord, the verse you make,
It gives a chap the belly-ache.
The cow, the old cow, she is dead;
It sleeps well, the horned head:
We poor lads, 'tis our turn now
To hear such tunes as killed the cow."
--A.E. Housman
You eat your victuals fast enough;
There can't be much amiss, 'tis clear,
To see the rate you drink your beer.
But oh, good Lord, the verse you make,
It gives a chap the belly-ache.
The cow, the old cow, she is dead;
It sleeps well, the horned head:
We poor lads, 'tis our turn now
To hear such tunes as killed the cow."
--A.E. Housman
Tuesday, November 11, 2008
One Diamond Shackle
Whoso list to hunt
By Francesco Petrarch
Whoso list to hunt, I know where is an hind,
But as for me, hélas, I may no more.
The vain travail hath wearied me so sore,
I am of them that farthest cometh behind.
Yet may I by no means my wearied mind
Draw from the deer, but as she fleeth afore
Fainting I follow. I leave off therefore,
Since in a net I seek to hold the wind.
Who list her hunt, I put him out of doubt,
As well as I may spend his time in vain.
And graven with diamonds in letters plain
There is written, her fair neck round about:
Noli me tangere, for Caesar's I am,
And wild for to hold, though I seem tame.
~Translated by Thomas Wyatt
By Francesco Petrarch
Whoso list to hunt, I know where is an hind,
But as for me, hélas, I may no more.
The vain travail hath wearied me so sore,
I am of them that farthest cometh behind.
Yet may I by no means my wearied mind
Draw from the deer, but as she fleeth afore
Fainting I follow. I leave off therefore,
Since in a net I seek to hold the wind.
Who list her hunt, I put him out of doubt,
As well as I may spend his time in vain.
And graven with diamonds in letters plain
There is written, her fair neck round about:
Noli me tangere, for Caesar's I am,
And wild for to hold, though I seem tame.
~Translated by Thomas Wyatt
Tuesday, November 04, 2008
Two Unpolitical Arms
Politics
By W.B. Yeats
How can I, that girl standing there,
My attention fix
On Roman or on Russian
Or on Spanish politics?
Yet here's a travelled man that knows
What he talks about,
And there's a politician
That has read and thought,
And maybe what they say is true
Of war and war's alarms,
But O that I were young again
And held her in my arms!
By W.B. Yeats
How can I, that girl standing there,
My attention fix
On Roman or on Russian
Or on Spanish politics?
Yet here's a travelled man that knows
What he talks about,
And there's a politician
That has read and thought,
And maybe what they say is true
Of war and war's alarms,
But O that I were young again
And held her in my arms!
One Convincing Lie
We all know that Art is not truth. Art is a lie that makes us realize truth, at least the truth that is given us to understand. The artist must know the manner whereby to convince others of the truthfulness of his lies.
~Pablo Picasso
~Pablo Picasso
Tuesday, October 28, 2008
One Bitten Eyeball
Spirit Song
spirit in the sky
come down here
right away
bite the world to death
I rise
up to the spirits
magician friends help me
reach the spirits
child child child
spirit
that can bite evil
come to us
and spirit at the bottom of the
earth I'm calling you I
live near you on top
bite our enemies
join your brother from the sky
each bite an eye out
of evil's face
so it can't see us
--Inuit, translated by Stephen Berg
spirit in the sky
come down here
right away
bite the world to death
I rise
up to the spirits
magician friends help me
reach the spirits
child child child
spirit
that can bite evil
come to us
and spirit at the bottom of the
earth I'm calling you I
live near you on top
bite our enemies
join your brother from the sky
each bite an eye out
of evil's face
so it can't see us
--Inuit, translated by Stephen Berg
Tuesday, October 21, 2008
One Dark Silk
Slowly quietly gold is collected under your command
            slowly quietly
Slowly quietly wheat is distributed under your command
          slowly quietly
Slowly quietly people's bread is served out under your command
slowly quietly.
With you rapidly silk darkens spoils with you rapidly
Water is tied in knots becomes turbid rapidly with you
With you rapidly is atrophied the history of labor
And with you slowly slowly the name of pain written extensively
comes out on the copper quartz bronze.
-Ilhan Berk, translated by Suat Karantay
            slowly quietly
Slowly quietly wheat is distributed under your command
          slowly quietly
Slowly quietly people's bread is served out under your command
slowly quietly.
With you rapidly silk darkens spoils with you rapidly
Water is tied in knots becomes turbid rapidly with you
With you rapidly is atrophied the history of labor
And with you slowly slowly the name of pain written extensively
comes out on the copper quartz bronze.
-Ilhan Berk, translated by Suat Karantay
Tuesday, October 14, 2008
One Deep Burrow
Vietnam
By Wislawa Szymborska
"Woman, what's your name?" "I don't know."
"How old are you? Where are you from?" "I don't know."
"Why did you dig that burrow?" "I don't know."
"How long have you been hiding?" "I don`t know."
"Why did you bite my finger?" "I don't know."
"Don't you know that we won't hurt you?" "I don't know."
"Whose side are you on?" "I don't know."
"This is war, you've got to choose." "I don't know."
"Does your village still exist?" "I don't know."
"Are those your children?" "Yes."
~Translated by Stanislaw Baranczak and Clare Cavanagh
By Wislawa Szymborska
"Woman, what's your name?" "I don't know."
"How old are you? Where are you from?" "I don't know."
"Why did you dig that burrow?" "I don't know."
"How long have you been hiding?" "I don`t know."
"Why did you bite my finger?" "I don't know."
"Don't you know that we won't hurt you?" "I don't know."
"Whose side are you on?" "I don't know."
"This is war, you've got to choose." "I don't know."
"Does your village still exist?" "I don't know."
"Are those your children?" "Yes."
~Translated by Stanislaw Baranczak and Clare Cavanagh
Tuesday, October 07, 2008
One Venomed Dart
from Endymion
By John Keats
There lies a den,
Beyond the seeming confines of the space
Made for the soul to wander in and trace
Its own existence, of remotest glooms.
Dark regions are around it, where the tombs
Of buried griefs the spirit sees, but scarce
One hour doth linger weeping, for the pierce
Of new-born woe it feels more inly smart:
And in these regions many a venom'd dart
At random flies: they are the proper home
Of every ill: the man is yet to come
Who hath not journeyed in this native hell.
But few have ever felt how calm and well
Sleep may be had in that deep den of all.
There anguish does not sting; nor pleasure pall:
Woe-hurricanes beat ever at the gate,
Yet all is still within and desolate.
By John Keats
There lies a den,
Beyond the seeming confines of the space
Made for the soul to wander in and trace
Its own existence, of remotest glooms.
Dark regions are around it, where the tombs
Of buried griefs the spirit sees, but scarce
One hour doth linger weeping, for the pierce
Of new-born woe it feels more inly smart:
And in these regions many a venom'd dart
At random flies: they are the proper home
Of every ill: the man is yet to come
Who hath not journeyed in this native hell.
But few have ever felt how calm and well
Sleep may be had in that deep den of all.
There anguish does not sting; nor pleasure pall:
Woe-hurricanes beat ever at the gate,
Yet all is still within and desolate.
Tuesday, September 30, 2008
One Pleasant Experiment
from Thoughts About the Person from Porlock
By Stevie Smith
...These thoughts are depressing I know. They are depressing.
I wish I was more cheerful, it is more pleasant,
Also it is a duty, we should smile as well as submitting
To the purpose of One Above who is experimenting
With various mixtures of human character which goes best,
All is interesting for him it is exciting, but not for us.
There I go again. Smile, smile, and get some work to do
Then you will be practically unconscious without positively having to go.
By Stevie Smith
...These thoughts are depressing I know. They are depressing.
I wish I was more cheerful, it is more pleasant,
Also it is a duty, we should smile as well as submitting
To the purpose of One Above who is experimenting
With various mixtures of human character which goes best,
All is interesting for him it is exciting, but not for us.
There I go again. Smile, smile, and get some work to do
Then you will be practically unconscious without positively having to go.
Tuesday, September 23, 2008
One Trembling Dewlap
Each Moment a White Bull Steps Shining into the World
By Jane Hirshfield
If the gods bring to you
a strange and frightening creature,
accept the gift
as if it were one you had chosen.
Say the accustomed prayers,
oil the hooves well,
caress the small ears with praise.
Have the new halter of woven silver
embedded with jewels.
Spare no expense, pay what is asked,
when a gift arrives from the sea.
Treat it as you yourself
would be treated, brought speechless and naked
into the court of a king.
And when the request finally comes,
do not hesitate even an instant--
stroke the white throat,
the heavy, trembling dewlaps
you'd come to believe were yours,
and plunge in the knife.
Not once
did you enter the pasture
without pause,
without yourself trembling.
That you came to love it,
that was the gift.
Let the envious gods take back what they can.
By Jane Hirshfield
If the gods bring to you
a strange and frightening creature,
accept the gift
as if it were one you had chosen.
Say the accustomed prayers,
oil the hooves well,
caress the small ears with praise.
Have the new halter of woven silver
embedded with jewels.
Spare no expense, pay what is asked,
when a gift arrives from the sea.
Treat it as you yourself
would be treated, brought speechless and naked
into the court of a king.
And when the request finally comes,
do not hesitate even an instant--
stroke the white throat,
the heavy, trembling dewlaps
you'd come to believe were yours,
and plunge in the knife.
Not once
did you enter the pasture
without pause,
without yourself trembling.
That you came to love it,
that was the gift.
Let the envious gods take back what they can.
Tuesday, September 16, 2008
One Malevolent Squint
from The Poor Poet
By Czeslaw Milosz
...now that the years have transformed my blood
And thousands of planetary systems have been born and died in my flesh,
I sit, a sly and angry poet
With malevolently squinted eyes,
And, weighing a pen in my hand,
I plot revenge.
By Czeslaw Milosz
...now that the years have transformed my blood
And thousands of planetary systems have been born and died in my flesh,
I sit, a sly and angry poet
With malevolently squinted eyes,
And, weighing a pen in my hand,
I plot revenge.
Tuesday, September 09, 2008
One Efficacious Slaughter
The Measures Taken
By Erich Fried
The lazy are slaughtered
the world grows industrious
The ugly are slaughtered
the world grows beautiful
The foolish are slaughtered
the world grows wise
The sick are slaughtered
the world grows healthy
The sad are slaughtered
the world grows merry
The old are slaughtered
the world grows young
The enemies are slaughtered
the world grows friendly
The wicked are slaughtered
the world grows good
Translated by Michael Hamburger
By Erich Fried
The lazy are slaughtered
the world grows industrious
The ugly are slaughtered
the world grows beautiful
The foolish are slaughtered
the world grows wise
The sick are slaughtered
the world grows healthy
The sad are slaughtered
the world grows merry
The old are slaughtered
the world grows young
The enemies are slaughtered
the world grows friendly
The wicked are slaughtered
the world grows good
Translated by Michael Hamburger
One Unpoetical Bodysnatcher
A Poet is the most unpoetical of any thing in existence; because he has no Identity - he is continually in for - and filling some other Body - The Sun, the Moon, the Sea and Men and Women who are creatures of impulse are poetical and have about them an unchangeable attribute - the poet has none; no identity...
...not one word I ever utter can be taken for granted as an opinion growing out of my identical nature - how can it, when I have no nature?
...All I hope is that I may not lose all interest in human affairs - that the solitary indifference I feel for applause even from the finest Spirits, will not blunt any acuteness of vision I may have. I do not think it will - I feel assured I should write from the mere yearning and fondness I have for the Beautiful even if my night's labours should be burnt every morning, and no eye ever shine upon them. But even now I am perhaps not speaking from myself: but from some character in whose soul I now live.
--John Keats ~ More
...not one word I ever utter can be taken for granted as an opinion growing out of my identical nature - how can it, when I have no nature?
...All I hope is that I may not lose all interest in human affairs - that the solitary indifference I feel for applause even from the finest Spirits, will not blunt any acuteness of vision I may have. I do not think it will - I feel assured I should write from the mere yearning and fondness I have for the Beautiful even if my night's labours should be burnt every morning, and no eye ever shine upon them. But even now I am perhaps not speaking from myself: but from some character in whose soul I now live.
--John Keats ~ More
Tuesday, September 02, 2008
One Enslaved Father
Song
By Vinicius de Moraes
Never take her away,
The daughter whom you gave me,
The gentle, moist, untroubled
Small daughter whom you gave me;
O let her heavenly babbling
Beset me and enslave me.
Don't take her; let her stay,
Beset my heart, and win me,
That I may put away
The firstborn child within me,
That cold, petrific, dry
Daughter whom death once gave,
Whose life is a long cry
For milk she may not have,
And who, in the nighttime, calls me
In the saddest voice that can be
Father, Father, and tells me
Of the love she feels for me.
Don't let her go away,
Her whom you gave—my daughter—
Lest I should come to favor
That wilder one, that other
Who does not leave me ever.
Translated by Richard Wilbur
By Vinicius de Moraes
Never take her away,
The daughter whom you gave me,
The gentle, moist, untroubled
Small daughter whom you gave me;
O let her heavenly babbling
Beset me and enslave me.
Don't take her; let her stay,
Beset my heart, and win me,
That I may put away
The firstborn child within me,
That cold, petrific, dry
Daughter whom death once gave,
Whose life is a long cry
For milk she may not have,
And who, in the nighttime, calls me
In the saddest voice that can be
Father, Father, and tells me
Of the love she feels for me.
Don't let her go away,
Her whom you gave—my daughter—
Lest I should come to favor
That wilder one, that other
Who does not leave me ever.
Translated by Richard Wilbur
Tuesday, August 26, 2008
One Sincere Crocodile
Tuesday, August 19, 2008
One Worthy Patron
from What Mr. Cogito Thinks About Hell
By Zbigniew Herbert
The lowest circle of hell. Contrary to prevailing opinion it is inhabited neither by despots nor matricides, nor even by those who go after the bodies of others. It is the refuge of artists, full of mirrors, musical instruments, and pictures. At first glance this is the most luxurious infernal department, without tar, fire, or physical tortures.
...Beelzebub supports the arts. He provides his artists with calm, good board, and absolute isolation from hellish life.
Translated by Bogdana and John Carpenter
By Zbigniew Herbert
The lowest circle of hell. Contrary to prevailing opinion it is inhabited neither by despots nor matricides, nor even by those who go after the bodies of others. It is the refuge of artists, full of mirrors, musical instruments, and pictures. At first glance this is the most luxurious infernal department, without tar, fire, or physical tortures.
...Beelzebub supports the arts. He provides his artists with calm, good board, and absolute isolation from hellish life.
Translated by Bogdana and John Carpenter
Tuesday, August 12, 2008
One Inattentive River
Agon
By Branko Miljkovic
While the river banks are quarreling,
The waters flow quietly.
Translated by Charles Simic
By Branko Miljkovic
While the river banks are quarreling,
The waters flow quietly.
Translated by Charles Simic
Tuesday, August 05, 2008
One Burning City
The Bell Zygmunt
By Jane Hirshfield
For fertility, a new bride is lifted to touch it with her left hand,
or possibly kiss it.
The sound close in, my friend told me later, is almost silent.
At ten kilometers, even those who have never heard it know what it is.
If you stand near during thunder, she said,
you will hear a reply.
Six weeks and six days from the phone's small ringing,
replying was over.
She who cooked lamb and loved wine and wild mushroom pastas.
She who when I saw her last was silent as the great Zygmunt mostly is,
a ventilator's clapper between her dry lips.
Because I could, I spoke. She laid her palm on my cheek to answer.
And soon again, to say it was time to leave.
I put my lips near the place a tube went into
the back of one hand.
The kiss - as if it knew what I did not yet - both full and formal.
As one would kiss the ring of a cardinal, or the rim
of that cold iron bell, whose speech can mean "Great joy,"
or - equally - "The city is burning. Come.”
Book
By Jane Hirshfield
For fertility, a new bride is lifted to touch it with her left hand,
or possibly kiss it.
The sound close in, my friend told me later, is almost silent.
At ten kilometers, even those who have never heard it know what it is.
If you stand near during thunder, she said,
you will hear a reply.
Six weeks and six days from the phone's small ringing,
replying was over.
She who cooked lamb and loved wine and wild mushroom pastas.
She who when I saw her last was silent as the great Zygmunt mostly is,
a ventilator's clapper between her dry lips.
Because I could, I spoke. She laid her palm on my cheek to answer.
And soon again, to say it was time to leave.
I put my lips near the place a tube went into
the back of one hand.
The kiss - as if it knew what I did not yet - both full and formal.
As one would kiss the ring of a cardinal, or the rim
of that cold iron bell, whose speech can mean "Great joy,"
or - equally - "The city is burning. Come.”
Book
Tuesday, July 29, 2008
One Thirsty Deity
from psalm
By Alicia Ostriker
I am not lyric any more
I will not play the harp
for your pleasure
I will not make a joyful
noise to you, neither
will I lament
for I know you drink
lamentation, too,
like wine...
Book
By Alicia Ostriker
I am not lyric any more
I will not play the harp
for your pleasure
I will not make a joyful
noise to you, neither
will I lament
for I know you drink
lamentation, too,
like wine...
Book
Tuesday, July 15, 2008
One Nonexistent Mentor
from Letters to a Young Poet
By Rainer Maria Rilke
Nobody can advise you and help you, nobody.
By Rainer Maria Rilke
Nobody can advise you and help you, nobody.
Tuesday, July 08, 2008
One Rich Etcetera
from Song in the Manner of Housman
By Ezra Pound
O woe, woe,
People are born and die,
We also shall be dead pretty soon
Therefore let us act as if we were dead already.
The bird sits on the hawthorn tree
But he dies also, presently.
Some lads get hung, and some get shot.
Woeful is this human lot.
Woe! woe, etcetera...
By Ezra Pound
O woe, woe,
People are born and die,
We also shall be dead pretty soon
Therefore let us act as if we were dead already.
The bird sits on the hawthorn tree
But he dies also, presently.
Some lads get hung, and some get shot.
Woeful is this human lot.
Woe! woe, etcetera...
Tuesday, July 01, 2008
One Stable Marsh
It is the roots from all the trees that have died
out here, that's how you can walk
safely over the soft places.
--Olav Hauge, translated by Robert Bly
out here, that's how you can walk
safely over the soft places.
--Olav Hauge, translated by Robert Bly
Tuesday, June 24, 2008
One Unsaleable Shroud
My Stars
By Abraham ibn Ezra
On the day I was born,
The unalterable stars altered.
If I decided to sell lamps,
It wouldn't get dark till the day I died.
Some stars. Whatever I do,
I'm a failure before I begin.
If I decided to sell shrouds,
People would suddenly stop dying.
~Translated by Robert Mezey
By Abraham ibn Ezra
On the day I was born,
The unalterable stars altered.
If I decided to sell lamps,
It wouldn't get dark till the day I died.
Some stars. Whatever I do,
I'm a failure before I begin.
If I decided to sell shrouds,
People would suddenly stop dying.
~Translated by Robert Mezey
Tuesday, June 17, 2008
One Unmarriageable Nose
From Luristan to Thule
By Sarah Lindsay
Delirium was the last country she saw clearly.
Mounting its exotic, riven flanks
on the back of a patient fever,
she left with regret the land of her hosts--
divisions of snow, upended stone threaded with tracks
between the goatskin houses with goatskin beds--
then left too the regret.
For decades she'd taken pleasure in imposing
the first white profile (with its great spinster nose)
upon such places, barely named,
as lay a few days' journey beyond fable,
uplands that bore no showy gold or ziggurat,
only the shallow marks of laboring generations,
the central campfires repeated deep in their eyes.
Past rocks tipped early out of the cradle of myth,
she finally became separated from her pack
with its twenty pencils, the notorious hat,
coins and aspirin, equally useless,
and yielded to discovery of one state
that lacks the primary luxuries: return,
and the safely delivered story.
Book
By Sarah Lindsay
Delirium was the last country she saw clearly.
Mounting its exotic, riven flanks
on the back of a patient fever,
she left with regret the land of her hosts--
divisions of snow, upended stone threaded with tracks
between the goatskin houses with goatskin beds--
then left too the regret.
For decades she'd taken pleasure in imposing
the first white profile (with its great spinster nose)
upon such places, barely named,
as lay a few days' journey beyond fable,
uplands that bore no showy gold or ziggurat,
only the shallow marks of laboring generations,
the central campfires repeated deep in their eyes.

she finally became separated from her pack
with its twenty pencils, the notorious hat,
coins and aspirin, equally useless,
and yielded to discovery of one state
that lacks the primary luxuries: return,
and the safely delivered story.
Book
Tuesday, June 10, 2008
One Monochrome Winter
the sound of the wind
withered by
winter-one-color world
--Basho, translated by Stephen Addiss
withered by
winter-one-color world
--Basho, translated by Stephen Addiss
Tuesday, June 03, 2008
One Blameless Artist
...the writer who possesses the creative gift owns something of which he is not always master - something that, at times, strangely wills and works for itself. ...Be the work grim or glorious, dread or divine, you have little choice left but quiescent adoption. As for you - the nominal artist - your share in it has been to work passively under dictates you neither delivered nor could question - that would not be uttered at your prayer, nor suppressed nor changed at your caprice. If the result be attractive, the World will praise you, who little deserve praise; if it be repulsive, the same World will blame you, who almost as little deserve blame.
--Charlotte Bronte
--Charlotte Bronte
Tuesday, May 27, 2008
One Unsheathed Cortex
Tuesday, May 20, 2008
One Pestered Angel
from my old Guardian Angel
By Tadeusz Rozewicz
the avalanche of angels
brought about
by inspired poets
artists priests
and American
movie directors
is infinitely more foolish
than the one brought about
by Romantic poets
the products
of the dream factory
--the "holy wood"--
are sugary white
like the cotton candy
young children
adore
my Guardian Angel who
is 83 years old
and remembers all
my misdeeds
flew to me in consternation
and told me he was
being pestered
by salesmen
pedophiles sodomites
from commercial public
and religious TV
to endorse "angel's milk" custard
dance hip-hop with seniors
and sell
sanitary napkins
with wings
and without...
Translated by Bill Johnston ~ Book
By Tadeusz Rozewicz
the avalanche of angels
brought about
by inspired poets
artists priests
and American
movie directors
is infinitely more foolish
than the one brought about
by Romantic poets
the products
of the dream factory
--the "holy wood"--
are sugary white
like the cotton candy
young children
adore
my Guardian Angel who
is 83 years old
and remembers all
my misdeeds
flew to me in consternation
and told me he was
being pestered
by salesmen
pedophiles sodomites
from commercial public
and religious TV
to endorse "angel's milk" custard
dance hip-hop with seniors
and sell
sanitary napkins
with wings
and without...
Translated by Bill Johnston ~ Book
Tuesday, May 13, 2008
One Spilled Bucket
from Moon Eclipse Exorcism
come out come out come out
the moon has been killed
who kills the moon? crow
who often kills the moon? eagle
who usually kills the moon? chicken hawk
who also kills the moon? owl
in their numbers they assemble
for moonkilling
come out, throw sticks at your houses
come out, turn your buckets over
spill out all the water don't let it turn
bloody yellow
from the wounding and death
of the moon
o what will become of the world, the moon
never dies without cause
only when a rich man is about to be killed
is the moon murdered...
--Alsea, translated by Armand Schwerner and Leo J. Trachtenberg
come out come out come out
the moon has been killed
who kills the moon? crow
who often kills the moon? eagle
who usually kills the moon? chicken hawk
who also kills the moon? owl
in their numbers they assemble
for moonkilling
come out, throw sticks at your houses
come out, turn your buckets over
spill out all the water don't let it turn
bloody yellow
from the wounding and death
of the moon
o what will become of the world, the moon
never dies without cause
only when a rich man is about to be killed
is the moon murdered...
--Alsea, translated by Armand Schwerner and Leo J. Trachtenberg
Tuesday, May 06, 2008
One Late Laurel
Several Voices Out of a Cloud
By Louise Bogan
Come, drunks and drug-takers; come perverts unnerved!
Receive the laurel, given, though late, on merit;
to whom
and wherever deserved.
Parochial punks, trimmers, nice people, joiners true-blue,
Get the hell out of the way of the laurel.
It is deathless
And it isn't for you.
By Louise Bogan
Come, drunks and drug-takers; come perverts unnerved!
Receive the laurel, given, though late, on merit;
to whom
and wherever deserved.
Parochial punks, trimmers, nice people, joiners true-blue,
Get the hell out of the way of the laurel.
It is deathless
And it isn't for you.
Tuesday, April 29, 2008
One Vertical Glare
Grief
By Elizabeth Barrett Browning
I tell you, hopeless grief is passionless;
That only men incredulous of despair,
Half-taught in anguish, through the midnight air
Beat upward to God's throne in loud access
Of shrieking and reproach. Full desertness,
In souls as countries, lieth silent-bare
Under the blanching, vertical eye-glare
Of the absolute Heavens. Deep-hearted man, express
Grief for thy Dead in silence like to death--
Most like a monumental statue set
In everlasting watch and moveless woe
Till itself crumble to the dust beneath.
Touch it; the marble eyelids are not wet:
If it could weep, it could arise and go.
By Elizabeth Barrett Browning
I tell you, hopeless grief is passionless;
That only men incredulous of despair,
Half-taught in anguish, through the midnight air
Beat upward to God's throne in loud access
Of shrieking and reproach. Full desertness,
In souls as countries, lieth silent-bare
Under the blanching, vertical eye-glare
Of the absolute Heavens. Deep-hearted man, express
Grief for thy Dead in silence like to death--
Most like a monumental statue set
In everlasting watch and moveless woe
Till itself crumble to the dust beneath.
Touch it; the marble eyelids are not wet:
If it could weep, it could arise and go.
Tuesday, April 22, 2008
One Cold Algebraist
[The poet] is no longer the disheveled, delirious man, someone who writes an entire poem in a night of fever; now he's a cool savant, almost an algebraist, in the service of a subtle dreamer.
--Paul Valery
--Paul Valery
Tuesday, April 15, 2008
One Appropriated Harvest
A Black Man Talks of Reaping
By Arna Bontemps
I have sown beside all waters in my day.
I planted deep within my heart the fear
that wind or fowl would take the grain away.
I planted safe against this stark, lean year.
I scattered seed enough to plant the land
in rows from Canada to Mexico,
but for my reaping only what the hand
can hold at once is all that I can show.
Yet what I sowed and what the orchard yields
my brother's sons are gathering stalk and root.
Small wonder then my children glean in fields
they have not sown, and feed on bitter fruit.
By Arna Bontemps
I have sown beside all waters in my day.
I planted deep within my heart the fear
that wind or fowl would take the grain away.
I planted safe against this stark, lean year.
I scattered seed enough to plant the land
in rows from Canada to Mexico,
but for my reaping only what the hand
can hold at once is all that I can show.
Yet what I sowed and what the orchard yields
my brother's sons are gathering stalk and root.
Small wonder then my children glean in fields
they have not sown, and feed on bitter fruit.
Tuesday, April 08, 2008
One Insulting Sun
All visible objects, man, are but as pasteboard masks. But in each event--in the living act, the undoubted deed--there, some unknown but still reasoning thing puts forth the moldings of its features from behind the unreasoning mask. If man will strike, strike through the mask! How can the prisoner reach outside except by thrusting through the wall? To me, the white whale is that wall, shoved near to me. Sometimes I think there's naught beyond. But 'tis enough. He tasks me; he heaps me; I see in him outrageous strength, with an inscrutable malice sinewing it. That inscrutable thing is chiefly what I hate; and be the white whale agent, or be the white whale principal, I will wreak that hate upon him. Talk not to me of blasphemy, man; I'd strike the sun if it insulted me.
--Herman Melville
--Herman Melville
Tuesday, April 01, 2008
One Blue-Smoking Torch
Bavarian Gentians
By D. H. Lawrence
Not every man has gentians in his house
in soft September, at slow, sad Michaelmas.
Bavarian gentians, big and dark, only dark
darkening the daytime, torch-like, with the smoking blueness of Pluto's gloom,
ribbed and torch-like, with their blaze of darkness spread blue
down flattening into points, flattened under the sweep of white day
torch-flower of the blue-smoking darkness, Pluto's dark-blue daze,
black lamps from the halls of Dis, burning dark blue,
giving off darkness, blue darkness, as Demeter's pale lamps give off light,
lead me then, lead the way.
Reach me a gentian, give me a torch!
let me guide myself with the blue, forked torch of this flower
down the darker and darker stairs, where blue is darkened on blueness
even where Persephone goes, just now, from the frosted September
to the sightless realm where darkness is awake upon the dark
and Persephone herself is but a voice
or a darkness invisible enfolded in the deeper dark
of the arms Plutonic, and pierced with the passion of dense gloom,
among the splendor of torches of darkness, shedding darkness on
the lost bride and her groom.
By D. H. Lawrence
Not every man has gentians in his house
in soft September, at slow, sad Michaelmas.
Bavarian gentians, big and dark, only dark
darkening the daytime, torch-like, with the smoking blueness of Pluto's gloom,
ribbed and torch-like, with their blaze of darkness spread blue
down flattening into points, flattened under the sweep of white day
torch-flower of the blue-smoking darkness, Pluto's dark-blue daze,
black lamps from the halls of Dis, burning dark blue,
giving off darkness, blue darkness, as Demeter's pale lamps give off light,
lead me then, lead the way.
Reach me a gentian, give me a torch!
let me guide myself with the blue, forked torch of this flower
down the darker and darker stairs, where blue is darkened on blueness
even where Persephone goes, just now, from the frosted September
to the sightless realm where darkness is awake upon the dark
and Persephone herself is but a voice
or a darkness invisible enfolded in the deeper dark
of the arms Plutonic, and pierced with the passion of dense gloom,
among the splendor of torches of darkness, shedding darkness on
the lost bride and her groom.
Tuesday, March 25, 2008
One Dusty Cell
from Women
By Louise Bogan
Women have no wilderness in them,
They are provident instead,
Content in the tight hot cell of their hearts
To eat dusty bread.
They do not see cattle cropping red winter grass,
They do not hear
Snow water going down under culverts
Shallow and clear.
They wait, when they should turn to journeys,
They stiffen, when they should bend.
They use against themselves that benevolence
To which no man is friend.
By Louise Bogan
Women have no wilderness in them,
They are provident instead,
Content in the tight hot cell of their hearts
To eat dusty bread.
They do not see cattle cropping red winter grass,
They do not hear
Snow water going down under culverts
Shallow and clear.
They wait, when they should turn to journeys,
They stiffen, when they should bend.
They use against themselves that benevolence
To which no man is friend.
Tuesday, March 18, 2008
One Sealed Note
written in pencil in the sealed railway car
By Dan Pagis
here in this carload
I am eve
with abel my son
if you see my other son
cain son of man
tell him i
Translated by Stephen Mitchell
By Dan Pagis
here in this carload
I am eve
with abel my son
if you see my other son
cain son of man
tell him i
Translated by Stephen Mitchell
Tuesday, March 11, 2008
One Skeptical Tic
Inshallah
By Ben Downing
-- which is to say "God willing," more or less:
a phrase that rose routinely to her lips
whenever plans were hatched or hopes expressed,
the way we knock on wood, yet fervently,
as if to wax too confident might be
to kill the very thing she wanted most.
It used to pique and trouble me somehow,
this precautionary tic of hers, but now
I understand why she was skeptical
of what Allah in His caprice allots,
because that she should live He did not will
or, more terribly, He did that she should not.
in memoriam Mirel Sayinsoy 1967-1999
By Ben Downing
-- which is to say "God willing," more or less:
a phrase that rose routinely to her lips
whenever plans were hatched or hopes expressed,
the way we knock on wood, yet fervently,
as if to wax too confident might be
to kill the very thing she wanted most.
It used to pique and trouble me somehow,
this precautionary tic of hers, but now
I understand why she was skeptical
of what Allah in His caprice allots,
because that she should live He did not will
or, more terribly, He did that she should not.
in memoriam Mirel Sayinsoy 1967-1999
Tuesday, March 04, 2008
One Aching Instep
from After Apple-Picking
By Robert Frost
...I cannot rub the strangeness from my sight
I got from looking through a pane of glass
I skimmed this morning from the drinking trough
And held against the world of hoary grass.
It melted, and I let it fall and break.
But I was well
Upon my way to sleep before it fell,
And I could tell
What form my dreaming was about to take.
Magnified apples appear and disappear,
Stem end and blossom end,
And every fleck of russet showing clear.
My instep arch not only keeps the ache,
It keeps the pressure of a ladder-round.
I feel the ladder sway as the boughs bend.
And I keep hearing from the cellar bin
The rumbling sound
Of load on load of apples coming in.
For I have had too much
Of apple-picking: I am overtired
Of the great harvest I myself desired.
There were ten thousand thousand fruit to touch,
Cherish in hand, lift down, and not let fall...
By Robert Frost
...I cannot rub the strangeness from my sight
I got from looking through a pane of glass
I skimmed this morning from the drinking trough
And held against the world of hoary grass.
It melted, and I let it fall and break.
But I was well
Upon my way to sleep before it fell,
And I could tell
What form my dreaming was about to take.
Magnified apples appear and disappear,
Stem end and blossom end,
And every fleck of russet showing clear.
My instep arch not only keeps the ache,
It keeps the pressure of a ladder-round.
I feel the ladder sway as the boughs bend.
And I keep hearing from the cellar bin
The rumbling sound
Of load on load of apples coming in.
For I have had too much
Of apple-picking: I am overtired
Of the great harvest I myself desired.
There were ten thousand thousand fruit to touch,
Cherish in hand, lift down, and not let fall...
Tuesday, February 26, 2008
One Grumley Guest
The Gray Selchie
In the north away there lives a maid:
"Bye loo, my baby," she begins;
"Little know I my child's father
Or if land or sea he's living in."
Then there arose at her bed feet
An grumley guest, I'm sure it was he,
Saying, "Here am I, thy child's father,
Although that I am not comely."
"I am a man upon the land,
I am a selchie in the sea.
And when I am in my own country,
My dwelling is in Sule Skerrie."
And he has taken a purse of gold,
And he has put it upon her knee,
Saying, "Give to me my little wee son,
And take thee up thy nurse's fee."
"And it shall come to pass on a summer's day
When the sun shines hot on every stone,
That I shall take my little wee son
And teach him for to swim in the foam.
"And you will marry a hunter good
And a proud good hunter I'm sure he will be,
But he'll go out on a May morning,
And kill my little wee son and me."
And lo, she did marry a hunter good.
And a proud good hunter, I'm sure it was he,
And the very first shot that ere he did shoot
He killed the son and the gray selchie.
In the north away there lives a maid:
"Bye loo, my baby," she begins;
"Little know I my child's father,
Or if land or sea he's living in."
--Old English Ballad
In the north away there lives a maid:
"Bye loo, my baby," she begins;
"Little know I my child's father
Or if land or sea he's living in."
Then there arose at her bed feet
An grumley guest, I'm sure it was he,
Saying, "Here am I, thy child's father,
Although that I am not comely."
"I am a man upon the land,
I am a selchie in the sea.
And when I am in my own country,
My dwelling is in Sule Skerrie."
And he has taken a purse of gold,
And he has put it upon her knee,
Saying, "Give to me my little wee son,
And take thee up thy nurse's fee."
"And it shall come to pass on a summer's day
When the sun shines hot on every stone,
That I shall take my little wee son
And teach him for to swim in the foam.
"And you will marry a hunter good
And a proud good hunter I'm sure he will be,
But he'll go out on a May morning,
And kill my little wee son and me."
And lo, she did marry a hunter good.
And a proud good hunter, I'm sure it was he,
And the very first shot that ere he did shoot
He killed the son and the gray selchie.
In the north away there lives a maid:
"Bye loo, my baby," she begins;
"Little know I my child's father,
Or if land or sea he's living in."
--Old English Ballad
Tuesday, February 19, 2008
One Worrying Job
I always think that poetry is more terrible than painting, though painting is a dirtier and a much more worrying job.
--Vincent van Gogh
--Vincent van Gogh
One Green-Haired Army
I Hear an Army Charging Upon the Land
By James Joyce
I hear an army charging upon the land,
And the thunder of horses plunging, foam about their knees:
Arrogant, in black armour, behind them stand,
Disdaining the reins, with fluttering whips, the charioteers.
They cry unto the night their battle-name:
I moan in sleep when I hear afar their whirling laughter.
They cleave the gloom of dreams, a blinding flame,
Clanging, clanging upon the heart as upon an anvil.
They come shaking in triumph their long, green hair:
They come out of the sea and run shouting by the shore.
My heart, have you no wisdom thus to despair?
My love, my love, my love, why have you left me alone?
By James Joyce
I hear an army charging upon the land,
And the thunder of horses plunging, foam about their knees:
Arrogant, in black armour, behind them stand,
Disdaining the reins, with fluttering whips, the charioteers.
They cry unto the night their battle-name:
I moan in sleep when I hear afar their whirling laughter.
They cleave the gloom of dreams, a blinding flame,
Clanging, clanging upon the heart as upon an anvil.
They come shaking in triumph their long, green hair:
They come out of the sea and run shouting by the shore.
My heart, have you no wisdom thus to despair?
My love, my love, my love, why have you left me alone?
Tuesday, February 12, 2008
One Tenacious Clock
The Clock on the Wall
By Samih al-Qasim
My city collapsed
The clock was still on the wall
Our neighborhood collapsed
The clock was still on the wall
The street collapsed
The clock was still on the wall
The square collapsed
The clock was still on the wall
My house collapsed
The clock was still on the wall
The wall collapsed
The clock
Ticked on
By Samih al-Qasim
My city collapsed
The clock was still on the wall
Our neighborhood collapsed
The clock was still on the wall
The street collapsed
The clock was still on the wall
The square collapsed
The clock was still on the wall
My house collapsed
The clock was still on the wall
The wall collapsed
The clock
Ticked on
Tuesday, February 05, 2008
One Self-Replicating City
The City
By Constantine Cavafy
You said, "I will go to another land, I will go to another sea.
I will find another city, better than this.
Every effort of mine is condemned by fate;
and my heart is -- like a corpse -- buried.
How long in this wasteland will my mind remain.
Wherever I turn my eyes, wherever I look
I see the black ruins of my life here,
where I spent so many years,
and ruined and wasted."
There are no new lands, no other seas to find.
The city will follow you. You will roam the same
streets. And you will age in the same neighborhoods;
in these same houses you will grow gray.
Always you will arrive in this city. To another land -- do not hope --
there is no ship for you, there is no road.
As you have ruined your life
in this little corner, you have destroyed it in the whole world.
By Constantine Cavafy
You said, "I will go to another land, I will go to another sea.
I will find another city, better than this.
Every effort of mine is condemned by fate;
and my heart is -- like a corpse -- buried.
How long in this wasteland will my mind remain.
Wherever I turn my eyes, wherever I look
I see the black ruins of my life here,
where I spent so many years,
and ruined and wasted."
There are no new lands, no other seas to find.
The city will follow you. You will roam the same
streets. And you will age in the same neighborhoods;
in these same houses you will grow gray.
Always you will arrive in this city. To another land -- do not hope --
there is no ship for you, there is no road.
As you have ruined your life
in this little corner, you have destroyed it in the whole world.
Tuesday, January 29, 2008
One Great Ge
Not another lament for the makers
By Aileen Kelly
What can you do with the pissed-off major poets?
Five marvellous books, translated to diverse tongues yet
toaded by work all day, half-drunk at night,
their trousers bagged by stones of unhappiness, even
on Margate sands among sunny kids and sundried oldsters
they groan with humanity’s torment and angle deathwards
so ignited, so solipsistic or red or straight,
mourning lost lovers, icons and apposite breakdowns.
Great Ge of death and birth, can’t you recycle them
into multiple minor poets who’d suckle for years
each on the juice of their one great poem and ever
party with whoopee streamers and rockets towards you
down to a last careless and satisfied breath?
By Aileen Kelly
What can you do with the pissed-off major poets?
Five marvellous books, translated to diverse tongues yet
toaded by work all day, half-drunk at night,
their trousers bagged by stones of unhappiness, even
on Margate sands among sunny kids and sundried oldsters
they groan with humanity’s torment and angle deathwards
so ignited, so solipsistic or red or straight,
mourning lost lovers, icons and apposite breakdowns.
Great Ge of death and birth, can’t you recycle them
into multiple minor poets who’d suckle for years
each on the juice of their one great poem and ever
party with whoopee streamers and rockets towards you
down to a last careless and satisfied breath?
Tuesday, January 22, 2008
One Stalking Foot
They Flee from Me
By Sir Thomas Wyatt
They flee from me, that sometime did me seek,
With naked foot stalking in my chamber:
Once have I seen them gentle, tame, and meek,
That now are wild, and do not once remember
That sometime they put themselves in danger
To take bread at my hand; and now they range
Busily seeking with continual change.
Thanked be Fortune, it hath been otherwise
Twenty times better; but once especial,
In thin array, after a pleasant guise,
When her loose gown did from her shoulders fall,
And she me caught in her arms long and small,
And therewithal sweetly did me kiss,
And softly said, 'Dear heart, how like you this?'
It was no dream; I lay broad awaking:
But all is turn'd now through my gentleness
Into a strange fashion of forsaking;
And I have leave to go of her goodness;
And she also to use newfangleness.
But since that I unkindly so am served
How like you this, what hath she now deserved?
By Sir Thomas Wyatt
They flee from me, that sometime did me seek,
With naked foot stalking in my chamber:
Once have I seen them gentle, tame, and meek,
That now are wild, and do not once remember
That sometime they put themselves in danger
To take bread at my hand; and now they range
Busily seeking with continual change.
Thanked be Fortune, it hath been otherwise
Twenty times better; but once especial,
In thin array, after a pleasant guise,
When her loose gown did from her shoulders fall,
And she me caught in her arms long and small,
And therewithal sweetly did me kiss,
And softly said, 'Dear heart, how like you this?'
It was no dream; I lay broad awaking:
But all is turn'd now through my gentleness
Into a strange fashion of forsaking;
And I have leave to go of her goodness;
And she also to use newfangleness.
But since that I unkindly so am served
How like you this, what hath she now deserved?
Tuesday, January 15, 2008
One Sneaky Pelt
Love Song
If I might be an ox,
An ox, a beautiful ox,
Beautiful but stubborn;
The merchant would buy me,
Would buy and slaughter me,
Would spread my skin,
Would bring me to the market.
The coarse woman would bargain for me;
The beautiful girl would buy me.
She would crush perfumes for me;
I would spend the night rolled up around her;
I would spend the afternoon rolled up around her.
Her husband would say: "It is a dead skin!"
But I would have my love!
--Ethiopian, translated by Enrico Cerulli
If I might be an ox,
An ox, a beautiful ox,
Beautiful but stubborn;
The merchant would buy me,
Would buy and slaughter me,
Would spread my skin,
Would bring me to the market.
The coarse woman would bargain for me;
The beautiful girl would buy me.
She would crush perfumes for me;
I would spend the night rolled up around her;
I would spend the afternoon rolled up around her.
Her husband would say: "It is a dead skin!"
But I would have my love!
--Ethiopian, translated by Enrico Cerulli
Tuesday, January 08, 2008
One Suicidal Flower
Go, Lovely Rose
By Edmund Waller
Go, lovely Rose—
Tell her that wastes her time and me,
That now she knows,
When I resemble her to thee,
How sweet and fair she seems to be.
Tell her that's young,
And shuns to have her graces spied,
That hadst thou sprung
In deserts where no men abide,
Thou must have uncommended died.
Small is the worth
Of beauty from the light retired:
Bid her come forth,
Suffer herself to be desired,
And not blush so to be admired.
Then die! —That she
The common fate of all things rare
May read in thee;
How small a part of time they share
That are so wondrous sweet and fair!
By Edmund Waller
Go, lovely Rose—
Tell her that wastes her time and me,
That now she knows,
When I resemble her to thee,
How sweet and fair she seems to be.
Tell her that's young,
And shuns to have her graces spied,
That hadst thou sprung
In deserts where no men abide,
Thou must have uncommended died.
Small is the worth
Of beauty from the light retired:
Bid her come forth,
Suffer herself to be desired,
And not blush so to be admired.
Then die! —That she
The common fate of all things rare
May read in thee;
How small a part of time they share
That are so wondrous sweet and fair!
Tuesday, January 01, 2008
One Transmogrifying Bee
Janet Waking
By John Crowe Ransom
Beautifully Janet slept
Till it was deeply morning. She woke then
And thought about her dainty-feathered hen,
To see how it had kept.
One kiss she gave her mother,
Only a small one gave she to her daddy
Who would have kissed each curl of his shining baby;
No kiss at all for her brother.
"Old Chucky, Old Chucky!" she cried,
Running on little pink feet upon the grass
To Chucky’s house, and listening. But alas,
Her Chucky had died.
It was a transmogrifying bee
Came droning down on Chucky’s old bald head
And sat and put the poison. It scarcely bled,
But how exceedingly
And purply did the knot
Swell with the venom and communicate
Its rigour! Now the poor comb stood up straight
But Chucky did not.
So there was Janet
Kneeling on the wet grass, crying her brown hen
(Translated far beyond the daughters of men)
To rise and walk upon it.
And weeping fast as she had breath
Janet implored us, “Wake her from her sleep!”
And would not be instructed in how deep
Was the forgetful kingdom of death.
By John Crowe Ransom
Beautifully Janet slept
Till it was deeply morning. She woke then
And thought about her dainty-feathered hen,
To see how it had kept.
One kiss she gave her mother,
Only a small one gave she to her daddy
Who would have kissed each curl of his shining baby;
No kiss at all for her brother.
"Old Chucky, Old Chucky!" she cried,
Running on little pink feet upon the grass
To Chucky’s house, and listening. But alas,
Her Chucky had died.
It was a transmogrifying bee
Came droning down on Chucky’s old bald head
And sat and put the poison. It scarcely bled,
But how exceedingly
And purply did the knot
Swell with the venom and communicate
Its rigour! Now the poor comb stood up straight
But Chucky did not.
So there was Janet
Kneeling on the wet grass, crying her brown hen
(Translated far beyond the daughters of men)
To rise and walk upon it.
And weeping fast as she had breath
Janet implored us, “Wake her from her sleep!”
And would not be instructed in how deep
Was the forgetful kingdom of death.
Tuesday, December 25, 2007
One Fatiguing Occupation
from Baudelaire
By Delmore Schwartz
...You know my strange life. Every day brings
Its quota of wrath. You little know
A poet's life, dear Mother: I must write poems,
The most fatiguing of occupations.
By Delmore Schwartz
...You know my strange life. Every day brings
Its quota of wrath. You little know
A poet's life, dear Mother: I must write poems,
The most fatiguing of occupations.
Tuesday, December 18, 2007
One Missing Flashlight
A Contribution to Statistics
By Wislawa Szymborska
Out of a hundred people
those who always know better
-fifty-two
doubting every step
-nearly all the rest,
glad to lend a hand
if it doesn't take too long
-as high as forty-nine,
always good
because they can't be otherwise
-four, well maybe five,
able to admire without envy
-eighteen,
suffering illusions
induced by fleeting youth
-sixty, give or take a few,
not to be taken lightly
-forty and four,
living in constant fear
of someone or something
-seventy-seven,
capable of happiness
-twenty-something tops,
harmless singly, savage in crowds
-half at least,
cruel
when forced by circumstances
-better not to know
even ballpark figures,
wise after the fact
-just a couple more
than wise before it,
taking only things from life
-thirty
(I wish I were wrong),
hunched in pain,
no flashlight in the dark
-eighty-three
sooner or later,
righteous
-thirty-five, which is a lot,
righteous
and understanding
-three,
worthy of compassion
-ninety-nine,
mortal
-a hundred out of a hundred.
thus far this figure still remains unchanged.
~Translated by Clare Cavanaugh
By Wislawa Szymborska
Out of a hundred people
those who always know better
-fifty-two
doubting every step
-nearly all the rest,
glad to lend a hand
if it doesn't take too long
-as high as forty-nine,
always good
because they can't be otherwise
-four, well maybe five,
able to admire without envy
-eighteen,
suffering illusions
induced by fleeting youth
-sixty, give or take a few,
not to be taken lightly
-forty and four,
living in constant fear
of someone or something
-seventy-seven,
capable of happiness
-twenty-something tops,
harmless singly, savage in crowds
-half at least,
cruel
when forced by circumstances
-better not to know
even ballpark figures,
wise after the fact
-just a couple more
than wise before it,
taking only things from life
-thirty
(I wish I were wrong),
hunched in pain,
no flashlight in the dark
-eighty-three
sooner or later,
righteous
-thirty-five, which is a lot,
righteous
and understanding
-three,
worthy of compassion
-ninety-nine,
mortal
-a hundred out of a hundred.
thus far this figure still remains unchanged.
~Translated by Clare Cavanaugh
Tuesday, December 11, 2007
One Tempting Rhyme
from Seven-Sided Poem
By Carlos Drummond de Andrade
Universe, vast universe
if I had been named Eugene
that would not be what I mean
but it would go into verse
faster.
Universe, vast universe
my heart is vaster.
Translated by Elizabeth Bishop
By Carlos Drummond de Andrade
Universe, vast universe
if I had been named Eugene
that would not be what I mean
but it would go into verse
faster.
Universe, vast universe
my heart is vaster.
Translated by Elizabeth Bishop
Tuesday, December 04, 2007
One Vertiginous Clamber
A Deep-Sworn Vow
By William Butler Yeats
Others because you did not keep
That deep-sworn vow have been friends of mine;
Yet always when I look death in the face,
When I clamber to the heights of sleep,
Or when I grow excited with wine,
Suddenly I meet your face.
By William Butler Yeats
Others because you did not keep
That deep-sworn vow have been friends of mine;
Yet always when I look death in the face,
When I clamber to the heights of sleep,
Or when I grow excited with wine,
Suddenly I meet your face.
Tuesday, November 27, 2007
One Missing Rib Cage
from When They Slip Out Through the Churchyard Grate
By Gunnar Ekelof
...Oh, these homeless dead!
They do us no harm
they only keep us awake
It is only that they are missing
a finger, a toe, an arm
perhaps an entire rib cage
which ancient and modern witches stole
and crushed to dust for new love powders
The living ones do us evil often
The dead ones do us no harm
The living ones are consuming us
The dead ones, they are nourishing
The dead ones are nourishing
Translated by Robert Bly
By Gunnar Ekelof
...Oh, these homeless dead!
They do us no harm
they only keep us awake
It is only that they are missing
a finger, a toe, an arm
perhaps an entire rib cage
which ancient and modern witches stole
and crushed to dust for new love powders
The living ones do us evil often
The dead ones do us no harm
The living ones are consuming us
The dead ones, they are nourishing
The dead ones are nourishing
Translated by Robert Bly
Wednesday, November 21, 2007
One Modern Tearduct
from Love Tokens
By Tran Da Tu
I'll give you a roll of barbwire
A vine for this modern epoch
Climbing all over our souls
That’s our love, take it, don’t ask
...I'm still here, sweetie, so many love tokens
Metal handcuffs to wear, sacks of sand for pillows
Punji sticks to scratch your back, fire hoses to wash your face
How do we know which gift to send each other
And for how long until we get sated
Lastly, I'll give you a tear gas grenade
A tear gland for this modern epoch
A type of tear neither sad nor happy
Drenching my face as I wait.
Translated by Linh Dinh ~ More
By Tran Da Tu
I'll give you a roll of barbwire
A vine for this modern epoch
Climbing all over our souls
That’s our love, take it, don’t ask
...I'm still here, sweetie, so many love tokens
Metal handcuffs to wear, sacks of sand for pillows
Punji sticks to scratch your back, fire hoses to wash your face
How do we know which gift to send each other
And for how long until we get sated
Lastly, I'll give you a tear gas grenade
A tear gland for this modern epoch
A type of tear neither sad nor happy
Drenching my face as I wait.
Translated by Linh Dinh ~ More
Tuesday, November 13, 2007
One Cruel Moon
Anniversary of Death
By Onitsura
Rising autumn moon
Lighting in my lap this year
No pale sickly child
~Translated by Peter Bielenson
By Onitsura
Rising autumn moon
Lighting in my lap this year
No pale sickly child
~Translated by Peter Bielenson
Tuesday, November 06, 2007
One Hooked Eyeball
You Have What I Look For
By Jaime Sabines
You have what I look for, what I long for, what I love,
you have it.
The fist of my heart is beating, calling.
I thank the stories for you,
I thank your mother and father
and death who has not seen you.
I thank the air for you.
You are elegant as wheat,
delicate as the outline of your body.
I have never loved a slender woman
but you have made my hands fall in love,
you moored my desire,
you caught my eyes like two fish.
And for this I am at your door, waiting.
Translated by W.S. Merwin
By Jaime Sabines
You have what I look for, what I long for, what I love,
you have it.
The fist of my heart is beating, calling.
I thank the stories for you,
I thank your mother and father
and death who has not seen you.
I thank the air for you.
You are elegant as wheat,
delicate as the outline of your body.
I have never loved a slender woman
but you have made my hands fall in love,
you moored my desire,
you caught my eyes like two fish.
And for this I am at your door, waiting.
Translated by W.S. Merwin
Tuesday, October 30, 2007
One Disenchanted Frog
The Frog Prince
By Stevie Smith
I am a frog
I live under a spell
I live at the bottom
Of a green well
And here I must wait
Until a maiden places me
On her royal pillow
And kisses me
In her father's palace.
The story is familiar
Everybody knows it well
But do other enchanted people feel as nervous
As I do? The stories do not tell,
Ask if they will be happier
When the changes come
As already they are fairly happy
In a frog's doom?
I have been a frog now
For a hundred years
And in all this time
I have not shed many tears.
I am happy, I like the life,
Can swim for many a mile
(When I have hopped to the river)
And am for ever agile.
And the quietness,
Yes, I like to be quiet
I am habituated
To a quiet life.
But always when I think these thoughts
As I sit in my well
Another thought comes to me and says:
It is part of the spell
To be happy
To work up contentment
To make much of being a frog
To fear disenchantment
Says, it will be heavenly
To be set free,
Cries, heavenly the girl who disenchants
And the royal times, heavenly,
And I think it will be.
Come then, royal girl and royal times,
Come quickly,
I can be happy until you come
But I cannot be heavenly,
Only disenchanted people
Can be heavenly.
By Stevie Smith
I am a frog
I live under a spell
I live at the bottom
Of a green well
And here I must wait
Until a maiden places me
On her royal pillow
And kisses me
In her father's palace.
The story is familiar
Everybody knows it well
But do other enchanted people feel as nervous
As I do? The stories do not tell,
Ask if they will be happier
When the changes come
As already they are fairly happy
In a frog's doom?
I have been a frog now
For a hundred years
And in all this time
I have not shed many tears.
I am happy, I like the life,
Can swim for many a mile
(When I have hopped to the river)
And am for ever agile.
And the quietness,
Yes, I like to be quiet
I am habituated
To a quiet life.
But always when I think these thoughts
As I sit in my well
Another thought comes to me and says:
It is part of the spell
To be happy
To work up contentment
To make much of being a frog
To fear disenchantment
Says, it will be heavenly
To be set free,
Cries, heavenly the girl who disenchants
And the royal times, heavenly,
And I think it will be.
Come then, royal girl and royal times,
Come quickly,
I can be happy until you come
But I cannot be heavenly,
Only disenchanted people
Can be heavenly.
Tuesday, October 23, 2007
One Insufficient Earth
from Merciful God
By Kadya Molodowsky
Merciful God,
Choose another people,
Elect another.
We are tired of death and dying,
We have no more prayers.
Choose another people,
Elect another.
We have no more blood
To be a sacrifice.
Our house has become a desert.
The earth is insufficient for our graves,
No more laments for us,
No more dirges
In the old, holy books.
Merciful God,
Sanctify another country,
Another mountain.
We have strewn all the fields and every stone
With ash, with holy ash.
With the aged,
With the youthful,
And with babies, we have paid
For every letter of your Ten Commandments...
--Translated by Kathryn Hellerstein ~ Book
By Kadya Molodowsky
Merciful God,
Choose another people,
Elect another.
We are tired of death and dying,
We have no more prayers.
Choose another people,
Elect another.
We have no more blood
To be a sacrifice.
Our house has become a desert.
The earth is insufficient for our graves,
No more laments for us,
No more dirges
In the old, holy books.
Merciful God,
Sanctify another country,
Another mountain.
We have strewn all the fields and every stone
With ash, with holy ash.
With the aged,
With the youthful,
And with babies, we have paid
For every letter of your Ten Commandments...
--Translated by Kathryn Hellerstein ~ Book
Tuesday, October 16, 2007
One Re-Reddened Pepper
Sudden radiance...
After October rainstorm
re-reddened peppers
--Buson, translated by Peter Beilenson
After October rainstorm
re-reddened peppers
--Buson, translated by Peter Beilenson
Tuesday, October 09, 2007
One Great Yes
Che Fece… Il Gran Refiuto
By C.P. Cavafy
For some people the day comes
when they have to declare the great Yes
or the great No. It’s clear at once who has the Yes
ready within him; and saying it,
he goes from honor to honor, strong in his conviction.
He who refuses does not repent. Asked again,
he’d still say no. Yet that no—the right no—
drags him down all his life.
Translated by Edmund Keeley and Philip Sherrard
By C.P. Cavafy
For some people the day comes
when they have to declare the great Yes
or the great No. It’s clear at once who has the Yes
ready within him; and saying it,
he goes from honor to honor, strong in his conviction.
He who refuses does not repent. Asked again,
he’d still say no. Yet that no—the right no—
drags him down all his life.
Translated by Edmund Keeley and Philip Sherrard
Two Great Gifts
Art offers two great gifts of emotion: the emotion of recognition and the emotion of escape.
--Duncan Phillips
--Duncan Phillips
Tuesday, October 02, 2007
One Endless Winter
from The Sonnets to Orpheus
By Rainer Maria Rilke
Be ahead of all parting, as though it were
already behind you, like the winter that has just gone by.
For among these winters there is one so endlessly winter
that only by wintering it through will your heart survive.
By Rainer Maria Rilke
Be ahead of all parting, as though it were
already behind you, like the winter that has just gone by.
For among these winters there is one so endlessly winter
that only by wintering it through will your heart survive.
Tuesday, September 25, 2007
One Tone-Deaf Cricket
Even with insects...
Some are hatched out musical...
Some, alas, tone-deaf
--Issa, translated by Peter Beilenson
Some are hatched out musical...
Some, alas, tone-deaf
--Issa, translated by Peter Beilenson
Tuesday, September 18, 2007
One Blinky Peacock
from A Birthday
By Christina Rossetti
...Raise me a dais of silk and down;
Hang it with vair and purple dyes;
Carve it in doves and pomegranates,
And peacocks with a hundred eyes;
Work it in gold and silver grapes,
In leaves and silver fleurs-de-lys;
Because the birthday of my life
Is come, my love is come to me.
By Christina Rossetti
...Raise me a dais of silk and down;
Hang it with vair and purple dyes;
Carve it in doves and pomegranates,
And peacocks with a hundred eyes;
Work it in gold and silver grapes,
In leaves and silver fleurs-de-lys;
Because the birthday of my life
Is come, my love is come to me.
Tuesday, September 11, 2007
One Weak Solution
Ghost
By Nina Cassian
A rug of dead butterflies at my feet,
dead and limp
(they don't experience rigor mortis).
I, on the other hand, am quite healthy:
I've extracted my liver,
plucked out my lungs,
wrenched out my heart,
and nothing hurts anymore.
To become a ghost
is a solution
I weakly recommend.
Translated by Christopher Hewitt ~ Book
By Nina Cassian
A rug of dead butterflies at my feet,
dead and limp
(they don't experience rigor mortis).
I, on the other hand, am quite healthy:
I've extracted my liver,
plucked out my lungs,
wrenched out my heart,
and nothing hurts anymore.
To become a ghost
is a solution
I weakly recommend.
Translated by Christopher Hewitt ~ Book
Tuesday, September 04, 2007
One Unread Paper
from Recuerdo
By Edna St. Vincent Millay
...We were very tired, we were very merry—
We had gone back and forth all night on the ferry;
And you ate an apple, and I ate a pear,
From a dozen of each we had bought somewhere;
And the sky went wan, and the wind came cold,
And the sun rose dripping, a bucketful of gold.
We were very tired, we were very merry,
We had gone back and forth all night on the ferry.
We hailed, "Good morrow, mother!" to a shawl-covered head,
And bought a morning paper, which neither of us read;
And she wept, "God bless you!" for the apples and pears,
And we gave her all our money but our subway fares.
By Edna St. Vincent Millay
...We were very tired, we were very merry—
We had gone back and forth all night on the ferry;
And you ate an apple, and I ate a pear,
From a dozen of each we had bought somewhere;
And the sky went wan, and the wind came cold,
And the sun rose dripping, a bucketful of gold.
We were very tired, we were very merry,
We had gone back and forth all night on the ferry.
We hailed, "Good morrow, mother!" to a shawl-covered head,
And bought a morning paper, which neither of us read;
And she wept, "God bless you!" for the apples and pears,
And we gave her all our money but our subway fares.
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